–>
James Cuno, who resigned this morning from the Art Institute of Chicago to become President/CEO of the J. Paul Getty Trust. Image via ArtDaily

Earlier this morning, James Cuno announced in an email to the staff of the Art Institute of Chicago that he would be leaving his post as the museum’s director to become the President and CEO of the J. Paul Getty Trust.

Cuno, who has been at the helm of the Art Institute for seven years, is an accomplished leader: he has seen the museum through the addition of a new wing and has raised museum attendance by 33 per cent. Previously, Cuno has been director of the Courtauld Institute of Art in London, the Harvard University Art Museums, whose budget and staff he doubled in his 12-year reign, Dartmouth’s Hood Museum of Art, and UCLA’s Grunwald Center for the Graphic Arts.

–>
The Getty Center. Image via Artinfo.

More text and images after the jump… (more…)

–>
Above: Karen Kilimnik, Me Corner of Haight & Ashbury, 1966, 1998.
–>
Below: Joseph Cornell, Untitled, c. 1953.
–>
Image courtesy of the Artists, 303 Gallery New York and Sprueth Magers Gallery Berlin London.

Currently on view at Sprueth Magers London is “Something Beautiful,” a collaborative show by American artists Joseph Cornell and Karen Kilimnik. Curated by Todd Levin, the exhibition features paintings, collages, and mixed-media installations that reflect the influence of the Romantic-era ballet on both artists.

Joseph Cornell (1903-1972) was an American artist known for pioneering the art of assemblage. Created from found objects, Cornell’s boxes often read like three-dimensional Surrealist paintings. He admired the work of Max Ernst and Rene Magritte, but claimed to have found their work to be too dark.  His work was also inspired heavily by his beliefs in Christian Science, which he adopted in his early twenties. He never received formal training as an artist, but was influenced by American Transcendentalist poetry and French Symbolist painters, such as Mallarme and Nerval. Another motif of his work, 19th century European ballet dancers, comes to life in this exhibition.

Similarly, Karen Kilimnik’s work redeploys discreet objects in a quest for the romantic sublime. Theater and stagecraft have figured strongly in her installations, and her use of particular materials suggests the influence of Cornell. Often making direct references to Degas and other Impressionist painters, Kilimnik’s subjects occupy a nineteenth-century world: one of mystery, drama, and romance.

Anthony Byrt, in his review for Art Forum, refers to Levin’s conceptual approach here as a “bold curatorial statement,” suggesting that the premise upon which the two artists are connected is a precarious one. However, “Ballet aside,” says Byrt, “tangible links do emerge, such as theatricality, quiet spectacle, and ideas of feminine beauty, which both artists explore.”

–>
Karen Kilimnik, Paris Opera Rats, 1993. Image credited as above.

More text and images after the jump…

(more…)

Henri Matisse The Moroccans, 1916. Image via MoMA.

Matisse: Radical Invention, 1913-1917, at the Museum of Modern Art, features almost 120 paintings, drawings, prints, and sculptures completed by Henri Matisse within the span of four years.  1913 marks a turning point in Matisse’s evolutionary career: in the twilight of WWI, the artist made a profound move toward conceptual distortion.  He worked in German-occupied France while his brother was in a prison camp and his mother was behind enemy lines–conditions he deemed the “methods of modern construction” that altered the course of his artistic and personal development.

More text and related links after the jump…
(more…)

Roy Lichtenstein, Still Life with Palette, 1972, oil and magna on canvas, 60 x 96 inches. All images courtesy of Gagosian Gallery.

Recently opened at Gagosian Gallery‘s location on 555 West 24th Street is Roy Lichtenstein: Still Lifes. This exhibition is the first devoted solely to the artist’s still lifes spanning from 1972 to the early 1980s. The show, which brings together 50 works from prominent private collections and museums worldwide, includes still lifes in three media: paintings, sculptures and drawings.

Installation view, Roy Lichtenstein: Still Lifes

More images and text after the jump…

(more…)

Ben Lewis BBC reporter for ‘The Great Contemporary Art Bubble’ via The Age

A video player of the BBC documentary: ‘The Great Contemporary Art Bubble’ which, though scathing, gained extraordinary access to collectors such as Adam Lindemann, Aby Rosen and the Mugrabi’s.  Of note is that the documentary filmmaker Ben Lewis actually admits to being the source that leaked White Cube’s unsold inventory prior to the famous Damien Hirst Sotheby’s Auction of 2008 [BBC]

The Guggenheim Museum via Guggenheim.org

The Guggenheim Museum celebrates its 50th anniversary with an exhibition on Frank Lloyd Wright [NYTimes]
The Wall Street Journal calls a possible art price floor based on NY Spring auction activity being the “smallest in 5 years” [Wall Street Journal]
A lawsuit is filed against Christie’s over $3.2 million accepted bid alledgedly made after another accepted phone bid [Bloomberg]
On the austere outlook for recent art school graduates [Financial Times]

Supermarkets censor Manic Street Preachers album cover by Jenny Saville [BBC]
On Art in America owner Peter Brandt’s new exhibition space / festivities at his Greenwich estate [Art Forum]

A digital rendering of Karl Haendel’s ‘Scribble’ on 441 Broadway via NY Times

Art Production Fund sponsors a by-hand, massive “scribble” (on wall once used by Banksy) on Howard Street in Soho, New York [NY Times]
An article on the effect at auction of the duration of artists’ careers as well as how prolific they are [NYMag]
The Museum of Contemporary Art in LA cuts four exhibitions and 17 more jobs [LATimes]
The Fine Art Fund Group sets up to bid on 2 corporate art collections worth up to $65 million and holding works by Picasso and Cindy Sherman [Financial Times]

Maria Baibakova via WWD

24-year old Russian Heiress Maria Baibakova is launching new contemporary shows in Moscow [WWD]
The Obama family redecorates the White House with works by Jasper Johns,Richard Diebenkorn, Jasper Johns and Robert Rauschenberg [Wall Street Journal]

Deitch Projects director Nicola Vassell in her Soho loft via NYMag

On the salon-like atmosphere at Deitch Projects director Nicola Vassell’s Soho, New York apartment [NYMag]
Steve McQueen has lunch with the FT, speaks on his film ‘Hunger’ and the Venice Biennial [Financial Times]

The Museum Brandhorst in Munich via Cubeme.com

Munich’s Brandhorst Museum opens, housing works by Joseph Beuys, Bruce Nauman, Damien Hirst and Gerhard Richter [The Art Newspaper]

A trip photo by Rita Ackermann in Marfa via Blackbook

Rita Ackermann documents her artist in residence in Marfa, home of Donald Judd’s Chianti Foundation [BlackBook]

101 Spring Street, the former home and studio of artist Donald Judd in Soho, New York

In related, the Judd Foundation will restore 101 Spring Street, a cast iron building that was the home and studio of artist Donald Judd. [ArtDaily]

The artist Dash Snow in his Bowery Studio via the Fashionisto

Artist Dash Snow profiled in Muse Magazine [Muse]
Nearly 11,000 people have applied to be part of Antony Gormley’s interactive sculpture on London’s Fourth Plinth, to run from July to October [Independent]
‘Sold Out,’ the original title for ‘The Warhol Effect,’ the Tate Modern’s autumn show featuring Hirst, Koons and Haring , was rumored to have been vetoed by one of the artists due to its double meaning [GuardianUK]
Damien Hirst is the Art Curator for ‘Boogie Woogie,’ a new fictional film on the inside of the art world [TimesUK]
And Hirst opens a show of his work in Prague [RadioPrague]

The Torment of Saint Anthony, reportedly by Michelangelo

The Kimbell Art Museum in Fort Worth, Texas purchases what it believes to be Michelangelo’s first painting, which he completed when he was 12 or 13 years old [DallasNews]
The Hermitage and the State Russian Museum are accused of tax evasion by the Federal Tax Police [The St. Petersburg Times] via ArtinAmerica

The Art Institute of Chicago’s Modern Wing via ArtInfo

The 264,000 square foot Renzo Piano designed Modern Wing of The Art Institute of Chicago opens, making the museum the second largest in the US [ChicagoTribune]
A £3 million, 2-ton Henry Moore sculpture stolen in 2005 was most likely melted down and sold for £1,500 worth of scrap metal [GuardianUK]
President Sarkozy will attend the groundbreaking ceremony for the controversial Louvre in Abu Dhabi [ArtNewspaper]

Richard Prince’s ‘After Dark’ Tapestry on the Hong Kong Museum of Art via Wallpaper

Richard Prince covers the Hong Kong Museum of Art in pulp-fiction novel covers to commemorate the exhibition “Louis Vuitton : A Passion for Creation” [ArtDaily]
In related, with a 31% attendance increase and strong sales, the 2nd Hong Kong International Art Fair is deemed a success [HongKongArtFair]

The New home of Hauser and Wirth New York at 32 East 69th Street via ArtInfo

Gallerist David Zwirner will open a new gallery in Shigeru Ban’s Metal Shutter House on West 19th Street and, uptown, Hauser & Wirth New York (following last month’s debut of Swallow Street, its London exhibition space for emerging artists) will open an Annabelle Selldorf-designed space in the building that was formerly occupied by Zwirner and Wirth on 32 East 69th Street [ArtReview]
The Albion Gallery in London closes in bankruptcy [Artinfo]
Roughly 25 out of 388 galleries in Chelsea have closed but at least 10 new galleries have opened, with more are on the way [Crain’s]