November 18th, 2021
David Salle, Sky King (1998), via Art Observed
Open now at the Brant Foundation Art Study Center, painter David Salle is the subject of comprehensive survey of the the artist’s work, exploring a selection of works culled from both the Brant Collections and from a series of international loans. Underscoring the artist’s continued investigation and elaboration on a range of visual languages and histories of painterly craft, particularly in his exploration and visual mash-ups and shifting perceptual frames, the show showcases Salle’s evolution, over 40 years across a broad, yet a tightly controlled visual syntax.
David Salle, Ice Flow (2001), via Art Observed
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November 17th, 2021
Mark Tansey, Resight (2019), via Art Observed
Currently on at Gagosian Gallery in New York, the dealer has compiled a body of new and recent work by painter Mark Tansey, spanning the past six years of work and running through a range of both paintings and graphite drawings mixed with oil and water. Read More »
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November 15th, 2021
Etel Adnan, Untitled (2015), via White Cube
Artist Etel Adnan, the artist and writer whose colorful, minimalist landscapes and incisive writing about political conflict, trauma, and the Middle East made her a diverse and expressive voice in the Contemporary Arts landscape, has passed away at the age of 96. Adnan, raised in Lebanon but based in California for the past several decades, was an international literary figure, and a powerful fixture in the exploration and criticism of violence and war.
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November 15th, 2021
Danh Vo (Installation View), via Chantal Crousel
Currently on view at Galerie Chantal Crousel in Paris, artist Danh Vo continues a body of work mining disparate historical and biographical threads to realize densely layered environments that challenge and complicate shared understandings of history and meaning. Read More »
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November 12th, 2021
Diane Simpson, Roof Shape (Ise), (2019), via JTT
Currently on at JTT Gallery in New York, Chicago-based artist Diane Simpson marks her second show at the gallery with Point of View, a show drawing on a range of architectural sources, as well as her own personal archive of drawings from the early 1980s to render a series of unique objects mixing a fanciful exploration of reality alongside conceptual operations. Read More »
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November 12th, 2021
Neo Rauch, Die Pumpe (2021), via Art Observed
Currently on at David Zwirner’s New York exhibition space, artist Neo Rauch has brought forth a body of new works unified under the title The Signpost, a set of new paintings that mark his first show in New York since 2014. Known for his rich color palette and dreamy, surreal motifs, the artist’s work makes a striking return to the city.
Neo Rauch, Wegweiser (2021), via Art Observed
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November 11th, 2021
Ron Gorchov, MOCKINGBIRD (2020), via Cheim and Read
Currently on view at Cheim & Read in New York, the gallery turns its attention to the late works of artist Ron Gorchov, exploring the last works the artist made between 2017 and his passing in 2020. Marking a concise summary of the artist’s work and a final look at his single-minded, painterly practice involving a curved, saddle-like stretcher that creates a painting surface that is simultaneously convex and concave, the show underscores his work in a unique and long-lasting mode of practice. Read More »
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November 10th, 2021
Ella Kruglyanskaya, Entrenched (2020), via Bortolami
Bortolami Gallery opens its latest exhibition this month with a body of works by artist Ella Kruglyanskaya, marking the artist’s first show with the gallery, and a continuation of her continued explorations of the human body and varied notions of femininity. Read More »
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November 9th, 2021
Ruth Asawa, Untitled (S.237, Hanging Six-Lobed, Interlocking Continuous Form), c. 1958, Private Collection © 2021 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York. Courtesy David Zwirner
Marking an ambitious exploration of the life and work of artist Ruth Asawa, David Zwirner in New York is currently presenting All Is Possible, an expansive exhibition curated by Helen Molesworth that situates the artist’s iconic looped- and tied-wire sculptures in the context of her extraordinary drawings and her lesser-known sculptural forms. Presenting viewers with one of the most comprehensive looks at this artist’s work to date, the show larger context illuminates an artist in pursuit of form as a means to reshape the act of seeing, and the role of art in daily life.
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November 5th, 2021
Amy Lincoln at Sperone Westwater, via Art Observed
As the art world gradually returns to the pace and flow of the days before the chaos of the Covid-19 outbreak, the ADAA Art Show returns to New York for another iteration of its curation-first focus and studied, engaged relationships between exhibitors and artists. This year, liberated from the usual hustle and bustle of the weeks around the Armory Show, the fair offered an even stronger draw, welcoming a casual, meandering pace, with its gentle lighting and wide aisles, making for a more relaxed and exploratory atmosphere.The result, as last year, was a packed few days of the fair, as scores of New York collectors, dealers and art lovers came out in force.
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