October 14th, 2015

Cy Twombly, Untitled (2006), via Phillips
The sales have concluded tonight at Phillips London, as the auction house capped a procedural yet impressively consistent outing, seeing a white glove sale where all 36 lots sucessfully found a buyer, bringing a final total tally of nearly £32 million for the night. Read More »
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October 14th, 2015

Mark Leckey, Inflatable Felix (2014) at Galerie Bucholz
The doors have opened on Frieze 2015 in London, bringing the art world en masse to Regent’s Park for the 13th edition of one of the fall’s biggest selling events. The exhibition, which capped its “VIP” day last evening, saw viewers flocking to its long, loping hallways to browse the works on view. Read More »
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October 14th, 2015

Hilla Becher, via Artforum
Hilla Becher, the influential German photographer who, alongside her husband Bernd, worked as a pioneer in the field of contemporary art photography, has passed away at the age of 81. Read More »
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October 12th, 2015

Agnes Martin, Untitled (1999-2000), via Sotheby’s
With the opening days of the Frieze art fair in London also come the annual fall auctions at Christie’s, Sotheby’s and Phillips, launching another season of marquee sales at the auction houses. Starting on October 14th, one day after the fair opens its doors for the VIP viewing, the sales will offer a second opportunity for collectors to vie for top works. Read More »
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October 12th, 2015

Richard Long, Untitled (2006), via Lisson Gallery
This week, the global art world touches down in Regent’s Park for the 13th edition of the Frieze art fair, marking one of the first major staples of the fall festival circuit in London. Featuring over 160 galleries from both the UK and around the globe, the event promises another year of in-depth exhibitions, special projects and installations across the British capital. Read More »
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October 12th, 2015

Sol LeWitt, Drawing Series I,II,III,IIII (Drawings for Xerox Book) 24 Drawings (1968), via Art Observed
In 1968, a group of artists interested in the material limits of art practice, and the interrelations between text, language and action launched The Xerox Book, a published art book culling contributions from Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, and Lawrence Weiner to be printed and copied as an easily distributed art work. Presented at Paula Cooper’s 21st Street Location in New York, The Xerox Book is a return to this landmark publication, incorporating a series of works and objects drawn from or inspired by each artist’s contributions.

The Xerox Book (Installation View) © Paula Cooper Gallery, New York, Photo: Steven Probert
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October 10th, 2015

Mark Grotjahn, Untitled (Orange over Mountain Walk, Italian Mask M30.g) (2014), via Anton Kern
Twisting the formal language of both his chosen objects and the painterly signifiers he has built up over the course of his career, Mark Grotjahn returns to Anton Kern Gallery for his fourth solo exhibition with the New York Gallery. Building on the sculptural objects presented last year at the artist’s exhibition at the Nasher in Dallas, the works on view take Grotjahn’s interest in cast-off materials and repurposed objects, the show turns the artist’s frequently reoccurring subject, the cardboard box, into a container for his own aesthetic interests. Read More »
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October 9th, 2015

Dana Schutz, Fight in an Elevator (2015), via Art Observed
Currently on view at Petzel Gallery is a series of new works by artist Dana Schutz, the New York-based painter whose fluid hand, surreal scenarios and meticulous commitment to polymorphous narratives have made her a leading voice among U.S. painters. Read More »
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October 8th, 2015

Wolfgang Tillmans, Iquitos Dos (2013), All images are by Osman Can Yerebakan for Art Observed.
David Zwirner is currently presenting artist Wolfgang Tillmans’ PCR, his first exhibition with the gallery following his departure from longtime representatives Andrea Rosen Gallery. Doing the justice to the exhibition’s inaugural nature, the gallery has reserved its two locations on 19th street for the massive show of photographs, sculpture and video, which takes its name from an abbreviation of the scientific term “polymerase chain reaction.” A technique applied in molecular biology to reach a deeper and more particular genetic identity for a person’s DNA, PCR serves as a metaphor for the works on view, which near a hundred in total. Each piece here underscores the breadth and depth of the artist’s expansive oeuvre, and every piece, similar to a molecule, contributes to build a larger pattern, holding traces of the German-born artist’s decades long career. Read More »
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October 7th, 2015

David Douard, bat-breath battery (Installation View), all photos by Daphné Mookherjee for Art Observed
David Douard’s bat-breath battery, presented at the Gallery Chantal Crousel, is a hybridization of formal territories, exploring correlations between poetry and vernacular, human and machine – recurring interests for the artist. Often delving into the mechanisms of transformation and development, Douard’s work centers on infectious relations between different worlds and objects, explained through media terminologies that draw from tech, biology, history, and visual culture at large.
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| Comments Off on Paris – David Douard: “bat-breath battery” at Galerie Chantal Crousel Through October 10th, 2015 | | 