Richard Dorment, the head arts critic at The Telegraph who is retiring after serving at the position for over 30 years, has an article in the newspaper this week, reviewing the changes in contemporary art since he began writing, and his thoughts on writers unwilling to accept the new in the world of art. “Had the same critics been writing about film, sport, or the stock market they’d have been rumbled in a week,” he notes. (more…)

The founders of Frieze, Amanda Sharp and Matthew Slotover, are interviewed in the Wall Street Journal this week as they prepare to open this year’s edition in New York, reflecting on the early days of the fair, and how they first started their coverage of the art world in London during the 1990’s.  “You couldn’t get away from the feeling that something was happening in London, and though we really didn’t know anything about art or magazines, we just knew we had to respond to it,” Sharp says. (more…)

New York Magazine columnist Jerry Saltz is the first art critic to receive a National Magazine Award for a Column, following the announcement of the American Society of Magazine Editors’s annual awards.   (more…)

Rene Ricard, The Archaic Smile (1978)

An artist embracing multiple formats, genres and techniques, Rene Ricard was born into a troubled family in Boston in 1946. Before he was eighteen years old, Ricard had already moved to New York, and immersed himself in its vibrant Downtown scene, appearing in many of Andy Warhol’s films, and becoming a regular in the artist’s “Factory.”  Referred to as ‘the George Sanders of the Lower East Side, the Rex Reed of the art world’ by Warhol, Ricard emerged as a highly influential art critic in the early 80’s, playing major a role in launching the careers of artists such as Julian Schnabel, Francesco Vezzoli, Keith Haring and Jean-Michel Basquiat, whose graffiti works were compared to the wall paintings in Pompeii by Ricard in his famous Artforum essay The Radiant Child. (more…)

Artist Grayson Perry’s newest book, Playing to the Gallery, is out this month, tracing the artist’s early development and insights into the practice, inspiration and politics behind his unique work.  “I firmly believe,” Perry says early in the book, “that anyone is eligible to enjoy art or become an artist – any oik, any prole, any citizen who has a vision they want to share.” (more…)

Damien Hirst is reportedly planning to write his autobiography, despite the artist’s claim that he can’t remember most of his twenties.  The artist announced his intent to pen the story of his hard partying and decadence as part of the YBA’s early this week, but has admitted on several occasions that about ten years of his life are a complete blank, due in part to the same hard living he plans to document. (more…)

Sotheby’s director Philip Hook has unveiled a new guide, welcoming the uninitiated into the often “meaningless” terminology embraced by the institutional art world.  Exploring the meaning of overused words like “important” (“historically significant but hard to sell”), Breakfast at Sotheby’s: An A-Z of the Art World offers a look into the language of the commercial art world.  “They are words the meaning of which has become twisted by the desire to energize banality, to elevate mediocrity, or simply to make a sale.” (more…)

Writer Geordie Greig has released a biography on painter Lucian Freud, capping his 30 years pursuing the famously reclusive artist for interviews and insights into his craft.  Titled Breakfast with Lucian, the book charts the writer’s history with Freud, and his occasionally fractious relationship with the artist, including one scene where Freud pointed a serrated knife at Greig.  “‘Lunatic Artist Stabs Editor of Evening Standard is not a good way to be remembered,’ I said,” recounts Greig. “I can think of worse ways,” was Freud’s reply. (more…)

Damien Hirst has unveiled his latest project, a children’s ABC’s book featuring a letter for letter survey of own work, and a different, corresponding font.  The artist spoke with The Guardian this week, discussing the book, his inspirations as a young artist, and his thoughts on “painting like a child.”  “The childlike quality of some of Picasso’s drawings is precisely what makes them so masterful and extraordinary; the ability to express complete visions, feelings and portraits through a continuous line.” (more…)

Allan Sekula, the multimedia artist and former recipient of the Guggenheim Fellowship, has passed away at the age of 62.  Working across disciplines, Sekula produced a diverse and challenging body of work that included film, installation and photography (his most recognized work), often generating texts alongside the work that helped to further investigations into the media he utilized.  His work has shown at the Tate Modern, Moderna Museet in Stockholm, and MoMA, among others.  His death comes just days after MoMA announced the acquisition of his seminal Fish Story series. (more…)

Art F City’s weekly STUFF column took an interesting twist this week, as artist John Baldessari was invited to contribute a list of his ten most prized possessions.  Rather following his cue, the artist submitted a list of 10 incredibly wealthy individuals, including photographs of each billionaire’s personal yacht.  True to form, Baldessari’s witty subversion offers a pointed commentary on the fetishization of material objects. (more…)

Chinese dissident artist Ai Weiwei has been invited by Creative Time Reports to publish his thoughts on the role of writing as criticism in the face of authoritarian censorship.  The artist, who was detained by the government last year, calls on internet users in China and abroad to use the system to oppose oppression by speaking out.  He writes: “Every day we put the state on trial—a moral trial, conducted with logic and reasoning. Nothing could be better than this. I am preparing a budding civil society to imagine change. First, you need people to recognize they need change. Then you need them to recognize how to make change. Finally, change will come.” (more…)