Bloomberg looks into the ambitious effort behind the sale of the Bunny Mellon art collection, which will include a private sale of works through Sotheby’s, among them a pair of Mark Rothko works valued at over $250 million together.  Of particular note is No. 20 (Yellow Expanse), a striking 1953 work.  “Unquestionably, it is the jewel in the crown,” said David Anfam, author of “Mark Rothko: The Works on Canvas,” the artist’s catalogue raisonne,. “Unlike its companion at the Guggenheim in Bilbao, it’s not labored. In terms of its size there is nothing to compare it with since this is the only ‘classic’ Rothko, as opposed to the Seagram and Harvard murals, of such epic dimensions.” (more…)

BBC 4 has launched a series of new station identifiers, created by British artists.  The short clips include work by 2013 Turner Prize winner Laure Prouvost, 2014 Turner Prize nominee James Richards, film-maker John Smith, and Sebastian Buerkner, and follow a perceived attempt at the BBC to embrace more arts-minded programming and content. (more…)

Art Basel has unveiled its exhibitor list for the 2014 edition of its Miami Beach fair, which will run December 4th through the 7th.  The fair is also launching a new exhibition section titled SURVEY, which will feature art historical projects and special exhibitions. (more…)

Russ & Daughters, one of New York’s premier Kosher delis and cafes, has announced plans to open a new location inside The Jewish Museum on the Upper East Side.  “The minute I came here, I said we had to do this,” says museum director Claudia Gould, who took over at the museum in 2011. “They’re really hip, and we want to try to make Jewish hip. We feel like the brands align. It took about a year to get it going.” She said the lower level space is being gutted and rebuilt for the cafe.” (more…)

Tate Liverpool has announced plans to open an exhibition focusing on the work of Andy Warhol this November, the first major solo exhibition of the artist’s work in Northern England.  The expansive exhibition will include over 100 works from the artist’s career, and will also include a recreation of the Exploding Plastic Inevitable. (more…)

A masterwork piece by Joseph Turner, depicting a view of the city of Rome from Mount Aventine, will go on sale at Sotheby’s in London this December.  The piece, estimated to sell for £20 million, has remained in the same family for nearly two hundred years, and was only sold once before, setting a then-record auction price of £6,000.  “This painting, which is nearly 200 years old, looks today as if it has come straight from the easel of the artist; never relined and never subject to restoration, the picture retains the freshness of the moment it was painted: the hairs from Turner’s brush, the drips of liquid paint which have run down the edge of the canvas, and every scrape of his palette knife have been preserved in incredible detail,” says Sotheby’s Old Masters head Alex Bell. (more…)

The Financial Times profiles the long-awaited opening of the Fondation Louis Vuitton in Paris’s Bois de Boulogne, the Frank Gehry-designed museum housing the renowned design house’s immense art collection.  The article includes a number of notes from LVMH head Bernard Arnault on the Fondation’s approach to collection.  “When we buy something it has to meet two conditions,” he says. “One is that I have to like it, the other is that Suzanne Page (the Fondation curator) should consider it something worth exhibiting in the Fondation Louis Vuitton.  The Fondation’s collection focuses on the link between contemporary artists and the second part of the last century. So you see the evolution.” (more…)

The Wall Street Journal profiles curator Okwui Enwezor this week, the head of next year’s Venice Biennale, tracing his early move from Nigeria to New York City, and his monumental impact on the global state of contemporary art today.  “The art world was very Eurocentric and very westerncentric, and it needed strong curators to change it,” says Els van der Plas, the general director of the Dutch National Opera & Ballet.  “Enwezor positioned several projects in a very strong way, which gave a different view of the world and different views on the history of post-colonialism, of what Africa contributed to the world’s development and of how different countries in Africa are positioned in the world debate.” (more…)

Jean-Luc Martinez, director of The Louvre, is in The Art Newspaper this week, discussing his ambitious plans to renovate and “revolutionize” the centuries old museum.  Martinez’s plans involve rehanging, relighting and relabeling most of the works in the museum galleries, and is the beginning of what the director sees as a “complete makeover” of the museum. (more…)

A new participatory work by Rikrit Tiravanija has been installed at the Leeum Samsung Museum of Art in Seoul.  The work, titled Demo Station No. 5, is an open stage installed inside the museum, allowing for performances, relaxation and iteration between guests, artists and members of the institution. “I want people to move around like they are in their daily life. Part of my interest is always to break down the distance between what we think of as art or high art and what we do in our daily life,” Tiravanija says. (more…)

Piet Mondrian, Composition with Yellow, Blue and Red (1937-42) © 2014 Mondrian/Holtzman Trust c/p HCR International

Running in tandem with the Turner Contemporary in Margate’s expansive Piet Mondrian retrospective, the Tate Liverpool is currently exhibiting an immersive exhibition focusing on the Dutch artist’s creative process and physical locales. (more…)

Artist Grayson Perry has designed a special holiday home in Essex, part of a special commission by Living Architecture, and developed in collaboration with the FAT architectural firm.  Appropriately titled A House for Essex, the home boasts a golden copper alloy roof, and a secret narrative incorporated into the space by Perry, focused around an imagined previous inhabitant.   (more…)

Wassily Kandinsky, Group with Crinolines (1909), via Art Observed

On view at the Guggenheim New York is an exhibition of early works by the pioneering Russian modernist Wassily Kandinsky, made between the years of 1901 and 1911, during the time he and his partner Gabriele Münter traveled extensively throughout Europe, Tunisia, and Russia.  The works, featuring a blend of Kandinsky’s developing lyrical style and his more early, studied figurative pieces and landscapes offer a strong look at an oft-overlooked part of the artist’s career.

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Pierre Hyghe is profiled in the New York Times this week, previewing the artist’s long awaited retrospective at LACMA, and noting the demanding focus Huyghe’s work often requires of curators, in particular his pieces incorporating live animals and actors.  “We have meetings just to talk about the living elements, which isn’t something that usually happens to you as a curator,” says organizer Jarrett Gregory. (more…)

The New York Times spotlights Phillips new flagship location in London, and the auction house’s renewed efforts to challenge the duopoly between Sotheby’s and Christie’s at the highest end of the secondary market.  “It’s a statement of intent,” says Phillips’s new chair Edward Dolman.  “This gives us the best space for viewing contemporary art in London. It’s potentially a game changer.” (more…)

German investigators have announced that they have found a landscape by Claude Monet hidden inside the suitcase of Cornelius Gurlitt, adding yet another work to the considerable selection of works he had stored away in his Munich apartment.  Gurlitt had apparently tried to bring the work with him when he left for the hospital, which scholars are estimating was painted around 1864. (more…)

A trailer has been released for the film Mr. Turner, an upcoming biopic that centers around the life and work of Joseph Mallrond Turner.  The film is directed by respected British filmmaker Mike Leigh (Secrets and Lies, Naked) and earned lead actor Timothy Spall a Best Actor award at Cannes for his performance.  Mr. Turner opens in the US this month at the Telluride and New York Film Festivals.   (more…)

Vik Muniz has ventured to Brazil for his newest project, opening an art and technology school in the Vidigal neighborhood of São Paulo for young students.  Developed in conjunction with MIT, The Escola do Vidigal (Vidigal School) follows a similar arts and technology centre Muniz worked on in 2006 in Rio.   “We want to prepare kids to live and exist in a very visually challenging environment and to be able to act as producers as well as consumers,” Muniz said last year in an interview with Art Newspaper. (more…)

The Centre Pomidou has announced that it will be opening a temporary pop-up location next year in the Spanish city of Málaga, the home town of Pablo Picasso, and will bring a series of exhibitions of works from the Pompidou Collection to the city.  In turn, Málaga will pay a fee of €2.1 million, which offsets the deficit currently faced by the Pompidou for its 2014 operating budget.  “The current financial situation is pushing us to be creative in ways we did not have to be before,” said president Alain Seban. (more…)

Gilbert & George, City Lights (2013), all images courtesy White Cube

Now in their early seventies, the artist duo Gilbert & George have built a trademark artistic presence through their eccentric personas, often mocking British conservatism and aristocratic stereotypes. The duo’s artistic and romantic partnership has produced an ambitious body of work over the past 40-plus years, taking their home in London’s East End, with its multi-cultural and occasionally chaotic atmosphere as a home and inspiration for their politically and socially engaged practice.  Extending this practice, White Cube’s Bermondsey gallery is presenting an exhibition of the duo’s recent large-scale photomontages, collaging London streets with images of the dup.  Scapegoating Pictures for London, containing over sixty pieces of predominantly black, red and white works, delivers the duo’s profoundly satirical and often provocative tone, triggering concerns over terrorism, globalism, surveillance and religion in a massive and ever-shifting urban landscape. (more…)

Piet Mondrian, Composition with Large Red Plane, Yellow, Black, Gray and Blue (1921), Collection Gemeentemuseum Den Haag. © 2014 Mondrian/Holtzman Trust c:o HCR International

“I wish to approach truth as closely as is possible, and therefore I abstract everything until I arrive at the fundamental quality of objects,” Piet Mondrian’s quote reads in the introduction to his expansive retrospective at the Turner Contemporary in Margate.  The Dutch artist, who moved slowly but steadily through the early history of abstraction, explored a diverse body of work in his career, from early impressionist experiments through to his iconic grids, colorful, reductive patterns of black lines and squares of color. (more…)

Rene Ricard, The Archaic Smile (1978)

An artist embracing multiple formats, genres and techniques, Rene Ricard was born into a troubled family in Boston in 1946. Before he was eighteen years old, Ricard had already moved to New York, and immersed himself in its vibrant Downtown scene, appearing in many of Andy Warhol’s films, and becoming a regular in the artist’s “Factory.”  Referred to as ‘the George Sanders of the Lower East Side, the Rex Reed of the art world’ by Warhol, Ricard emerged as a highly influential art critic in the early 80’s, playing major a role in launching the careers of artists such as Julian Schnabel, Francesco Vezzoli, Keith Haring and Jean-Michel Basquiat, whose graffiti works were compared to the wall paintings in Pompeii by Ricard in his famous Artforum essay The Radiant Child. (more…)

A researcher at Texas State University, San Marcos claims to have pinpointed the exact time frame and date at which Claude Monet painted his foundational work Impression, Soleil Levant.  Physicist Donald Olson compared numerous astrological charts, historical records, and photographs of the Normandy town of Le Havre (where the painting was made), before calculating a model that points to an extremely precise date of Nov. 13, 1872, around 7:35 a.m.   (more…)

James Turrell’s Meeting, permanently installed at MoMA PS1 in Long Island City, is currently closed, as the museum seeks out a strategy for its restoration.  Commissioned in the late 1970’s, the work has remained opened to the public for over 40 years, but needs touch-ups to the walls, flooring and benches surrounding the open air in the middle of the space.  “We are going to get it back as close as we can to the original state, but we want it to be easier to maintain and use less power,” Turrell has said. (more…)