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London – Nairy Baghramian: “Side Leaps” at Marian Goodman Projects Through October 30th, 2021

Thursday, October 14th, 2021

New York – Tacita Dean: “The Dante Project · One Hundred and Fifty Years of Painting · Pan Amicus · Significant Form · Monet Hates Me” at Marian Goodman Through October 23rd, 2021

Friday, September 24th, 2021

Marian Goodman Gallery Announces New President, Partners

Thursday, July 29th, 2021

New York – Giuseppe Penone at Marian Goodman Through April 17th, 2021

Friday, April 16th, 2021

Paris – Christian Boltanski: “Après” at Marian Goodman Through March 13th, 2021

Tuesday, February 2nd, 2021

Marian Goodman Gallery to Close London Space

Friday, October 23rd, 2020

London – Tavares Strachan: “IN PLAIN SIGHT” at Marian Goodman Through October 24th, 2020

Friday, October 23rd, 2020

New York – Gabriel Orozco at Marian Goodman Gallery Through October 24th, 2020

Wednesday, October 21st, 2020

New York – Lothar Baumgarten: “The Early Years” at Marian Goodman Through February 15th, 2020

Wednesday, January 15th, 2020

New York – Nairy Baghramian & Janette Laverrière: “Work Desk for an Ambassador’s Wife” at Marian Goodman Through December 20th, 2019

Sunday, December 15th, 2019

New York – Allan Sekula: “Labor’s Persistence” at Marian Goodman Gallery Through August 23rd, 2019

Tuesday, August 13th, 2019

London – Yang Fudong: “Beyond GOD and Evil” at Marian Goodman Through July 26th, 2019

Thursday, July 25th, 2019

Paris – Annette Messager at Marian Goodman Through July 19th, 2019

Wednesday, July 3rd, 2019

New York – William Kentridge: “Let Us Try for Once” at Marian Goodman Through April 20th, 2019

Thursday, March 21st, 2019

Richard Deacon: “House & Garden” at Marian Goodman Through February 16th

Thursday, January 10th, 2019

Nan Goldin Joins Marian Goodman Gallery

Friday, September 28th, 2018

Paris – Tacita Dean and Julie Mehretu at Marian Goodman Through July 20th, 2018

Friday, July 20th, 2018

New York – Anri Sala at Marian Goodman through April 14th, 2018

Friday, April 13th, 2018

Paris – Cerith Wyn Evans: “as if, seeing in the manner of listening… hearing, as if looking” at Marian Goodman Through July 28th, 2017

Tuesday, July 25th, 2017

London—Adrián Villar Rojas: Untitled from the series ‘The Theater of Disappearance’ at Marian Goodman Gallery through July 21st, 2017

Thursday, July 13th, 2017

London – Annette Messager: “Avec et sans raisons” at Marian Goodman Gallery Through May 27th, 2017

Friday, May 26th, 2017

Paris – Gordon Matta-Clark at Marian Goodman Gallery Through January 19th, 2017

Monday, January 9th, 2017

New York – John Baldessari: “Pollock/Benton” at Marian Goodman Through December 23rd, 2016

Wednesday, December 21st, 2016

Marian Goodman Profiled in NYT

Sunday, December 18th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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