Nicholas Serota has reportedly won an additional £6 million in government funding for the Tate Modern expansion set to open next year.  The move is particularly noteworthy, as it comes in the midst of widespread cuts to arts funding around the nation. (more…)

President Obama has designated three new sites for federally protected land in the United States, including Basin and Range in Nevada.  The site serves as the home of Michael Heizer’s landmark installation City, effectively preserving the work within the 704,000 acres of desert being set aside for protection. (more…)

Collector and former MoMA President Agnes Gund is profiled in the Wall Street Journal this week, discussing the state of the market, her focus on female artists, and her organization Studio in a School, an arts program offering training in teaching art to young students.  “If it’s taught well, art really is important to kids early on,” she says. “It helps children develop language and allows them to see themselves in a way that isn’t right or wrong, because if they draw an animal with five legs instead of four, nobody’s criticizing them for it.” (more…)

Tullio Lombardo’s Renaissance statue of Adam, which famously fell from its pedestal at The Met and was smashed to pieces, is back on view after a lengthy restoration, accompanied by a digital video project and performance that gives the work a multi-faceted, occasionally irreverent voice.  The project is a continuation of The Met’s ongoing emphasis on direct engagement of visitors with its collection through performance and new technology. (more…)

Artist Marc Quinn is interviewed in the Telegraph this week, as he prepares to show new work at White Cube this month.  “I’ve always loved beaches,” he says, noting the connections between the ocean’s form and landscape and his own work.  “I love that we come from the sea. I think that’s where my interest in liquid and solid comes from. The beach is where liquid and solid meet, so it has this incredible sense of possibility.” (more…)

Art Daily has an interview with Art Recovery Group’s founder Christopher Marinello, whose work investigating claims of Nazi-looted art and stolen works has made him a trusted authority on reclaiming lost art.  “This is one of our specialities,” Marinello says of his recent case returning a stolen Rodin to a Los Angeles family. “Getting in the middle of a case and finding a way to twist everybody’s arm to settle the case.”  (more…)

An Auguste Rodin sculpture stolen 24 years ago has been recovered after it was offered for sale to Christie’s, and returned to the owner. “In accordance with the insurance policy to which this work was subject, Young Woman with Serpent was offered back to the theft victim upon its successful recovery,”says Spokesman Jerome Hasler of Art Recovery Group, the company that assisted in the recovery of the piece.  “In this instance, however, the victim has decided that the work should be sold, and it will now be consigned later this year for a new owner to enjoy.” (more…)

The Art News published its annual list of the Top 200 Collectors this week, featuring short profiles on the collectors on the list this year, including Roman Abramovich, Agnes Gund, Paul Allen, and Leonardo DiCaprio.   (more…)

The Museum of Modern Art and Basel’s Schaulager Collection are partnering to present a major retrospective focused on the work of Bruce Nauman, set to open in Switzerland in March of 2018.  The show will then cross the Atlantic to MoMA for a September opening. (more…)

Olafur Eliasson is interviewed in Fast Company this week, discussing his design projects and views on urban infrastructure, including the capacities for city planning and art to change how people interact and use limited urban space.  “Reflexivity is about connectivity, and connectivity is sometimes more about looking into yourself than looking at the ‘other.’ It can be hard work, and it can be uncomfortable, but sometimes public space has to make that demand of you,” he says.  “And sometimes art—and good art always—makes that demand of you. It makes you work. It makes you give. It makes you into a producer of space, of situations, of life, instead of being a consumer.” (more…)

The Art Newspaper notes that over one third of collectors in the top 20 of the Art News Top 200 Collectors List have opened museums or foundations to manage their collections, counting Bernard Arnault, Peter Brant and Eli Broad among them. (more…)

The New Museum has announced Gary Carrion-Murayari, the Kraus Family Curator at the museum, and Alex Gartenfeld, Deputy Director and Chief Curator at the Institute of Contemporary Art, Miami, will head up curatorial duties for the institution’s 2018 Triennial.  “I cannot think of two curators who are more in tune with emerging art today than Gary Carrion-Murayari and Alex Gartenfeld,” says Massimiliano Gioni.  “They are young, but their achievements and careers are impressive. They will form quite a dynamic team.” (more…)

Mona Hatoum is profiled in The New York Times this week, as the artist prepares for her solo exhibition at the Centre Pompidou this month, and reviews the multi-faceted international upbringing that informs much of her work.  “The basis of it is a feeling of wanting to be free of all those restrictions, whether it’s social or political, that are always put on people,” she says, “so I can be whatever I want to be.” (more…)

The New York Times has a feature on Dylan Brant, the son of collector and publishing magnate Peter Brant in its Style section this week, noting 25 year-old’s passion for curating and dealing, including a recent show, Rawhide, at Venus Over Manhattan.  “As a young man, I’m really aware of the standards for being a man in America, and you see a lot of that represented in cowboys,” he says. “So they’re interesting figures in relation to the disintegration of the American landscape.” (more…)

The Park Avenue Armory has received a gift of $65 million from the The Thompson Family Foundation, bringing the total amount of money given by the foundation to the institution to a total of $129 million over the past years.  The Foundation, set up to honor the memory of businessman Wade Thompson, has long been a staunch supporter of the Armory.  “He passionately believed that the Armory should be rescued as one of the country’s most important landmarks,” says his widow, Angela Thompson. (more…)

The Snarkitecture Studio has unveiled a massive ball pit installed inside of Washington D.C.’s National Building Museum, part of a 10,000 square foot work titled The Beach.  The work will remain open to the public through September 7th. (more…)

London’s Whitechapel Gallery has announced plans for an ambitious exhibition of Arab art, pulling more than 100 works from the Barjeel Art Foundation, and noted as “the broadest single overview of Arab art to be shown in the UK to date,” the Art Newspaper reports.  “The Barjeel foundation’s guiding principle is to contribute to the intellectual development of the art scene in the Arab region by building a prominent, publicly accessible art collection in the UAE,” the foundation said in a statement. (more…)

Shepard Fairey’s warrant in Detroit resulted in the artist’s arrest at the Los Angeles International Airport this past Monday, where he was held overnight on charges of vandalism.  The artist has since been released, and has not made a statement on the event. (more…)

The Hong Kong Museum of Arts closes its doors next month for a three-year, $120 million renovation that will expand exhibition space, as well as raise the museum ceilings in exhibition spaces, a much-needed change that had caused problems for the institution.  “There were some exhibits from overseas which could not be shown at the museum because of the height problem,” says Chan Shing-wai, assistant director of leisure and cultural services. (more…)

The Met is currently working on plans for a 2017 exhibition focused on the work of Lucio Fontana, and initial reporting by the Art Newspaper indicates that the exhibition could be held at the Breuer building, formerly the home of the Whitney Museum.  “An exhibition at the Met will necessarily be all-encompassing,” an anonymous source close to the museum says. (more…)

The Economist reviews the touring exhibition of the M+ Museum collection, before the Hong Kong museum opens its doors in 2019, and profiles some of the most important contributors to the emergence of Chinese contemporary art worldwide, including businessman and diplomat Uli Sigg, and Guy Ullens, founder of the Ullens Centre for Contemporary Art.  “The view was that art and culture were enshrined in the past—that Chinese art was ‘something ancient’,” says Edmund Capon, who served as head of the Art Gallery of New South Wales. (more…)

The Art Newspaper notes the increasingly complex internal workings of the guarantor system at Christie’s this week, including a growing number of behind the scenes deals and third-party guarantees or investors that help push works to ever higher prices.  “It is becoming more complex and confusing, and that’s not what you want to have in an art market where prices are at this level,” says economist Olav Velthuis. “With the market expanding and prices rising so high, you want more transparency—but this is resulting in the opposite.” (more…)

The LA Times looks at the immense efforts taken at the Broad Museum to ready the exhibition space, including the negotiations in installing and managing immense artworks like a recently purchased Takashi Murakami piece.  “Contemporary art is so varied in form, material and scale that you often need to devise new approaches for moving and installing certain pieces,” says the Broad’s director of collections management, Vicki Gambill.  “That’s what makes the work infinitely interesting and complex. Preparators love solving problems.” (more…)

White Cube Gallery will close its São Paulo exhibition space this August, when its three year lease ends, The Art Newspaper reports. The gallery told the paper that it will focus on “special projects” in Brazil,“as was the impetus when the gallery was first introduced to the region.”   (more…)