Over the course of a lifetime that spanned almost a century, Etel Adnan expressed her prodigious creative and intellectual vision in many forms. In addition to being a visual artist, she is a renowned poet, a prominent journalist, and the author of one of the defining novels of the modern Arab world. Adnan’s biography is notable for its rich convergence of cultural influences. She was born in Lebanon to a Greek mother and Syrian father; grew up speaking French, Arabic, and Greek; and as an adult lived for extended periods in Lebanon, the United States, and France. She began to paint in the late 1950s, while working as a professor of philosophy in Northern California. It was a period when, in protest of France’s colonial rule in Algeria, she renounced writing in French and declared that she would begin “painting in Arabic.”

On view this month in New York, the ever-enigmatic Darren Bader has put on a new show of work at Harkawik, continuing his playful repositions and deconstructions of his materials and their cultural assumptions. Continuing his plundering and extraction of the meanings and understandings of the objects he selects and suspends in a constellation of signs and symbols, the show offers a new set of works by the artist.

On view this month at Karma in New York, painter Keith Mayerson introduces his most recent entry in his ongoing series This Land is Your Land, a body of work that sees the artist reflecting on American history and culture as a way to look for new horizons and possibilities.

Wayne Thiebaud, Hot Dog with Mustard (1964), via Acquavella

Painter Wayne Thiebaud, for his colorful works depicting commonplace objects—pies, lipsticks, paint cans, ice cream cones, pastries, and hot dogs—as well as for his landscapes and figure paintings–all of which served as early salvos in the development of modern pop art, has passed away at the age of 101.   (more…)

Anicka Yi, In Love With the World (2021) All images by Aidan Chisholm for Art Observed.

Setting forth her floating biomorphic machines, artist Anicka Yi has reinvigorated Turbine Hall as visitors return to the iconic London site after a two-year pandemic-induced pause. The latest Tate Modern Hyundai Commission, In Love With the World explores the nexus between nature and technology, integrating the biological and the algorithmic. (more…)

Robert Janitz, The Umbrellas of Cherbourg 2 (2021), via Canada

Currently on at Canada Gallery in New York, artist Robert Janitz returns to his particular style of abstraction, utilizing unique tools and techniques to create geometrically-inspired, colorful compositions. The artist, who has long used loping, gestural forms in his work, here draws new inspiration from the confines of the canvas as a defining element in the production of the pieces. (more…)

David Shrigley, Mayfair Tennis Ball Exchange (Installation View), via Stephen Friedman

Approaching Stephen Friedman’s Mayfair gallery, one is greeted with a large glowing green neon reading “Mayfair Tennis Ball Exchange.” Just beyond the glass, row upon row of gentle green orbs peer back at the viewer, making up artist David Shrigley’s newest exhibition at the gallery. The show, which shares the title with that neon work, makes for a fascinating look at relational work and simple, comical iterations, long a hallmark of the artist’s work. (more…)

Alex Katz, Yellow House (2020), via Gladstone

At the age of 94, Alex Katz is still painting, creating more works in his signature style of elevated coolness. The artist, who continues to paint between Pennsylvania, Maine and New York, marks his first exhibition this month with Gladstone Gallery, where he opens a show of 7 new landscapes that underscore his continued exploration and misery of light, space and balance. (more…)

Caitlin Keogh, Waxing Year 2 (2020), via Bortolami

Currently on at Bortolami’s Tribeca exhibition space, Caitlin Keogh marks her third exhibition with the gallery with ‘The Waxing Year,’ a continuation of the artist’s investigations of space, materiality and time. Rendered through a series of intricate acrylics on canvas, the works speak to her ability to fuse imagined states and historical epochs with a deft sense of lyrical dialogue. (more…)

Claire Tabouret, Offrande (pink and brown) (2021), via Perrotin

This month in Paris, Galerie Perrotin presents a series of new landscape paintings and interiors by the artist Claire Tabouret, continuing a practice of careful historical study and taut, expressive compositions. Painted on colored synthetic fur, the show sees Tabouret continue a practice rooted in dialogue between historical modes and a distinct line of conceptual practice that challenges and reframes the act of painting. (more…)

Luke O’Halloran, Ace of Clubs (2021), via Art Observed

Bungalow’s inaugural pop-up space on Orchard Street presents a show of young artists that is equal bits fest and flesh. As you enter the gallery, a re-CAPTCHA inspired work by Mira Dayal cryptically sets the tone. Imbibe, it reads, as if a catechism for absorbing the bounty that awaits. A vertiginous work nearby, presented by Thomas Blair (2021) seems to wink at you with its illusory moiré hatchings. Adjusting your eyes beyond the painting’s edge reveals a beguiling charade of subversion and submission. This is nowhere more apparent than in an untitled work of Justine Neuberger’s where blushing pastels attempt to soften the taut brawn of a BDSM tussle. The deftness in draughtsmanship is something to marvel at, as equally are the brawling scenes of domination on display. Shards of pink and yellow by Kiyoshi Kaneshiro (2021) resound with unexpected harmony as the porcelain shrapnel inheres a composition that is at once fragile and fraught.  (more…)

Nicolas Party, Trees (2020), via Karma

Currently on view at Karma’s New York exhibition space, artist Nicolas Party is presenting Watercolor, a solo exhibition of around fifty recent watercolor paintings by the artist that underscores his commitment to the medium and his interest in expanding its grammar and possibilities. The show, which marks a specific focus in the artist’s broader output, offers a fascinating look into Party’s more subtle and small-scale compositions. (more…)

Vivarium (Installation View), via Anfisa Vrubel for Art Observed

Tucked away on a quiet side street in the heart of Mexico City’s San Miguel Chapultepec neighborhood, the new JO-HS Gallery is a stone’s throw away from the frenetic energy of the city, and yet a world apart. Draped by a cascade of ivy, the two-story modernist building that houses the gallery was designed by the architect Carlos Herrera in 1981, and served as his studio and workspace for several decades. It was recently taken over and renovated by Elisabeth Johs, curator and owner of the eponymous gallery. Inspired by the vibrant art and culture scene in Mexico City, Johs set out to create a new type of cultural space that would be a hybrid between a gallery, studio space, and artist residency. (more…)

Jenny Morgan at Mother Gallery

With the proceedings of Art Week Miami winding on, the halls at the Miami Beach Convention Center continue to draw massive crowds of both buyers and visitors, its luxe appointments and impressive stock of established blue chip works commanding big headlines and even bigger price tags. But across Biscayne Bay, the New Art Dealers Alliance had kicked off its annual take on the Miami Fair Week. NADA Miami, set up inside the Ice Palace Film Studios, puts itself forward as showcasing new art and to celebrating the rising talents from around the globe, exploring new or underexposed art that is not typical of the “art establishment,” by their words. NADA Miami is also the one of the only major American art fairs to be produced by a non-profit organization, and is recognized as a much needed alternative assembly of the world’s youngest and strongest art galleries dealing with emerging contemporary art.

Hou Zichao at Downs & Ross

(more…)

Andy Dixon at Over The Influence, via Art Observed

Located just off the beachside drag of Ocean Drive, amid the sandy hills of Miami Beach and the Atlantic Ocean, Untitled Art Fair has once again raised its posts and opened its doors for its annual show during Miami Art Week. Place amid meandering beachgoers and booming soundsystems, as well as the annual throng of Art Basel Miami Beach visitors, the fair has one of the more unique positions in a week full of unique offerings, one that balances some of the most familiar sights of the city with the impressive work on view inside.

Untitled Art Fair, via Art Observed

(more…)

Maria Lassnig, Napoleon und Brigitte Bardot (1961), via Petzel

On view this month at Petzel Gallery in New York, the gallery presents a meticulously curated look at the work of Maria Lassnig during her time in Paris. Maria Lassnig: The Paris Years, 1960–68, showcases a range of pieces rarely seen in the U.S., a formative set of works that show her exploring and honing what would become her iconic mode of portraiture and abstraction.  (more…)

David Salle, Sky King (1998), via Art Observed

Open now at the Brant Foundation Art Study Center, painter David Salle is the subject of comprehensive survey of the the artist’s work, exploring a selection of works culled from both the Brant Collections and from a series of international loans. Underscoring the artist’s continued investigation and elaboration on a range of visual languages and histories of painterly craft, particularly in his exploration and visual mash-ups and shifting perceptual frames, the show showcases Salle’s evolution, over 40 years across a broad, yet a tightly controlled visual syntax.

David Salle, Ice Flow (2001), via Art Observed

(more…)

Mark Tansey, Resight (2019), via Art Observed

Currently on at Gagosian Gallery in New York, the dealer has compiled a body of new and recent work by painter Mark Tansey, spanning the past six years of work and running through a range of both paintings and graphite drawings mixed with oil and water. (more…)

Etel Adnan, Untitled (2015), via White Cube

Artist Etel Adnan, the artist and writer whose colorful, minimalist landscapes and incisive writing about political conflict, trauma, and the Middle East made her a diverse and expressive voice in the Contemporary Arts landscape, has passed away at the age of 96. Adnan, raised in Lebanon but based in California for the past several decades, was an international literary figure, and a powerful fixture in the exploration and criticism of violence and war.

(more…)

Danh Vo (Installation View), via Chantal Crousel

Currently on view at Galerie Chantal Crousel in Paris, artist Danh Vo continues a body of work mining disparate historical and biographical threads to realize densely layered environments that challenge and complicate shared understandings of history and meaning. (more…)

Diane Simpson, Roof Shape (Ise), (2019), via JTT

Currently on at JTT Gallery in New York, Chicago-based artist Diane Simpson marks her second show at the gallery with Point of View, a show drawing on a range of architectural sources, as well as her own personal archive of drawings from the early 1980s to render a series of unique objects mixing a fanciful exploration of reality alongside conceptual operations.  (more…)

Neo Rauch, Die Pumpe (2021), via Art Observed

Currently on at David Zwirner’s New York exhibition space, artist Neo Rauch has brought forth a body of new works unified under the title The Signpost, a set of new paintings that mark his first show in New York since 2014. Known for his rich color palette and dreamy, surreal motifs, the artist’s work makes a striking return to the city.

Neo Rauch, Wegweiser (2021), via Art Observed

(more…)

Ron Gorchov, MOCKINGBIRD (2020), via Cheim and Read

Currently on view at Cheim & Read in New York, the gallery turns its attention to the late works of artist Ron Gorchov, exploring the last works the artist made between 2017 and his passing in 2020. Marking a concise summary of the artist’s work and a final look at his single-minded, painterly practice involving a curved, saddle-like stretcher that creates a painting surface that is simultaneously convex and concave, the show underscores his work in a unique and long-lasting mode of practice. (more…)

Ella Kruglyanskaya, Entrenched (2020), via Bortolami

Bortolami Gallery opens its latest exhibition this month with a body of works by artist Ella Kruglyanskaya, marking the artist’s first show with the gallery, and a continuation of her continued explorations of the human body and varied notions of femininity.  (more…)