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Archive for the 'Go See' Category

Go See – London: Barbara Kruger 'Paste Up' at Sprüth Magers through January 23, 2010

Monday, December 21st, 2009

Untitled (We Decorate Your Life) by Barbara Kruger

Sprüeth Magers Gallery in London presents a retrospective of Barbara Kruger’s early works, now on display through January 23rd.  In this rare opportunity to see this portion of her collection, one will note the raw and less yielded approach in these pieces than in her later more refined works.

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Go See – New York: Richard Tuttle – ‘Renaissance Unframed’ at Carolina Nitsch Project Room through January 9, 2010

Sunday, December 20th, 2009

Richard Tuttle's Renaissance Unframed

All images via Anthem unless otherwise noted

Richard Tuttle’s Renaissance Unframed, which is currently on view through January 9th at Carolina Nitsch Project Room in Chelsea, New York brings together 25 encaustic drawings by the artist, with an accompanying sculpture.  The post-minimalist artist (b. 1941), known primarily for his scale and line, has five of these pieces on view at a time thus creating a dynamic gallery environment.

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Go See – Santiago, Chile: Gordon Matta-Clark at Museo Nacional de Bellas Artes through January 24, 2009

Saturday, December 19th, 2009


Splitting, 1974
All images via Museo Nacional de Bellas Artes unless otherwise noticed

On November 11, a comprehensive retrospective of Gordon Matta-Clark, (1943-1978) opened at The National Museum of Fine Arts of Santiago, Chile. The first Latin American tribute to the legacy of Matta-Clark, who rose to prominence in 1970’s with his site- specific artwork, the show was organized by the Museum of Fine Arts of Lima, Peru, and is curated by Gabriela Rangel, director of the Department of Visual Arts at Americas Society in New York.


Gordon Matta-Clark working on Graffiti Truck, New York, 1971

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Go See – New York: Roni Horn at the Whitney Museum of American Art, through January 24, 2010

Saturday, December 19th, 2009


Roni Horn’s You are the Weather (1994-95) All images via the Whitney Museum of American Art unless otherwise noted.

Currently on view at the Whitney Museum of American Art is Roni Horn aka Roni Horn, a thirty-year retrospective of approximately seventy of the artist’s works, including drawings, sculpture, installations, photographs and artist’s books comprising two floors of the institution. Jointly organized by the Tate Modern, it is the most comprehensive survey of the artist to date.


Roni Horn’s Ant Farm (1974/2007)

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Go See – Paris: Rosson Crow 'Paris, Texas' at Galerie Obadia through January 9, 2010

Thursday, December 17th, 2009


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Rosson Crow’s ‘Salon de Réception avec Bud Light’ via Galerie Obadia

Galerie Obadia presents Rosson Crow’s second exhibition in Paris with a series of paintings entitled ‘Paris, Texas’ featuring Crow’s signature blending of Americana, pop culture, and classical painting. Crow’s paint-splotched scenes typically represent opulent places that symbolize power, particularly those associated with ideals of Texas, such as oil derricks or nouveau riche interiors. The current exhibition mines the interiors spaces of Paris, including Versailles, the traditional salon, and the Parisian cafe. Those scenes are infused references to Jeff Koons, Michael Jackson, and good old-fashioned American tropes of the star spangled banner and Bud Light.


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Installation view of Rosson Crow’s ‘Paris, Texas’ via Galerie Obadia

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Go See- New York: Peter Fischli and David Weiss Multi-location exhibit at all three Matthew Marks Galleries through January 16th, 2010

Wednesday, December 16th, 2009


An installation view of the hundreds of international periodicals that compose Fischli and Weiss’s monumental exhibit “Sun, Moon and Stars,” at Matthew Marks’ 522 West 22nd location. The exhibit has been described as a “redaction of late capitalism.”  Via Contemporary Art Daily

Currently on show at the trio of Mathew Marks’ galleries in Chelsea is a unique, multi-part exhibit by Swiss artists Peter Fischli and David Weiss. The duo, who have been collaborating since 1979, are renown for their “academic and playful” installations that evoke the “randomness of existence,” and are widely considered to be the foremost Swiss contemporary artists. “Clay and Rubber,” is currently installed at the 523 West 24th gallery location and consists of 26 sculptures of everyday objects–from a dish to a drawer to a hiking boot–dating from 1986 to the present. Exploring the aesthetics of the commonplace, the iconic sculptures are composed of clay and jet-black rubber and rest on white pedestals, making for a compelling and rather sensual scape of distinctive texture and color. “Sun, Moon Stars and Rain,” at the 522 West 22nd location, is the monumental installation– consisting of an encyclopedic compilation of 800 magazine advertisements taken from hundreds of international periodicals. The concept began as a project commissioned by a Swiss corporation for their annual report. Displayed in 38 tables of glass and wood, the installation totals 330 feet in length and functions as a kind of narrative with subtle sociological insight and curious color scheme associations throughout, evoking myriad interpretations. Lastly, “Sleeping Puppets” occupies the third gallery at the 526 West 22nd location and consists of their newest sculpture– two animals asleep on a pile of blankets. The work recalls the duo’s 1980 films “The Least Resistance” and “The Right Way,” in which the artists dressed in rat and bear costumes in search of adventure–scaling Alpine slopes and crossing rivers– all the way from Los Angeles to the Swiss Alps.

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Go See – Rome: ‘Alexander Calder’ at Palazzo delle Esposizioni through February 14, 2010

Tuesday, December 15th, 2009


La Grande Vitesse (1969) by Alexander Calder via Palazzo delle Esposizioni

Currently on view in Rome at the Palazzo delle Esposizioni, through February 14, is a complete retrospective on Alexander Calder (1898-1976) that surpasses any show dedicated to the artist in Italy during the past three decades. Running concurrently with the Gagosian Gallery’s exhibition Monumental Sculpture (through January 30) and borrowing works from the Museum of Modern Art, Foundation Solomon R. Guggenheim, Whitney Museum of American Art, National Gallery of Art, Center Pompidou and Calder Foundation collections, the exhibition pays tribute to the American master’s legacy, framing him chronologically through more than 150 works. Alongside the artist’s highly recognizable, deftly engineered wire mobiles and sculptures are lesser-known works, including installations, toys and paintings circa 1930, to provide theoretical counterpoints and pivot points in his career.


Blue Feather (1948) by Alexander Calder via Palazzo delle Esposizioni

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Go See – Brussels: Tony Oursler at Baronian Francey through January 9 2010

Monday, December 14th, 2009


Tony Oursler, “Flood or Fear with Bugs” (2009), at Baronian Francey.

Currently showing at Baronian Francey are works by mixed media artist Tony Oursler.  Running through January 9, the exhibition presents pieces completed within the last year which examines the technology-humanity interface.  It both glorifies and mourns the pains of human subjectivity.


Tony Oursler, “Reward Risk Punish” (2009), at Baronian Francey.

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Go See – New York: Alighiero e Boetti ‘Mappa’ at Gladstone Gallery through January 23, 2010

Sunday, December 13th, 2009


Installation view of Alighiero e Boetti’s ‘Mappa’ at Gladstone Gallery

Currently on view at Gladstone Gallery’s West 21st Street location is ‘Alighiero e Boetti: Mappa.’ The exhibition is the first retrospective of the Italian artist’s series of hand-woven carpets that depict world maps. Boetti initiated the series in 1969 with a hand-drawn prototype, coloring in each country with its flag. After a visit to Afghanistan two years later, he commissioned a group of women to weave flags until the artist’s death in 1994. Each map typically took one to two years to complete, though the Soviet invasion of Afghanistan in 1979 halted production for three years and only a few maps were made between 1982-85.


One of the Afghan women Alighiero e Boetti comissioned to weave his ‘Mappa’ series via Gladstone Gallery

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Go See- Germany: James Turrell’s “The Wolfsburg Project,” at Kunstmuseum-Wolfsburg through April 5th, 2010

Thursday, December 10th, 2009
James Turrell: A Retrospective James Turrell by Giménez, Trotman and Zajonc James Turrell: Geometry of Light
Click Here For James Turrell Books

 


James Turrell, “Bridget’s Bardo” (2008) Via DesignBoom

Currently showing at the Kunstmuseum-Wolfsburg  in Germany is an exhibit by Californian artist James Turrell. The exhibit marks the artist’s largest ever walk-through light installation. Situated within a museum context, the structure reaches eleven meters in height — almost touching the museum’s glass roof, and  covers 700 meters of floor area. Entitled “Bridget’s Bardo” the work is inspired by the cosmic qualities of the Roden crater– an extinct volcano in the desert outside of Flagstaff, Arizona and the site of Turrell’s ongoing and most ambitious project of his career.  Turrell has been working on the crater since 1974 in an attempt to turn the subterranean crevice into a kind of artistic observatory where celestial light, in its myriad forms, can be studied and observed. The artist, who works predominantly with light, perception and space, has been working exclusively with the “immaterial” mediums since the 1960’s– continuously exploring the ways in which light interacts with surfaces, colors and spaces while using installation exhibitions to immerse viewers within the resulting visual–and often seemingly tactile– meditative experiences.


James Turrell, “Ganzfeld Piece (model)” 2008 Via DesignBoom

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Go See – Paris: Francesco Vezzoli’s ‘Right You Are (If You Think You Are)’ at the Jeu de Paume through January 17th 2010

Wednesday, December 9th, 2009


À chacun sa vérité, poster d’une exposition qui ne verra jamais le jour
(2009) by Francesco Vezzoli, via Jeu de Paume

Currently on view at the Jeu de Paume in Paris is Francesco Vezzoli’s “À Chacun Sa Vérité.” The exhibition is devoted to the renowned Italian film director Federico Fellini.  Vezzoli presents two new works which investigate the realms of illusion and and fiction in our everyday perception of reality.  The artist also incorporates themes which are present throughout Fellini’s work such as his love of celebrities, the ongoing presence of desire,  his continual references to the mass media, and the myths often found in social and political life.


Portrait Surréaliste d’Anita Ekberg (avant et après La Dolce Vita)
(2008) by Francesco Vezzoli, via Jeu de Paume

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Go See – Nottingham, UK: “David Hockney: 1960-1968, A Marriage of Styles” at the newly opened Nottingham Contemporary through January 24th, 2010

Sunday, December 6th, 2009


David Hockney’s iconic painting “A Bigger Splash” (1967), is at the heart of the exhibition. Via Nottingham Contemporary.

Currently showing at the newly opened Nottingham Contemporary art space in the UK is a major exhibition of work by artist David Hockney. Over 60 works by the artist– including paintings, etchings and drawings, are on show from national and international museum collections for the museum’s inaugural exhibit, which focuses on re-examining the work that the artist produced while living in London and Los Angeles during the years 1960 to 1968.  At the beginning of the 1960’s, Hockney was only in his mid-twenties and had already become one of the most critically acclaimed contemporary artists in Britain, building a national reputation for his distinctive, versatile art that was at once spontaneous, full of allusion and bold for its open references to homosexuality. Themes of the conventional yet “glamorous” California life abound in his work– particularly in his paintings of iconic glistening poolscapes and pristine lawns from the 1960’s, which evoke subliminal messages about society. Although Hockney has rejected the label of being a “Pop” artist, many of his works contain references to popular culture and draw inspiration from graffiti, magazine images, films and photographs, while also containing subtle indications of humor.  “1960-1968, A Marriage of Styles,” marks the first time that Hockney’s early work has been amassed in a collection since the Whitechapel Gallery retrospective of 1970.


David Hockney, “Life Painting for a Diploma,” (1962) Via Guardian

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Go See – London: Donald Judd’s ‘Progressions 1960s and 1970s’ at Simon Lee Gallery through January 29th 2010

Saturday, December 5th, 2009
Donald Judd by David Raskin
Click Here For Donald Judd Books


Untitled  (2-5-75 Bernstein) (1975) by Donald Judd, via Simon Lee Gallery

Currently on view at Simon Lee Gallery in London is Donald Judd‘s ‘Progressions: 1960s and 1970s.’ This solo show of the American minimalist artist reveals the evolution of his manufacturing processes used in his three-dimensional and wall-mounted works. The exhibition features the artist’s early wall pieces and emphasizes the artist’s exploration of the relationship between color and the object.

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Go See – Graz, Austria: Andy Warhol, Christopher Wool and Barnett Newman in a Group Exhibition Entitled ‘Painting Real,’ At Kunsthaus Graz through January 10th, 2010

Friday, December 4th, 2009


Andy Warhol “Double Elvis” (1963) Via Kunsthaus Graz

Currently showing at the Kunsthaus Graz in Graz, Austria is a group exhibition of work by artists Andy Warhol, Christopher Wool and Barnett Newman.  The show is designed to explore parallels between the three artists and to simultaneously shed light on the influence of American Abstract Expressionism on Minimalism and Pop Art.  A critical assumption underlying the exhibit is the idea that Warhol was influenced directly by Newman’s work.  Christopher Wool, one of America’s most significant contemporary painters, is brought into the comparison by way of his “Word Paintings,” which demonstrate a “mediatisation” of images and an overall radical approach to conceptual art–comparable to that of Warhol’s. Ultimately, “Painting Real” is a unique reflection on the work of Warhol and Newman from the contemporary perspective of Christopher Wool–supporting the idea that Wool’s work would never have been conceivable without the transformative work that both Warhol and Newman produced in the generation preceding him. Exploring shared themes of space, time and repetition, the exhibit functions as a kind of  historical compilation that speaks to the cumulative nature of artistic movements and the inner dynamics that propel them.

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Go See – Zurich: Ernesto Neto’s ‘Variations’ at Bob van Orsouw through December 23rd 2009

Thursday, December 3rd, 2009


Variation on Color Seed Space Time Love (2009) by Ernesto Neto, via Bob van Orsouw

Currently on view at Bob van Orsouw in Zurich is Ernesto Neto‘s ‘Variations.’ Presenting his work for the second time at the gallery, in this show the artist displays his latest sculptures representing variations of biomorphic shapes. The viewer experiences these works in multi-sensory dimensions; they can enter, touch, and explore the established forms. Neto even experiments with the sense of smell in these works with different spices filling the inside of his sculptures.

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Go See – Cleveland: 'Paul Gauguin: Paris 1889' at the new Rafael Vinoly designed Cleveland Museum of Art through January 18th, 2010

Wednesday, December 2nd, 2009


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Paul Gauguin, ‘The Call,’ (1902) Via Cleveland Museum of Art

Currently showing at the Cleveland Museum of Art is a landmark exhibition of work by leading Post-Impressionist artist Paul Gauguin and his contemporaries.  Encompassing 75 paintings, works on paper, wood carvings and ceramics by the artist, along with several works by his colleagues, the show focuses on illuminating how the artist developed his signature style by re-creating, on a smaller scale, the radical, independent art show that Gauguin and his artistic colleagues organized during the 1889 Exposition Universelle in Paris.  While Gauguin was excluded from the extravagant exhibition of conservative, academic paintings at the Grand Palais, he found a way to present his more avant-garde works and those of his colleagues at Monsieur Volpini’s Cafe des Arts, located on the grounds of the Exposition. The event, which was entitled “L’exposition de Peintures du Groupe Impressionniste et Synthetiste” is  now recognized as being the first Symbolist exhibition in Paris. The Cleveland Museum’s “Paul Gauguin: Paris 1889” re-creates the avant-garde event, bringing viewers into late 19th century Paris, into a replicated cafe–complete with wallpaper and cafe tables–and embedding them within a telling historical context.

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Go See – New York: Carroll Dunham at Gladstone Gallery through December 5, 2009

Monday, November 30th, 2009


Carroll Dunham’s ‘New Time Storm’ via Gladstone Gallery

Currently on view at Gladstone Gallery is an exhibition of new paintings by Carrroll Dunham. Over the past several years, much of Dunham’s work has focused on an iconic male character – often wielding a gun and baring his genitalia – set in flat abstraction. These paintings represent a shift in the gender of the main character, but also a move towards richer landscapes. Returning to a familiar motif of trees, Dunham places a nude female figure in a garden, a playfully exposed Eve alone amongst cartoonish trees and cacti, occasionally bathing, her ass stuck out, breasts hanging down, pubic and underarm hair spiraling wildly.


Installation view of Carroll Dunham’s exhibition at Gladstone Gallery

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Go See- Brussels: An exhibition of New Work by Elizabeth Peyton at Gladstone Gallery through December 23rd, 2009

Sunday, November 29th, 2009


Elizabeth Peyton, “Brandon Flowers” (2009) Via Gladstone Gallery.

Currently on exhibit at Gladstone Gallery in Brussels is an exhibition of new work by Elizabeth Peyton.  The show, which reveals a continuation of Peyton’s focus on personal and stylized portraiture, encompasses a group of works on paper and employs a variety of mediums– water colors, colored pencil and  pastel pencil. The depicted subjects in Peyton’s new body of work range from historical figures like Napoleon and Cezanne’s “Madea” to portraits of contemporary artists such as Klara Liden and Rirkrit Tiravanija.

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Go See – Dresden: Georg Baselitz’s ‘Dresdner Frauen/ Women of Dresden’ the Staatliche Kunstsammlungen through February 28th 2010

Sunday, November 29th, 2009


Karla (1990) by Georg Baselitz, via Staatliche Kunstsammlungen Dresden

Now on view at the Staatliche Kunstsammlungen in Dresden is Georg Baselitz‘s ‘Dresdner Frauen/ Women of Dresden.’  The exhibition marks the 20th anniversary of the Fall of the Berlin Wall and features major works by the artist that commemorate the destruction of Dresden at the end of the second World War.  Baselitz and his wife designed the layout of the exhibition in order to emphasize works based on the artist’s reflections on the history and culture of Dresden.

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Go see – London: Damien Hirst’s ‘Nothing Matters’ at White Cube Hoxton Square and Mason’s Yard through January 30, 2010

Saturday, November 28th, 2009


Nothing Matters/ The Empty Chair (2008) by Damien Hirst, via White Cube

I feel like I’ve arrived somewhere…In a completely different way. I feel I’ve got the tools to navigate somewhere. All that expression- doubts, fears, everything- can come out in this arena. -Damien Hirst in conversation with Gorn Burn, 2009

Currently on view at the White Cube in London are nineteen new paintings by Damien Hirst.  The new works are exhibited at the gallery’s Mason Yard and Hoxton Square locations. Previously criticized at the Wallace Collection this fall, since the opening of ‘Nothing Matters’ Hirst’s new oil paintings have been selling well. Tim Marlow, the exhibition’s director at White Cube, reported that even before the exhibition opened, five of the seven largest works sold with the most expensive going for £9.5 million or $15.7 milllion. Prices for the paintings began at £235,000.

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Go See – London: A retrospective of Claude Monet at Helly Nahmad Gallery through February 26th 2010

Friday, November 27th, 2009


La Palais Contarini (1908) by Claude Monet, via Helly Nahmad Gallery

Now on view at Helly Nahmad Gallery in London is a retrospective of the Impressionist master Claude Monet. The exhibition highlights the artist’s trips to London and Venice and the series works he created at the beginning of the century.  The character of each city is depicted through beautiful atmospheric effects of luminous sunlight or heavy London fog.  This exhibition is very significant and notable in its presentation of a major impressionist in a private, intimate gallery space.  The Financial Times calls the retrospective “the most beautiful exhibition in London this winter.”

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Go See – Basel: Jenny Holzer at the Fondation Beyeler through January 24th 2010

Thursday, November 26th, 2009


Map (2008) by Jenny Holzer, via The Fondation Beyeler

Currently on view at the Fondation Beyeler in Basel are recent works by American artist Jenny Holzer (b.1950). On display are Holzer’s paintings and sculptures as well as her famous LED installations which portray compelling as well as overwhelming combinations of visual imagery and text. The exhibition also incorporates a selection of works chosen by the artist from the Beyeler collection including those by Giacometti, Picasso, Malevich, and Francis Bacon. The exhibition extends outdoors with light projections onto major suites in Basel, Baselland, and Zurich.

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Go See – Rome: Caravaggio and Francis Bacon, Side-by-Side, in a Commemorative Exhibition at Galleria Borghese through January 24th, 2010

Thursday, November 26th, 2009


Caravaggio’s “Conversion on the road to Damascus” (1601) Via FT.

Currently showing at Rome’s Galleria Borghese is an exhibition of paintings by Italian master Caravaggio and the 20th century Irish painter, Francis Bacon. The exhibition, which has already drawn over 70,000 visitors, displays 14 paintings by Caravaggio along with 17 paintings by Bacon and functions as a kind of commemoration– marking 400 years since Caravaggio’s death and 100 years since Bacon’s birth. Mixing the past and present masters together gives rise to inevitable comparison, and although it is widely acknowledged that Caravaggio had no direct influence upon Bacon, their work shares a broad range of thematic and stylistic properties– among them, a fascination with anatomy, a fixation on depicting an anguished and tormented human condition and revolutionary approaches towards depicting the human form and the expressive portrait in pursuit of realism.


Francis Bacon’s “Study of George Dyer.” (1969) Via FT. (George Dyer, Bacon’s most significant and constant companion and model, committed suicide in 1971, two days before Bacon’s major exhibit at the Grand Palais in Paris.)

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Go See – New York: Urs Fischer at the New Museum, through February 13, 2010

Tuesday, November 24th, 2009

Shovel in a Hole Beds and Problem Paintings Skinny Sunrise
Click Here For Urs Fischer Books<


Urs Fischer’s ‘Noisette’ via New Museum

Swiss artist Urs Fischer is the first artist to take over all three galleries of the New Museum, with an exhibition entitled “Urs Fischer: Marguerite de Ponty,” Fischer’s first major American museum show. The announcement of Fischer’s show caused a good deal of excitement and speculation. Fischer, who famously dug out the floor of Gavin Brown‘s gallery in 2007, is well known for spectacular punk gestures, and observers were curious to see what he would do. Curator Massimiliano Gioni calls the exhibition not a retrospective or a survey, but an “introspective,” an in-depth look at Fischer’s practice combining previous works with new works and site-specific installations. In the post-boom era where museums are abandoning blockbuster shows and retreating to their collections, the New Museum gave Fischer a considerable amount of freedom, allowing him to significantly alter one of the galleries structurally, and flying last minute a gigantic sculpture from China.


Installation view of Urs Fischer’s ‘Marguerite de Ponty’ via New Museum

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