Rachel Harrison, Boss Revolution (2015), via Kasmin

Currently on view at Kasmin in New York, a series of monolithic sculptures come together to create a new insight into the expression and reflection of scale. The show, Between the Earth and Sky, brings together a series of works from the format of the large-scale, towering sculpture spanning from 900 A.D. to 2019, and demonstrating how various utilizations of stelae, herms, and columns have functioned as repositories of meaning or markers of time and place across many cultures since prehistory, as well as the way in which the expressive possibilities of this format continue to resonate with sculptors working internationally today.

Between the Earth and Sky (Installation View), via Kasmin

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Joel Mesler, Untitled (Surrender) (2020), via David Kordansky

On view this month at David Kordansky Gallery in Los Angeles, artist and former dealer Joel Mesler has. brought a selection of new paintings and works on paper forward for his first solo show at the gallery. Playful and engaging, the works make for an expressive entry in the artist’s work.  Read More »

Thomas Ruff, tableau chinois_19a, tableau chinois_19b (2020), via Art Observed

Currently on view at David Zwirner’s Paris location, artist Thomas Ruff is presenting a series of recent works and historically significant works exploring his ongoing interest in propaganda photography and the critical deconstruction of images.   Read More »

Dan Walsh, Channel (2020), via Paula Cooper

Celebrated for his work across a range of media including sculpture, bookmaking, drawing and installation, artist Dan Walsh has traced a particular trajectory in painting since the 1990s, working with a focused vocabulary of unit-based forms that include lines, circles, grids and rectangles to layer brushstrokes according to defined sets of rules yielding complex compositions. For his most recent show, on view now at Paula Cooper Gallery, a selection of more recent pieces are on view, culled from a period between 2014 and 2020, and highlighting the artist’s prolific and expansive output in the medium of painting. Read More »

Christian Boltansk Les Linges (2020), via Art Observed

“A very horrible yet interesting thing has occurred since Covid is here, which is, that death is no longer hidden. Death used to be completely denied by us, and nowadays, because of this disease, we are talking about death as something that is around us and that is present,” says Christian Boltanski.   The French artist, currently showing his most recent exhibition at Marian Goodman’s Paris exhibition space, has taken a particularly direct approach towards a pandemic still causing widespread death and disruptions around the globe. For this show, titled Après, the artist asks challenging questions about our current state of the world, and the human values we ascribe to it. Read More »

Daniel Buren & Philippe Parreno, Simultanément, travaux in situ et en mouvement (Installation view), Galerie Kamel Mennour

Choosing an auspicious concept for the first show in its new space in Paris’s rue du Pont de Lodi, Kamel Mennour Gallery presents a joint project between two artists of different generations yet similar interests in space and exhibition, presentation and perception.  Unifying the visions of Daniel Buren and Philippe Parreno’s Simultanément, travaux in situ et en mouvement brings together the pair’s intriguing interests in the definition and understanding of space and movement. Read More »

Claudia Comte, Jungle and Corals (Installation View), via König Galerie

Taking over the halls of the König Galerie Chapel in Berlin, artist Claudia Comte  presents a body of new works unified under the title Jungles and Corals, a selection of new sculptural works produced while Comte was on residency last year in Jamaica at the Alligator Head Foundation as a fellow of the TBA21–Academy. Created in collaboration with local woodworkers, the show draws on natural forms and iconographies to create a distinct and cohesive spatialized experience. Read More »

Pieter Vermeersch (Installation View), via Art Observed

Currently on at Galerie Perrotin in Paris, the painter and sculptor Pieter Vermeersch has brought forth an enigmatic and expressive exhibition to mark his sixth solo show with the dealer.  Consisting of a series of conceptual operations, including a series of screenprints on marble slabs, oil paintings on stone, and a range of varied dimensional operations, the show is a striking exploration in scale and shape, material and space through the language of minimalism.

Pieter Vermeersch (Installation View), via Art Observed

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Gregory Crewdson, Redemption Center (2018-2019), via Art Observed

On view through this past weekend at Galerie Templon in Paris, Gregory Crewdson’s newest series, An Eclipse of Moths presents a series of sixteen large scale prints that act like portals into desolate American scenes. First released in 2020, a year that will be remembered for the stark political division and a health crisis that ravaged the country, Crewdson’s work here continues his reputation for cinematic visual languages, which he pursues with a large production team. He goes location scouting, and carefully lights his sets and directs actors as if they were in a film. His cohesive choice of four by eight foot prints allows the viewer to step back to grasp a grand scene that must be approached closely in order to take in the meticulous details, of signals and characters that, despite their distance, communicate with each other.
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Haim Steinbach, Display #28 – Rustic Wall (1991), via Tanya Bonakdar

For more than four decades, artist Haim Steinbach has explored the psychological, aesthetic, and cultural aspects of collecting and arranging found objects, selecting items that range from the obscure to the ordinary, the private to the ethnographic and using them as a meditative element to emphasize notions of circulation and human connection.  For his most recent show at Tanya Bonakdar in New York, a selection of works on view highlights a concentrated three-year period in the artist’s career, and offers a recontextualization of his own historic practice and an occasion for reflection. Read More »