Global contemporary art events and news observed from New York City. Suggestion? Email us.

Archive for the 'Go See' Category

Go See: Group Exhibition Espèces d’Espaces at Yvon Lambert New York, through May 16, 2009

Wednesday, April 1st, 2009

Louise Lawler, 'Il M'aime Un Peu, Beaucoup, Passionément, à La Folie, Pas du Tout', 2008/2009, (edition of 5), Via Yvon Lambert

Last weekend, Yvon Lambert gallery opened a group exhibition Espèces d’Espaces (Species of Spaces) at its  New York location. It features contemporary and modern work by internationally noted artists Lawrence Weiner, Ian Wallace, Christian Vetter, Roman Opalka, Jonathan Monk, Brice Marden, Jill Magid, Zoe Leonard, Louise Lawler, Brice Marden, Zilvinas Kempinas, Yvon Lambert, Bethan Huws, Roni Horn, Jenny Holzer, Liam Gillick, Enrico Castellani, Carter, André Cadere, Stefan Brüggeman, Michael Brown, Brice Marden and Robert Barry.  The show is not only characterized by a great variety of artists, but also by an abundance of mediums.  Besides painting, various forms of sculpture and photography, the exhibtion includes LED, sound and neon. It runs from March 28 until May 16.

Yvon Lambert New York
Group Exhibition: Espèces d’Espaces
550 West 21st street
March 28 – May 16, 2009

RELATED LINKS

Exhibition Page and Press Release [Yvon Lambert]
Exhibition Announcement I
[Re-Title]
Exhibition Announcement II
[New York Art Beat]
Species of Spaces and Other Pieces by George Perec and John Sturrock
[Amazon]
Jenny Holzer Protect Protect at the Whitney
[The Whitney Museum of American Art]
Louise Bourgeois at the Hirschhorn Museum and Sculpture Garden
[The Hirschhorn Museum and Sculpture Garden]
Lawrence Weiner The Other Side of a Cul-de-Sac at The Power Plant Gallery
[The Powerplant Gallery]
Roni Horn Roni Horn aka Roni Horn at Tate Modern
[Tate Modern]

(more…)

Go See: Mickalene Thomas’s ‘She’s Come UnDone!’ at Lehmann Maupin in New York through May 2, 2009

Tuesday, March 31st, 2009


‘Don’t forget about me (Keri)’ by Mickalene Thomas via Lehmann Maupin

Open now at Lehmann Maupin in Chelsea is ‘She’s Come UnDone!’, an exhibition of photographs, paintings, and collages by Mickalene Thomas. This is Thomas’s first solo show in New York, coming on the heels of growing international attention in the past few years. Thomas is known for paintings of black women, sometimes nude, often in a kitschy 1970s domestic setting with lots of woodgrain paneling and animal prints, and incorporating a lot of rhinestones.

Artists On Artists / Mickalene Thomas By Kara Walker [Bomb]
In the Studio: Mickalene Thomas [Art + Auction]
Mickalene Thomas – She’s Come UnDone! [Lehmann Maupin]
Mickalene Thomas

(more…)

Go See: ‘Walking on Air’ by Richard Tuttle at PaceWildenstein, New York, through April 25, 2009

Tuesday, March 31st, 2009

Richard Tuttle, 'Walking on Air, 5' (top) and 'Walking on Air, 4' (bottom), 2008, Via Re-Title.com

Presently on show at PaceWildenstein (534 W 25th st) is Richard Tuttle’s first solo show at the gallery. The exhibition includes twelve new works that were executed in 2008. All twelve pieces, measuring roughly  1’ x 10’, are made up of two rectangles of dyed fabric cloth with sown in grommets, allowing each piece to hang on nails. For Tuttle, these latest additions to his oeuvre alleviate the ambiguity of dichotomy and of the abstract and the real and instead make manifest the prospect of harmony and a new beginning.  The works are paired with a DVD, showing a conversation between Tuttle and Arne Glimcher, director and founder of Pace Art Gallery in New York.

PaceWildenstein
Richard Tuttle: Walking on Air
534 W 25th st
March 20 – April 25, 2009

RELATED LINKS
Exhibition Page and Press Release
[PaceWildenstein]
Richard Tuttle Info, Bio, Essays and More [Sperone Westwater]
Biography, Interviews and Multimedia on Richard Tuttle [PBS art:21]
Richard Tuttle: Never Not an Artist (2005). Documentary on Richard Tuttle directed by Chris Maybach [Art City]

(more…)

Go See: 'Chewing Color,' curated by Marilyn Minter at 44 1/2 in Times Square, New York, April 1–30, 2009

Monday, March 30th, 2009

–>–>–>–>–>–>–>–>–>–>–>–>
–>
Trailer for Marilyn Minter’s ‘Green Pink Caviar’ via The World’s Best Ever

Starting Wednesday, April 1st is ‘Chewing Color,’ a video installation curated by Marilyn Minter as the latest presentation of At 44 1/2, Creative Time’s collaboration with MTV. ‘Chewing Color’ comes after a series of videos by Gilbert & George, Malcom McLaren, and other artists, shown on MTV Studios’ gigantic high definition screen in the midst of Times Square, between 44th and 45th Streets.  Films in the series include Minter’s ‘Green Pink Caviar,’ Patty Chang’s ‘Fan Dance,’ and Kate Gilmore’s ‘Star Bright, Star Might.’ ‘Chewing Color’ will be shown at the top of the hour, every hour during the month of April.

At 44 1/2 – Creative Time Presents Chewing Color [Creative Time]
–>
Marilyn Minter’s Green Pink Caviar [The World’s Best Ever]
–>
Chewing Color curated by Marilyn Minter [SLAMXHYPE]
–>
Marilyn Minter in Times Square
[ThisHeartsonFire]

x

Ralph Lauren adds 2 new labels in tailored clothing for the fall.

Daily News Record July 27, 1995 | Gellers, Stan NEW YORK — Ralph Lauren is dead serious about the tailored clothing business.

So much so, that for the first time in the company’s 28-year history, the designer is using his own name only on both the new purple and blue labels to identify and underscore the company’s move into higher price ranges. However, the Polo Ralph Lauren label continues as the company’s flagship.

As explained by the designer’s brother, Jerry Lauren, senior vice-president, men’s design, Polo Ralph Lauren, “Ralph felt that because Polo was doing so many things, it was time to identify each area.” Thus, the three labels. This move is expected to more than double its tailored clothing business.

And that’s what the new Polo Men’s Tailored Clothing Co. is all about starting with this fall. The world of Polo clothing has grown dramatically and will now cover the waterfront starting with seasonal fabrics for suits at $395 in the Polo Ralph Lauren line to a stratospheric $2,000 for Ralph Lauren purple label — with a lot of stops along the way.

In addition to the long-established Polo Ralph Lauren label is the new purple Ralph Lauren label for top-of-the-line clothing that will be imported from England. New, too, is the Ralph Lauren blue label for upper-moderate canvas clothing made in the U.S.

Both the purple and blue labels separate the designer’s name from the Polo brand. And with this new solo identification, the company is tiering its tailored clothing businesses for the first time to go after three distinct market niches.

The purple label, with suits priced from $1,500 to $2,000, is bespoke British tailoring with roped shoulders and a nipped-in waist. English shirts and ties will also be featured under the purple label.

The blue Ralph Lauren label is contemporary American designer clothing with suits retailing from $795 to $1,195. Sportswear is planned for next fall for this label.

Finally, the ongoing Polo Ralph Lauren label, described as the company’s roots, continues its softly constructed traditional model and includes sportswear and furnishings.

Adding another reason for the major overhaul that broadens Polo’s marketing stance, Dennis Trites, president of the Polo Tailored Clothing Co., explains: “We will finally have the broader product assortment we need to satisfy our growing global business. The Europeans want to buy Ralph Lauren at more price points and as complete collections. Now we have it.” Polo currently does about half its men’s wear volume outside of this country in 75 stores with either the Polo or Ralph Lauren name, both licensed and owned by the American company. There are 55 freestanding Polo stores in this country. Commenting on how the added collections will help grow Polo’s clothing volume, Trites relates, “We’re about 10 percent tailored clothing now, and we would like to feel that with the additional two new labels, we’ll be able to go to 25 percent.” He points out that the new segmented marketing strategy will do more than broaden the company’s total reach. It’s this: Polo’s image in the U.S. as the king of sportswear will get a bit of a makeover starting this fall when tailored clothing becomes more prominent in the company’s advertising. web site ralph lauren coupon web site ralph lauren coupon

It’s even hinted that Lauren himself might become more visible in the future.

Big changes, Trites remarks, will also come in the distribution pattern with regular tailored clothing departments at major stores finally getting a crack at several of the company labels.

In a preview for DNR of the new labels presented in lifestyle settings at the company’s offices here, Jerry Lauren stresses that the purple label clothing “was Ralph’s dream of what a suit should be. It’s a powerful look and everything he would wear himself.” Shown against a rich black and white background with a Steinway baby grand piano as the focal point, the aggressive purple label suit silhouette in single- and double-breasted suits was literally modeled after the clothes the designer had tailored for himself in London.

In sharp contrast and shown in juxtaposition is the new Ralph Lauren blue label collection. The room setting for these suits and sport coats is in a palette of beige through rusty browns, and could have come out of Darryl Zanuck’s home in Hollywood in the late ’30s.

The inspiration for the collection, remarks Lauren, is “Ralph’s purple label signature model.” But for a broader customer appeal, two additional bodies are offered. He describes the suits as “bespoke translated to contemporary clothing made in America. Each body has its own set of specs, because that’s the way Ralph thinks.” The line includes two- and three-button single-breasteds and a six-button double-breasted, which can button one or two buttons. The sleeper, however, is a three-button peak-lapel suit, which, according to Trites, has had a “tremendous response in first showings with some of our customers.” The Polo Ralph Lauren clothing, meanwhile, hasn’t changed. The models still have the company’s signature soft shoulder styling. But they’re visibly different from the purple and blue collections which, according to Lauren, “have much more interest in the sleevehead and the fit at the waist.

“Ralph isn’t interested in high padded shoulders.” The distribution for each of the labels actually reflects the personality of the clothing and the label. The purple label will have limited distribution, with Saks, Neiman Marcus and the Polo stores initially getting the line. In addition to the off-the-peg clothing, made-to-measure will be offered without a surcharge.

The blue label, as noted, will be marketed to regular tailored-clothing departments in department and better specialty stores. This compares with the previous distribution pattern with Polo selling only to Polo stores.

The Polo label will also be sold through Polo stores and also, for the first time, will also be presented in in-store sportswear departments.

Trites points out that in some smaller markets, the Polo clothing will be shown in regular clothing as well as sportswear departments “where the suits will be strongly highlighted. So we’re now covering all bases with all classifications.” He also indicates that with the designer name achieving a separate entity and identity, the company’s Polo Sport label will become that much more powerful on its own.

Adding a footnote on the Polo retail business, the executive points out that many of the American stores are going through arevamping that will add considerably more square footage.

Sales for the trio of labels will currently be handled by the clothing company.

As for the potentials that will open up as a result of the three-tier marketing, Trites continues: “We needed this breakdown to sell more product outside of the U.S. And we’re perceived quite different abroad. In Italy, for example, where most men want to wear Savile Row suits, Ralph Lauren is known for his clothing.

“And in Europe, his name, rather than the Polo brand, is used on some of the stores. We really haven’t used the Ralph Lauren name up to now to sell Europe. Now we have the right product, the image and the different labels to do it.” Gellers, Stan

Go See: Ryan McGinness ‘Works’ at Deitch Projects in New York through April 18, 2009

Monday, March 30th, 2009


Ryan McGinness’s ‘Untitled (Black on Black 2)’ via Deitch Projects

Currently on view at Deitch Projects’ 18 Wooster Street gallery is an installation by Ryan McGinness featuring a number of new silkscreens, paintings, and sculptures. McGinness’s latest work is a further exercise in exploring a riotous semiotics of pop culture and graphic design, often with a tongue-in-cheek art-historical basis. Over the past decade, McGinness has developed an explosive visual language using iconography derived from contemporary graphic design in a process baldly alluding to the likes of Andy Warhol, Jackson Pollock, and Jean-Michel Basquiat. The images McGinness creates, through a laborious process of sketching, drawing, and computer vectoring, are designed to appear anonymous yet embody a distinctly corporate, ‘edgy’ familiarity. Through repetition and superabundance, individual cultural signifiers dissolve into the abstract. A seemingly appropriated, commoditized language converges into the art object, with McGinness drawing upon his design background to blur the lines between commercial design and fine art. And not satisfied with the boundaries proposed by the object, McGinness expands his iconography beyond the canvas and onto the walls, realizing the world he sees when he closes his eyes for the gallery viewer.

Ryan McGinness Works. [Deitch Projects]
Artist’s Page
Ryan McGinness Works [Cool Hunting]
Last Saturday Night, Ryan McGinness at Deitch [W Magazine]
Ryan McGinness Exhibition at Deitch Projects Recap [Hypebeast]
NYC///Must see show///Ryan McGinness’ “Works” at Deitch Projects [Supertouch]
Ryan Mcginness at Deitch [TheWorld’sBestEver]
It’s a Ryan McGinness Renaissance With Two New Books and a Show at Deitch Projects [PaperMag]

(more…)

Go See: Thomas Hirschorn’s ‘Universal Gym’ at Barbara Gladstone, New York, through April 11th 2009

Friday, March 27th, 2009

Universal Gym (2009) by Thomas Hirshhorn, via Barbara Gladstone Gallery

Currently on view at Barbara Gladstone Gallery in New York is a new work by Thomas Hirshhorn. The artist is known for his sprawling installation works that refer to issues of critical theory, global politics, and consumerism.  Hirshhorn combines found imagery and texts with constructions made out of cardboard, foil, and packing tape while decorating them in a Do-it-Yourself manner to refer to the overload of visual images and information that we experience on a daily basis.

Gallery Press Release: Thomas Hirshhorn [Barbara Gladstone Gallery]
Artforum Critics’ Picks [Artforum]
Barbara Gladstone: Thomas Hirshhorn [Artnews]

(more…)

Go See: Philip-Lorca DiCorcia's Thousand at David Zwirner Gallery, New York, through March 28, 2009

Thursday, March 19th, 2009


–>
Philip-Lorca DiCorcia’s Thousand, via David Zwirner.


–>
Philip-Lorca DiCorcia’s Untitled, 980, from Thousand, via David Zwirner.

David Zwirner Gallery presents its first solo show of New York-based Philip-Lorca diCorcia’s contemporary photography.  1,000 Polaroids, shot by DiCorcia over a span of 25 years, represent his cinematic approach to photography.  Though the works are, upon first view, improvised snapshots, they are not candid at all, but balanced between documentary and staged photography, fact and fiction.

David Zwirner
–>
Philip-Lorca DiCorcia, Thousand
–>
525 West 19th Street
–>
February 27 – March 28, 2009

RELATED LINKS

Exhibition Page [David Zwirner Gallery]
–>
Philip-Lorca DiCorcia [Artcenecal]
–>
Philip-Lorca DiCorcia at David Zwirner [Primeira Avenida]
–>
Zwirner + DiCorcia [Horses Think]

(more…)

Go See: Ellsworth Kelly Paintings and Drawings at Matthew Marks Gallery, New York, through April 11, 2009

Wednesday, March 18th, 2009


–>
Installation view of Ellsworth Kelly “Diagonal” at Matthew Marks Gallery

American color-field painter Ellsworth Kelly is showing new paintings (circa 2007-2008) at Matthew Marks in Chelsea.  Since he first exhibited his work publicly more than 60 years ago, Kelly has had over 150 one-person exhibitions in museums and galleries around the world.  The “Diagonal” series is a collection of eight two-panel paintings consisting of a black or white rectangle overlaid with a contrasting canvas on top, extending beyond the perimeter of the one below.

Matthew Marks Gallery
–>
Ellsworth Kelly Diagonal
–>
522 West 22nd Street
–>
February 6 – April 11, 2009

RELATED LINKS

Exhibition Page [Matthew Marks]
–>
Good Form [New Yorker]
–>
Will Corwin’s Top 10 Shows in New York [Saatchi Online]
–>
Paintings that Converse with Antiquity [Wall Street Journal]
–>
NYTCAP art tour [Flickr page: J-No]

(more…)

Go See: Piero Manzoni Retrospective at Gagosian Gallery in New York, through March 21, 2009

Tuesday, March 17th, 2009


–>
Piero Manzoni behind one of his ‘Achromes’ via Gagosian

Currently at Gagosian Gallery is the first major US retrospective of Italian Conceptual artist Piero Manzoni. Manzoni, who died of a heart attack at the age of 29 in 1963, is most notorious for his ‘Merda d’artista,’ 90 sealed cans purportedly containing his feces and sold for the market-value of gold at the time of purchase. The exhibition is curated by Germano Celant, who named the movement Manzoni belonged to, Arte Povera.

Manzoni: A Retrospective [Gagosian]
–>
To Bump Off Art as He Knew It [NY Times]
–>
Italian Conceptualist Piero Manzoni: More Than the Guy Who Canned His
–>
Caca
[Village Voice]
–>
Piero Manzoni: A Retrospective [Time Out NY]
–>
Piero Manzoni Retrospective @ Gagosian Gallery [Whitehot Magazine]

(more…)

Go See: Van Dyck and Britain at Tate Britain, through May 17th, 2009

Monday, March 16th, 2009

Charles II as Prince of Wales in amour (ca.1637-38) by Anthony Van Dyck, via Tate Britain

Van Dyck and Britain, now showing at the Tate Britain, displays 60 magnificent paintings, drawings, and prints by Belgian-born Sir Anthony Van Dyck. The exhibit also includes a range of supporting and comparative material from public and private collections in Britain and internationally. It tells the story of Van Dyck’s incredible impact on British visual culture and reunites 17th century aristocratic family members such as Katherine, Duchess of Buckingham and her two sons, George II Duke of Buckingham and Lord Francis Villiers, works that have never been displayed together before. Also exhibited are works from his English predecessors such as Peter Lely and John Singer Sargent. The Royal Collection, The National Trust and many private lenders have loaned works to the exhibition.

Van Dyck and Britain [Tate Britain]
Anthony Van Dyck’s Portraits of Nobility [FT]
Van Dyck and Britain, Tate Britain, London [The Independent]
Van Dyck and Britain at Tate Britain, Review [The Telegraph]

(more…)

Go See: Jenny Holzer’s ‘PROTECT PROTECT’ at the Whitney Museum of American Art, through May 31, 2009

Saturday, March 14th, 2009

Jenny Holzer, Purple, 2008, Via the Whitney Museum of American Art

On 11 March 2009, Jenny Holzer’s traveling exhibition ‘PROTECT PROTECT’ opened at the Whitney Museum of American Art in New York. ‘PROTECT PROTECT’, previously at the Chicago Museum of Contemporary Art, includes a number of Holzer’s characteristic LED sign works, but also features painting and installation from the last fifteen years.  The majority of the works in the exhibition draws from declassified U.S. government documents and unveils the human presence in the policy making of war, violence and torture. In Red Yellow Looming (2004), LED bars present the viewer with the language of previous U.S. presidents Ronald Reagan, George H.W. Bush and Bill Clinton, while Holzer’s Redaction Paintings series (2005-09) expose the experiences of the perpetrators and victims of the policies set out under these under presidencies.

The Whitney Museum of American Art
Jenny Holzer PROTECT PROTECT
945 Madison Avenue at 75th Street
March 12 – May 31, 2009

RELATED LINKS

Exhibition Page [Whitney Museum of American Art]
New York Times Review
[New York Times]
Art in America Review [Art in America]
Art in America Review of Opening [Art in America]
New York Press interview with Jenny Holzer [New York Press]
Biography, Interviews and Multimedia on Jenny Holzer [PBS art:21]
Sign-Meister Genius Holzer Flashes Ideas on Love, War: Review [Bloomberg]

(more…)

Go See: Yoshitomo Nara at Marianne Boesky Gallery, through March 28, 2009

Friday, March 13th, 2009


–>
Yoshitomo Nara installation view, via Marianne Boesky Gallery.

For Yoshitomo Nara’s fourth solo show at Marianne Boesky Gallery, the Japanese pop artist pairs new paintings and drawings with two large-scale sculptures.  Created with his collaborative group YNG – formally known as “Yoshitomo Nara + graf – the two stylized pine tree abodes are made of reclaimed wood and recall the feeling of a woodman’s cottage or some surreal abode.  The interiors are filled with sketches and doodles created in the artist’s hand, along with stuffed animals that match the playful, fairy-tale feeling of Nara’s work.

Marianne Boesky
–>
Yoshitomo Nara
–>
February 28 – March 28, 2009

RELATED LINKS

Exhibition Page [Marianne Boesky]
–>
Artist Now In Rogue Gallery [New York Post]
–>
Nara Arrested for Graffiti Before Boesky Opening [Art in America]
–>
Openings: Yoshitomo Nara in NYC [Arrested Motion]
–>
NYC///FIRST LOOK///YOSHITOMO NARA ROCKS MARIANNE BOESKY GALLERY [Supertouch]
–>
On View: Yoshitomo Nara at Marianne Boesky [The Art Collectors]
–>
Yoshitomo Nara at Marianne Boesky
[NYArtBeat]

(more…)

Go See: Tony Oursler’s ‘Cell Phones Diagrams Cigarettes Searches and Scratch Cards’ at Metro Pictures New York, through April 11TH, 2009

Wednesday, March 11th, 2009

Tony Oursler, ‘Marlboro, Camel, Winston, Parliament, Salem, Marlboro Light, American Spirit, 2009, Metro Pictures New York. Via Metro Pictures

Currently on show at Metro Pictures is Tony Oursler’s ‘Cell Phones Diagrams Cigarettes Searches and Scratch Cards.’ The show consists of fourteen new works, ranging from installations to wall pieces. The pieces revolve around juxtaposition: painting merges with video and objects are either oversized or minute. Within the works, Oursler deals with issues such as phobia, obsession and addiction. One of the larger installations in the exhibition is a forest of projected cigarettes that endlessly smolder and restore themselves over and over again. The show will run through 11 April 2009.

Metro Pictures
Tony Oursler: Cell Phones Diagrams Cigarettes Searches and Scratch Cards
February 28 – April 11, 2009

RELATED LINKS

Exhibition Page [Metro Pictures]
Exhibition Video
[Vernissage TV)
Artist Page
[Tony Oursler.com]
Urge Overkill
[Artinfo.com]

(more…)

Go See: Andreas Gursky ‘Works 80-08’ at Moderna Museet in Stockholm February 21-May 3, 2009

Monday, March 9th, 2009


Moderna Museet Presents Andreas Gursky: Works 80-08 via ArtDaily

Beginning February 21st, Moderna Museet in Stockholm will host a traveling retrospective of the Andreas Gursky’s photography. Coming from the Museum Haus Lange in Krefeld, Germany, the exhibition includes work dating back to his studies under Bernd and Hilla Becher. Many of the photographs have been reprinted in a smaller format: a marked change considering that most of Gursky’s photographs are very large, sometimes over sixteen feet wide. The exhibition includes over 150 works spanning the artist’s encyclopedic career. He is well known for his expansive, detached, and often digitally-altered images that seemingly catalogue the phenomena of the world.

Following the show at Moderna Museet, the show will continue on to the Vancouver Art Gallery from May 30-September 20, 2009.

Coming Exhibitions [Moderna Museet]

Moderna Museet Presents Andreas Gursky: Works 80-08 [ArtDaily]
Andreas Gursky Works 80-08 [Slovart]
Andreas Gursky Works 80-08 [Amazon]

(more…)

Go See: Rirkrit Tiravanija's 'Less Oil More Courage' at Kunsthalle Fridericianum in Kassel, through June 21st, 2009

Sunday, March 8th, 2009


–>
Installation view of Rirkrit Tiravanija’s ‘Less Oil More Courage’ via Kunsthalle Fridericianum

Running January 17-March 15 and April 4-June 21, 2009 at the Kunsthalle Fridericianum in Kassel, Germany is Rirkrit Tiravanija’s ‘Less Oil More Courage,’ a large wall painting comprised of those words. The phrase comes from an invitation that Tiravanija received to a posthumous exhibition of painter Peter Cain. The invitation featured a reproduction from Cain’s notebooks with the words ‘More courage less oil.’ What for Cain was a painter’s mantra is opened to many more possibilities of interpretation through Tiravanija’s grammatical reversal and recontextualizations.

Rirkrit Tiravanija: ‘Less Oil More Courage’ [Kunsthalle Fridericianum]
–>
Kunsthalle Fridericianum to Open Rirkrit Tiravanija: Less Oil More Courage [Artdaily]

(more…)

Go See: Glenn Brown at Tate Liverpool, through May 10th, 2009

Friday, March 6th, 2009


Hunky Dory
(2005) by Glenn Brown, via Tate Liverpool

Currently on view at Tate Liverpool is a major retrospective of the work of Glenn Brown. The exhibition includes over sixty paintings, sculptures, and several new works making it the largest selection of the artist’s oeuvre to date. Brown’s work belongs to the group called the “appropriationists” meaning artists who borrow from others’ work in the creation of their own. His inspiration draws from art history and popular culture while incorporating images from the work of Dali, Auerbach, Rembrandt, de Kooning, Fragonard, and science fiction illustrators. The elements of size, color, surface texture and brushwork thus influence the way in which original works are transformed onto his canvas.

Glenn Brown [Tate Liverpool]
Glenn Brown’s Giant Canvases [FT]
Tate Liverpool Presents Today Glenn Brown Exhibition [ArtDaily]
Glenn Brown, Tate Liverpool
[The Independent]
Exhibition Preview: Glenn Brown, Liverpool [The Guardian]

(more…)

Go See (with Video): Nate Lowman “A Dog From Every County” exhibition at Maccarone, through March 28, 2009

Thursday, March 5th, 2009


Installation view of “A Dog From Every County” at Maccarone Gallery.  Photo by Tom Powel, courtesy of the Artist and Maccarone.

Greenwich Village contemporary gallery Maccarone is hosting a new Nate Lowman exhibition through the end of March.  The work, a series of works on paper depicting smiley faces, is a departure for the bad boy artist, more typically known for putting bullet holes in gallery walls.  According to Lowman, he’s challenging the idea of a reflexive happy emotion, and the smiley face imagery is lifted from a letter written by celebrity/criminal O.J. Simpson: “It’s this insane compulsion, like “I’m happy! I swear!” I’m not buying it. I don’t believe them.”

Maccarone Gallery
Nate Lowman “A Dog from Every County”
630 Greenwich Street, New York
February 28 – March 28, 2009

RELATED LINKS

Current Shows: Nate Lowman [Frieze Magazine]
Blasblog: The A-crowd comes out for Nate Lowman [Style File Blog]
Leo Fitzpatrick interview with Nate Lowman [Interview magazine]
Art Basel Miami Beach: Under Construction [T: The Moment]

More images, information, and video footage after the jump… (more…)

Go See: Cy Twombly: 'The Rose' at Gagosian Gallery, London through May 9th, 2009

Wednesday, March 4th, 2009

The Rose (2008) by Cy Twombly, via Gagosian Gallery

Currently on display at Gagosian’s Britannia Street Gallery in London are five new monumental paintings by American artist Cy Twombly.  Each painting depicts four wood panels with three vibrantly colored roses in full bloom.  The colors of the roses range from deep burgundy to bright orange, violet, crimson, and gold against a turquoise background.  Stanzas from “Les Roses” by German poet Rainer Maria Rilke are inscribed on the last panel of each painting. The poems inspired this series of works and tell of the artist’s characteristic coupling of painting and poetry.

Exhibition Page: Cy Twombly: The Rose
–>
Last-Chance Timeless Beauty: ‘Cy Twombly: The Rose’ shown at the Gagosian Gallery, London [Financial Times]
–>
Cy Twombly Covers Walls of Gagosian Gallery with Giant Roses [Bloomberg]
–>
Cy Twombly: The Rose [Art Newspaper]
–>
Charles Spencer: How my admiration for Cy the scribbler blossomed.
[Daily Telegraph]
–>
Titian and Twombly: the most youthful of old masters
[GuardianUK ]

more images and story…

(more…)

Newslinks for Wednesday, March 4, 2009

Wednesday, March 4th, 2009


Damien Hirst’s skateboard decks for Supreme, via The Hundreds

Damien Hirst launches a new line of skate decks for Supreme [Hypebeast] plus a Glenn Brown interview with Supreme [Interview]
Turner prize winning British artist Steve McQueen debuts Hunger.
[W Magazine via C-Monster]


John Baldessari at Mies van der Rohe’s Haus Lange of 1928, in Krefeld, Germany, via Edward Lifson

John Baldessari transforms a Mies van der Rohe house [Edward Lifson]
Metropolitan Opera puts up two Chagalls as collateral for loan in the face of a shrunken endowment
[Crain’s]
Art In America launches its new website
[Art Fag City]


A model of Jeff Koons’s ‘Train’ to be built at Los Angeles County Museum of Art, via LACMA

LACMA moves forward with record $25 million sculpture by Jeff Koons [The Art Newspaper]
Gold Bars for a Chris Burden show at Gagosian held up in Stanford fraud case [Culture Monster]
A negative forecast for the recession’s impact on art [NewYorkMagazine]


Banksy in London, via Wooster Collective

New Banksy works appear in London [Wooster Collective]
A profile of the Guggenheim’s Richard Armstrong, a modest museum head compared to his controversial predecessor
[Wall Street Journal]


KAWS’s cover for the current issue of New York, via SuperTouch

KAWS designs New York Magazine’s cover for their ‘Best of New York 2009’ issue [SuperTouch]
Jackie Wullschlager looks at the exhibitions that have come about after Anthony d’Offay’s gift of his collection to Britain
[Financial Times]


Gang Gang Dance, via The Social Registry

Armory Show preview and party at MoMA featuring a performance by Gang Gang Dance [MoMA]
A profile of art collecting Mugrabi family [NY Times]
Second ever newspaper interview of Charles Saatchi
[London Times]


Jake and Dinos Chapman’s remade ‘Hell’ via The Guardian

Jonathan Jones on why the Chapman Brothers’ Hell deserves to be shown at the National Gallery [Guardian]
Munich gallery Andreas Grimm shutters NY location [Hintmag]
SANAA, architects of the New Museum, to design Serpentine Pavilion [Icon]


A rug made by Francis Bacon, via London Times

Rediscovered Francis Bacon rugs are up for auction at a relative pittance versus his canvases [London Times]
Alex Katz models for J. Crew [MediaBistro]
A trend of wealthy collectors building museums to open their collections to the public [Fortune]

Go See (with Video): Martin Kippenberger Retrospective at MoMA, New York, through May 11, 2009

Tuesday, March 3rd, 2009


Martin Kippenberger – Spiderman Studio (1996) at MoMA.  Photo (c) Jason Mandella.

Twelve years after his death at age 44, Martin Kippenberger collectors and fans can rest easy knowing his prolific work is well-represented in MoMA’s retrospective exhibition, organized by Ann Goldstein of the Museum of Contemporary Art in Los Angeles and Ann Temkin, MoMA’s chief curator of painting and sculpture.  The German artist, known for his hard living, experimentation, disobedience, and loyalty, managed to amass an astounding amount of work in relatively short career, including paintings, photographs, posters, books, music, and installation work.

MoMA
Martin Kippenberger: The Problem Perspective
March 1-May 11, 2009
The Joan and Preston Robert Tisch Exhibition Gallery, 6th Floor

RELATED LINKS

Exhibition page [MoMA]
Art Review: Martin Kippenberger at MoMA [New York Times]
The Ford Capri as an Artist’s Muse [New York Times “Wheels” Blog]
Taking a Toll: The Art World [New Yorker]
The Artist Who Did Everything [NYMag]
Open Bar Leads to Coat-Check Fiasco at MoMA Kippenberger Retrospective [NYMag]
Kippenberger’s Giant Egg, Likable Communist at MoMA: Review [Bloomberg]
Jill Krementz Photo Journal – Martin Kippenberger [NY Social Diary]
MoMA Presents Major U.S. Retrospective of Influential German Artist Martin Kippenberger [Art Daily]
Martin Kippenberger at MoMA Major US Retrospective [FAD]
Martin Kippenberger Opening at MoMA New York [Panache]

More images, information, and video footage after the jump…

(more…)

Go See: Hernan Bas at the Brooklyn Museum, New York, through May 24, 2009

Monday, March 2nd, 2009

Hernan Bas - The Burden (I Shall Leave No Memoirs), 2006. The Rubell Family Collection, Miami

Hernan Bas: Works from the Rubell Family Collection” at the Brooklyn Museum includes 38 works by Miami’s native son Hernan Bas, collected over a ten-year period by the seminal Rubell family.  His work, which incorporates romantic and classical imagery, finds inspiration in youth and Goth culture, fashion layouts, and books, among them the Hardy Boys series, Oscar Wilde, and Huysmans as reimagined from the perspective of a young gay artist. At the center of the exhibition is a specially commissioned, grand-scale video and sculpture installation, Ocean’s Symphony, a “sumptuous tribute to the myth of the mermaid.”

Brooklyn Museum
Hernan Bas: Works from the Rubell Family Collection
February 27-May 24, 2009
Morris A. and Meyer Schapiro Wing, 4th Floor

RELATED LINKS

Exhibition page [Brooklyn Museum]
Exclusive: Miami Native Hernan Bas Brings Decadence to Brooklyn Museum [Flavorwire]
Hernan Bas at the Brooklyn Museum [Flash Art]
Getting Lushy: Hernan Bas at the Brooklyn Museum [C-Monster]
Overview: Hernan Bas [ArtInfo]
Hernan Bas Exhibit Opens at The Brooklyn Museum [WWD]

(more…)

Go See: Will Cotton Paintings at Mary Boone, Uptown, New York through March 28, 2009

Sunday, March 1st, 2009


Will Cotton’s ‘Alpine Ruin’ via Mary Boone

On view now at Mary Boone Gallery’s Fifth Avenue location is an exhibition of new paintings by Will Cotton. Cotton is known for his photorealistic candyland dreamscapes, often featuring scantily-clad female figures lounging in cotton candy clouds or bathing in chocolate pools. Cotton’s current series is inspired by Hudson River School painter Thomas Cole’s acclaimed ‘The Course of Empire’ series.  The human eye-candy disappears from these decadent landscapes, but the exhibition includes a series of portrait studies in the style of Renaissance portraiture with young beautiful women wearing status symbols made of sugar.

Exhibition page [Mary Boone]
Artist’s page
Adam Stennett in conversation with Will Cotton [Whitehot Magazine]
Greg Lindquist in conversation with Will Cotton [artcritical]

(more…)

Go See: Takashi Murakami's New Paintings at the Gagosian Gallery, London through April 9th, 2009

Saturday, February 28th, 2009

Bokan Camoulfage Pink (2009) by Takashi Murakami, via The Gagosian Gallery
–>

Currently displayed at the Gagosian’s Davies Street gallery in London are new paintings by Takashi Murakami.  The compact exhibition features three larger scale paintings including new work in the Time Bokan series and from his trademark Kakai and Kiki characters.  The Kaikai and Kiki (2009) painting is accompanied by new paintings in the Time Bokan series that Murakami began in 1933. A central image in Murakami’s work is the skull-shaped mushroom cloud borrowed from the Japanese anime TV series from the 1970s. Found in both Time- Camouflage Moss Green and Bokan-Camouflage Pink, the cloud symbolizes the fall of the villain at the end of each episode but can be likened as well to the atomic bombing of Japan.

Exhibition Page: Takashi Murakami’s New Paintings
–>

(more…)

Go See: The Glamour Project group show at Lehmann Maupin in New York, through March 21, 2009

Friday, February 27th, 2009

Lehmann Maupin "The Glamour Project"

In conjunction with Glamour magazine in celebration of its 70th anniversary, Lehmann Maupin gallery has organized a group show of prominent women artists titled “The Glamour Project.”  Boldfaced name artists like Tracey Emin, Kara Walker, Marilyn Minter, Rachel Feinstein, and Rita Ackermann were asked to create works translating their own interpretations of glamour.  The south gallery space features black-and-white portraits of the ten commissioned artists by photographer Brigitte Lacombe.

Lehmann Maupin - The Glamour Project - Tracey Emin - I Promise to Love You Too

According to Glamour editor-in-chief Cindi Lieve, “Ask ten women artists, and you’ll get ten showstopping, brilliantly realized visions – some of them sweet, some of them shocking, but each one a very personal manifesto on the meaning of femininity in 2009.”

RELATED LINKS

Jason Wu, Thakoon Celebrate Glamour’s 70th Anniversary [Huffington Post]
Party Watch [Vanity Fair]
Glamour Celebrates 70th: Portrait Artists [WWD]
“The Glamour Project” brings out the glamourous [Guest of a Guest]
Glamour Turns 70! [Mediabistro]

more story and images after the jump… (more…)