September 24th, 2021

Tacita Dean, Purgatory (2nd Cornice) (2021), via Marian Goodman
Marian Goodman opens its fall exhibition calendar in New York this month with a selection of works by artist Tacita Dean, centered around a set of new works made in association with ‘The Dante Project,” commissioned by The Royal Opera House in London to create new designs for The Royal Ballet, which will premiere in October 2021. Centered on Dante’s Divine Comedy, with new music by Thomas Adès and choreography by Wayne McGregor, the ballet is structured in three parts: Inferno; Purgatorio; and Paradiso. Dean represents these three realms of Dante’s journey in an adventure through various mediums and means of representation, with works that move from drawing to photography and film; from negative to positive, representation to abstraction, and monochrome to color. Read More »
| Comments Off on New York – Tacita Dean: “The Dante Project · One Hundred and Fifty Years of Painting · Pan Amicus · Significant Form · Monet Hates Me” at Marian Goodman Through October 23rd, 2021 | | 
September 23rd, 2021

Elaine Cameron-Weir at JTT, via Art Observed
After a trying year in the art world, and a rigorous series of precautionary measures, the 2021 edition of Art Basel has opened its doors for its early hours, preparing for a public opening this weekend with an expansive offering of works from European galleries and those further afield. Coupled with the fair’s ongoing “Art Basel OVR” project, this year’s live edition of the fair returns its physical model, inviting over 250 leading galleries and more than 4,000 artists from five continents, on view both on-site and online. Open once again at the Messe Basel, the fair continues its reputation as a flagship for the international fair brand. Read More »
| Comments Off on AO On-Site – Basel, Switzerland: Art Basel 2021, September 24th – 26th, 2021 | | 
September 23rd, 2021

Marcel Dzama, Who Loves the Sun (Installation View), via David Zwirner
David Zwirner presents new work by artist Marcel Dzama this month, continuing the artist’s exploration of travel, nature and colorful reflections on the history and social underpinnings of art. The show coincides with the opening of a major survey of the artist’s work at the Sara Hildén Art Museum, Tampere, Finland. Read More »
| Comments Off on New York – Marcel Dzama: “Who Loves the Sun” at David Zwirner Through October 23rd, 2021 | | 
September 22nd, 2021

Dread Scott, Never Forget, Never Forgive: They Left Us to Die (2006), via P·P·O·W
This Septamber at P·P·O·W, the gallery is presenting RECOVERY, a group exhibition exploring art as a critical gesture towards collective resistance and remembrance. Acting as individual altar spaces, the works presented in this exhibition form commemorative sites to recover knowledge, provide proof, overcome loss, and contain memories. Read More »
| Comments Off on New York – “RECOVERY” at P·P·O·W Through October 9th, 2021 | | 
September 20th, 2021

Leilah Babirye at Gordon Robichaux, via Art Observed
Art-goers descended upon Cipriani South Street in the newly renovated Battery Maritime Building last week for the much anticipated 12th installation of the Independent Art Fair, which opened in New York on September 9th. Formerly located at Spring Studios in Tribeca, the fair has garnered a reputation as a reliable source of fresh talent, and took up new residence this year within the spacious corridors of the historic waterfront locale at the lower tip of Manhattan.
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| Comments Off on AO On-Site — New York: Independent Fair, September 9-12th, 2021 | | 
September 17th, 2021

Philip Guston, Entrance (1973), via Hauser & Wirth
Open now at Hauser & Wirth’s New York exhibition space, the gallery gives a meticulous treatment to the early breakthroughs of painter Philip Guston. Charting the figurative innovations that Guston pioneered in the last decade of his career, the show brings together eighteen masterworks created after the artist turned away from abstraction to assert an unprecedented new figural language. On view through the end of the month, the show offers a rare opportunity to appreciate Guston’s expressive and enigmatic pivot during the last year of the 1960’s, and the political and social undertones of his work. Read More »
| Comments Off on New York – Philip Guston: “1969 – 1979” at Hauser & Wirth Through October 30th, 2021 | | 
September 15th, 2021

Wendy Red Star at Sargent’s Daughters, via Art Observed
This past weekend, New Yorkers flocked to the Javits Center, not for COVID-19 vaccinations, but rather for the much-anticipated Armory Show, which made its return after last year’s cancelled edition, and which marked the first major art fair in the United States since the pandemic struck. In the wake of lockdown, following an extended period of postponed events and online viewing rooms, eager art-goers packed into the Javits Center, where the fair is now located. In the spacious, newly renovated convention center along the Hudson River, the fair presented more than 150 booths, with more than 40 international galleries. Serving as a fixture of modern and contemporary art, the fair kicked off the New York art world’s busiest week of the season—Armory Week. Read More »
| Comments Off on AO On-Site — New York: Armory Show, September 9-12, 2021 | | 
September 14th, 2021

Anthony Caro, The Bull (1970), via Karma
Currently on at its New York gallery space, Karma has partnered with Parker Gallery to present a contemporary bicoastal tribute to The De Luxe Show, the landmark 1971 exhibition at the DeLUXE theater in Houston, in honor of its 50th anniversary. Presented in both LA and New York, the show offers a unique exploration of the show and its impact nation wide.
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| Comments Off on New York – “The De Luxe Show” at Karma Through September 25th, 2021 | | 
September 8th, 2021

Martin Roth, From 2017-2021 Martin Roth transformed a ruin into a garden for a plant concert (2021), via Art Observed
Throughout the course of his artistic practice, the late Martin Roth channeled nature as an active creative agent, using plants and flowers as instrumental collaborators in his practice. In 2017, Roth envisioned the transformation of an abandoned nineteenth-century historical structure into an immersive public garden, a “plant concert hall.” Though the artist passed away before the enactment of his project, the Newburgh, New York-based Strongroom—a non-profit arts organization—executed his plans this summer. Strongroom presented the site-specific installation during the second installation of Upstate Art Weekend 2021, the three-day self-directed event celebrating the arts in the Hudson Valley.

Martin Roth, Installation View (2021), via Art Observed
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| Comments Off on Newburgh, NY — Martin Roth: “From 2017-2021 Martin Roth transformed a ruin into a garden for a plant concert” with Strongroom Through October, 2021 | | 
September 7th, 2021

Martine Syms, Loot Sweets (Installation View), via Bridget Donahue
Martine Syms has built a reputation for a practice of elevating the material of everyday life. Using repurposed contexts and personal materials, the artist’s videos and physical work use text and other items to create dense narratives the flitter around the edges of the work on view. For her show at Bridget Donahue, on view through the middle of September, the artist presents an intriguing selection of new pieces that continue this exploration. Read More »
| Comments Off on New York – Martine Syms: “Loot Sweet” at Bridget Donahue Through September 25th, 2021 | | 