On view this month at Karma in New York, painter Keith Mayerson introduces his most recent entry in his ongoing series This Land is Your Land, a body of work that sees the artist reflecting on American history and culture as a way to look for new horizons and possibilities.
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Wayne Thiebaud, Hot Dog with Mustard (1964), via Acquavella
Painter Wayne Thiebaud, for his colorful works depicting commonplace objects—pies, lipsticks, paint cans, ice cream cones, pastries, and hot dogs—as well as for his landscapes and figure paintings–all of which served as early salvos in the development of modern pop art, has passed away at the age of 101. Read More »
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Anicka Yi, In Love With the World (2021) All images by Aidan Chisholm for Art Observed.
Setting forth her floating biomorphic machines, artist Anicka Yi has reinvigorated Turbine Hall as visitors return to the iconic London site after a two-year pandemic-induced pause. The latest Tate Modern Hyundai Commission, In Love With the World explores the nexus between nature and technology, integrating the biological and the algorithmic. Read More »
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Robert Janitz, The Umbrellas of Cherbourg 2 (2021), via Canada
Currently on at Canada Gallery in New York, artist Robert Janitz returns to his particular style of abstraction, utilizing unique tools and techniques to create geometrically-inspired, colorful compositions. The artist, who has long used loping, gestural forms in his work, here draws new inspiration from the confines of the canvas as a defining element in the production of the pieces. Read More »
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David Shrigley, Mayfair Tennis Ball Exchange (Installation View), via Stephen Friedman
Approaching Stephen Friedman’s Mayfair gallery, one is greeted with a large glowing green neon reading “Mayfair Tennis Ball Exchange.” Just beyond the glass, row upon row of gentle green orbs peer back at the viewer, making up artist David Shrigley’s newest exhibition at the gallery. The show, which shares the title with that neon work, makes for a fascinating look at relational work and simple, comical iterations, long a hallmark of the artist’s work. Read More »
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Alex Katz, Yellow House (2020), via Gladstone
At the age of 94, Alex Katz is still painting, creating more works in his signature style of elevated coolness. The artist, who continues to paint between Pennsylvania, Maine and New York, marks his first exhibition this month with Gladstone Gallery, where he opens a show of 7 new landscapes that underscore his continued exploration and misery of light, space and balance. Read More »
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Caitlin Keogh, Waxing Year 2 (2020), via Bortolami
Currently on at Bortolami’s Tribeca exhibition space, Caitlin Keogh marks her third exhibition with the gallery with ‘The Waxing Year,’ a continuation of the artist’s investigations of space, materiality and time. Rendered through a series of intricate acrylics on canvas, the works speak to her ability to fuse imagined states and historical epochs with a deft sense of lyrical dialogue. Read More »
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Claire Tabouret, Offrande (pink and brown) (2021), via Perrotin
This month in Paris, Galerie Perrotin presents a series of new landscape paintings and interiors by the artist Claire Tabouret, continuing a practice of careful historical study and taut, expressive compositions. Painted on colored synthetic fur, the show sees Tabouret continue a practice rooted in dialogue between historical modes and a distinct line of conceptual practice that challenges and reframes the act of painting. Read More »
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Luke O’Halloran, Ace of Clubs (2021), via Art Observed
Bungalow’s inaugural pop-up space on Orchard Street presents a show of young artists that is equal bits fest and flesh. As you enter the gallery, a re-CAPTCHA inspired work by Mira Dayal cryptically sets the tone. Imbibe, it reads, as if a catechism for absorbing the bounty that awaits. A vertiginous work nearby, presented by Thomas Blair (2021) seems to wink at you with its illusory moiré hatchings. Adjusting your eyes beyond the painting’s edge reveals a beguiling charade of subversion and submission. This is nowhere more apparent than in an untitled work of Justine Neuberger’s where blushing pastels attempt to soften the taut brawn of a BDSM tussle. The deftness in draughtsmanship is something to marvel at, as equally are the brawling scenes of domination on display. Shards of pink and yellow by Kiyoshi Kaneshiro (2021) resound with unexpected harmony as the porcelain shrapnel inheres a composition that is at once fragile and fraught. Read More »
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Nicolas Party, Trees (2020), via Karma
Currently on view at Karma’s New York exhibition space, artist Nicolas Party is presenting Watercolor, a solo exhibition of around fifty recent watercolor paintings by the artist that underscores his commitment to the medium and his interest in expanding its grammar and possibilities. The show, which marks a specific focus in the artist’s broader output, offers a fascinating look into Party’s more subtle and small-scale compositions. Read More »
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