Raque Ford at Martos Gallery, via Art Observed

Art Week Miami is underway, and the city itself seems to have slowly built its own counterpoint to the sprawling complex of fairs across Biscayne Bay at the Miami Beach Convention Center.  While Miami Beach continues to draw massive crowds of both buyers and visitors, its luxe appointments have long found a compelling counterpoint at NADA Miami, set up inside the Ice Palace Film Studios, where the focus is on showcasing new art and to celebrating the rising talents from around the globe. Exploring new or underexposed art that is not typical of the “art establishment,” by their words, NADA Miami is also the one of the only major American art fairs to be produced by a non-profit organization, and is recognized as a much needed alternative assembly of the world’s youngest and strongest art galleries dealing with emerging contemporary art.

Anneke Russden at Galerie Tatjana Peters, via Art Observed

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Camille Kachani at Zipper Galeria, via Art Observed

Turning the corner onto the iconic drag of Ocean Drive, one’s attention is immediately drawn to the slender white tent laid out along the ocean skyline, a gleaming structure that houses the Untitled Art Fair underneath its minimalist structure.  Its annual home, placed squarely in the midst of boozey beachgoers, restaurant soundsystems, and the annual flood of Art Basel Miami Beach visitors, the fair has one of the more unique positions in a week full of unique offerings, one that balances some of the most familiar sights of the city with the impressive work on view inside.  Compounded by the floor to ceiling windows in the fair tent, the fair is an annual must-attend for those looking to get their dose of dynamic contemporary art and Florida sun in one go. (more…)

Elmgreen & Dragset, Before the Storm (2019), via Kukje

With the conclusion of another year, the art world has once again turned its attention to the bustling Miami cityscape for another year of of the Art Basel fair franchise on the tip of the Florida peninsula.  Bringing together the global art community for a week of fairs, exhibitions and parties on the streets of Miami and Miami Beach, the fair and its satellites will look to further its influence and footprint in the city. (more…)

Anish Kapoor, New Born (2019), via Lisson

Currently on at both of Lisson Gallery’s New York exhibition spaces, artist Anish Kapoor orchestrates a striking investigation of perception, space, time and movement through a selection of new works. This is Kapoor’s first show with Lisson in the U.S., an impressive note considering his nearly forty years with the gallery. (more…)

Saskia Noor van Imhof, #+40.00 (Installation View), via Art Observed

Making for the artist’s first solo exhibition in New York City, artist Saskia Noor van Imhoff has orchestrated a captivating, otherworldly environment in the basement of Grimm Gallery downtown. The artist, who frequently works with ideas of “hidden” or obfuscated practices and points of origin for her work, here creates a space that defies easy categorization, instead challenging the viewer to pass through the spaces and observe the works, coaxing a narrative out of their beguiling arrangements. (more…)

Karen Kilimnik (Installation View), via 303

Comprising her 12th solo show with 303 Gallery, artist Karen Kilimnik returns to New York with a new body of works, snaking through a range of materials and techniques that touch on painting, photography, collage, sculpture and video, all displayed in the Petersburger exhibition style.

Karen Kilimnik, the sports car rally + and the treasure hunt, england, Steed, Emma Peel, assorted villains + the butler – bentley (2007), via 303

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Douglas Gordon, Happy Birthday to Me (2008-ongoing), via Eva Presenhuber

Presenting a range of works continuing his interest in cinema and the collective memory, the construction of images on the screen and in our heads, artist Douglas Gordon returns to Eva Presenhuber in New York City with a selection of works centered around his ongoing installation Happy Birthday To Me…, accompanied by a new 24-part burned print work titled Self Portrait of You + Me (Neighborly Love), a film installation titled Video Diptych, and more, compiling the artist’s respective works into both a portrait of his own practice, and that of the concepts described above. (more…)

Charlap Hyman & Herrero, Shell Lamp I, Moulded plastic, and Astrologia Zodiac Black Natural Abaca Round Rug, Hemp, 2018; Chiarastella Cattana, Dune, Jacquard woven textile, 2019; Yali, Vignole Table, Glass top, iron base, 2019. © Annie Schlecter.

Currently on view for the week at 109 Thompson Street is the pop-up exhibition ‘Conversation Piece: Design is Dead’, a shoebox of a gallery space that designer Adam Charlap Hyman has dramatically transformed into an underwater grotto. The eponymous title of the show is the frequent tagline of Enzo Mari, a maverick Italian designer highly critical of modern design with a host of catechisms to prove it. He attributes the solipsism of design—namely, its death—as ‘the overlaying of icons without any reference to history… In most cases the essence becomes a confusing mess, created without logic.’ (more…)

Willem de Kooning, Untitled XXII (1977), via Sotheby’s

Capping off the events of the fall art market before one last blowout in Miami, New York City will play home to a last series of major art auctions, offering a last look for the year on just how the contemporary market is faring. Considering relatively unpredictable sales in London this past month, and and more uncertainty on the global horizon, it should make for an intriguing picture of how U.S. dealers are preparing for the months to come. (more…)

Mai-Thu Perret, Agua Viva (Installation View), via Galerie Barbara Weiss

Currently on at Galerie Barbara Weiss in Berlin, artist Mai-Thu Perret has opened an exhibition of new works drawing on a range of conceptual vectors to explore modernity in conversation with a range of disparate timelines and frames of reference. Drawing its title from writer Clarice Lispector’s book of the same name, the work seems to explore a similar exploration of time as atomic, as suspended along a series of varied singularities that converge and break apart, each moment a collision of varied possibilities and probabilities. (more…)

Mona Hatoum, Hot Spot (stand) (2018), via Chantal Crousel

Currently on at Chantal Crousel in Paris, artist Mona Hatoum continues her incisive, challenging work reflecting on world conflicts, migrations, and surveillance, using materials as varied as steel, brick, concrete, and human hair to create spaces of tension, paradox, and ambiguity. Using these materials as a way to explore and elaboration on political systems of oppression and destruction, the artist’s work is a poetic and often startling challenge to power. (more…)

Urs Fischer, Leo (George & Irmelin) (2019), via Gagosian

With the opening of FIAC this past month, Gagosian Gallery filled its ground-floor space in Paris with new work by Urs Fischer, including an impressive new candle work by the artist depicting actor and activist Leonardo DiCaprio. Continuing the artist’s enigmatic engagement with the aura of fame and fortune, his new candle sculpture marks a return to his interest in collectors and art world influencers, turning their visages into slowly melting piles of wax. (more…)

Henry Taylor, NIECE COUSIN KIN LOOK HOW LONG IT’S BEEN (Installation View), via Blum & Poe

Los Angeles-based artist Henry Taylor touches down at Blum & Poe in New York this month, bringing with him a body of new portraits and large-scale compositions under the title NIECE COUSIN KIN LOOK HOW LONG IT’S BEEN, his sixth exhibition with the gallery.  (more…)

Bunny Rogers, A Very Special Holiday Performance in Columbine Auditorium (2017), via Performa

With the turning of the seasons and the first tastes of brisk fall weather, this year’s edition of the Performa Biennial is set to open in New York.  Marking the 8th edition of an event founded by art historian and curator RoseLee Goldberg, Performa is dedicated to exploring the critical role of live performance in the history of twentieth-century art and to encouraging new directions in performance for the twenty-first century.  A favorite among the New York art world, the fair offers a deep look at a range of performing practices and perspectives spread across the city, inviting adventurous art lovers to dive into the fabric of the city to seek out inspiring and energetic new work.

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Roy DeCarava, Bill and Son (1962), via David Zwirner

Marking its first presentation of the work of photographer Roy DeCarava since announcing exclusive representation of his estate last year, David Zwirner has opened an impressive pair of shows devoted to divergent bodies of work. Exploring the artist’s expansive vision and unique sense of the image, the pair of shows highlight why Zwirner was so devoted to representing the artist’s work. (more…)

N. Dash, Untitled (2019), via Casey Kaplan

Currently on view at Casey Kaplan’s exhibition space, artist N. Dash presents a selection of new works delving into process, time, material and the act of representation, a series complex silkscreen arrangements that seem to reference space and time, production and material as bound up in an ongoing exchange. The works, spread throughout the gallery space, serve as an intriguing meditation on the concept of production, and how the continued extension and elongation of the productive process can create an ever more expansive range of works.

N. Dash (Installation View), via Casey Kaplan

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Raymond Pettibon, Frenchette (Installation View), via David Zwirner

With the days of FIAC now fading into the distance, the art world has settled down a bit in Paris, but some of the fresh energy and excitement of the week remains, particularly in the Marais, where David Zwirner’s brand new exhibition space at 108, rue Vieille du Temple has now opened permanently. The well-appointed space is christened by American artist Raymond Pettibon, who marks his first solo show in the city since 1995. (more…)

Jim Shaw, Strange Beautiful (2019), via Praz-Delavallade

It’s hard to avoid the bizarre poignancy of Jim Shaw’s work in the modern era. The artist’s incisive and often hysterical engagements with the language of modern U.S. politics, moments of historical violence, pop culture and even commodity capitalism (usually all at once), makes him one of our era’s most erudite cultural critics, even if he may, simultaneously, be one of our most ribald. His work, on view now at Praz-Delavallade in Paris, makes the most of our current historical moment, putting the full weight of the current era into a new series of works. (more…)

Jeppe Hein, Moon Mirror (2019), via 303

Artist Jeppe Hein rounds out a new show of works at 303 Gallery this month, a selection of works that continue a frank, emotive sensibility and a meditative approach towards perception and understanding in his work.  The show, including neon works, LED-lit sculptures and painted canvases, seems to reflect and rework a range of expressive tendencies from the contemporary canon through a colorful, subdued lens. (more…)

Jonathan Lyndon Chase, watch shopping (2019), via Mitchell-Innes & Nash

Currently on view at its Chelsea exhibition space, Mitchell-Innes & Nash is currently presenting Embodiment, a group exhibition of works by Pope.L, Jonathan Lyndon Chase, Cheyenne Julien and Tschabalala Self that explores the different ways in which corporeality is envisioned and depicted within the spatial confines of the two-dimensional picture plane. Focusing on a selection of works that tease and turn the human form through a variety of perspectives and varied iterations, the show is a fascinating investigation of how the human form exists in contemporary art, and how it might be incorporated in the future. (more…)

Yayoi Kusama at Victoria Miro, via Andrea Nguyen for Art Observed

Spread out along the spacious aisles and picturesque dome of the Grand Palais in Paris, the Foire internationale d’art contemporain, also known as FIAC, has returned once again for another year of sales and exhibitions in the French capital. With Wednesday evening slowly dragging into the late hours, the fair’s VIP opening is now concluded, once again garnering strong praise and enthusiastic response from its attendees. This year, the list of galleries brings together exhibitors from 25 countries, marking its 46th edition with a fitting reflection of its storied history, one echoed by the prestigious locale of the Grand Palais. With an exacting selection of modern art, contemporary art, and design galleries, among the most emblematic of the international scene, the fair’s opening hours once again underscored its vitality in the modern fair circuit. (more…)

Paul Chan, Khara En Tria (Joyer in 3) (2019), via Greene Naftali

On view this month at Greene Naftali in Chelsea, artist Paul Chan makes his fourth solo entry in the gallery program, featuring a new series of works Chan calls “Bathers.” Marking new iterations and elaborations on his prior work, the show explores space and movement through simple materials. (more…)

Janiva Ellis, Wokey Doke (2019), via 47 Canal

There’s a remarkable concept of balance and duality in the work of Janiva Ellis, moments of sublime beauty and fragile, held states that seem to make the moments of bizarre surrealism and sinister iconographies all the more unnerving.  For her most recent show, ‘Tip Drill,’ on view at New York’s 47 Canal Gallery through October 20th, the artist continues her practice of elaborate systems of tension and release. (more…)

Sophie Kitching, Untitled (Plume) (2019), via Kiosk

Known for its shop selling a range of meticulously curated and enigmatic products, the online platform Kiosk has traveled widely, orchestrating various projects and pop-ups, not to mention an inclusion in MoMA PS1’s Greater New York show that spotlighted its daring vision and unique approach to the fine lines traditional distinctions between shop and art gallery, product and art object.  (more…)