Klara Liden, Kahba (2020), via Sadie Coles

Currently on view at Sadie Coles HQ’s Davies Street location in London, artist Klara Liden has orchestrated a body of new works drawing on the urban landscape, its moments of improvised and recontextualized materiality, and peculiar interrogations of these spaces through the body and through the body populace.  At the center of the show is an investigation of cities and landscapes, and how human agency slowly transmutes and transfigures much the space within it.   Read More »

Danh Vo, Chicxulub (Installation View), via Art Observed

Taking over the full expanse of White Cube Bermondsey, artist Danh Vo presents a selection of new works that continues his uniquely deep interrogations of the politics and materiality of language, drawing together a show of fragmentary items and momentary encounters that build and amplify their respective elements.

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Raymond Pettibon, No Title (Prick up your) (2020), via Regen Projects

For its fall exhibition, Regen Projects has tapped the voluminous body of work produced by Raymond Pettibon, presenting a range of new drawings and collages by the artist to round out his 11th exhibition with the gallery since joining in 1993.  Uniting his various interests in literature, sport and art, Pettibon’s most recent selection of works continues his investigations into the landscape of modern culture. Read More »

Tavares Strachan, In Plain Sight (Installation View), via Marian Goodman

On view this month at Marian Goodman in London, artist Tavares Strachan takes an in-depth, beguiling look at the interconnected figures of 20th Century politics and culture for his first UK solo show, part of his ongoing investigatory project The Encyclopedia of Invisibility.  The show, on view through tomorrow, makes a powerful, serpentine pathway through the landscape and history of the world, tying together the Queen, Haille Selassie, Nina Simone, and many more.   Read More »

Gabriel Orozco, Estanque (2020), via Marian Goodman

Currently on at Marian Goodman’s New York exhibition space, artist Gabriel Orozco is presenting a body of new works drawing on his continued exploration of global and local cultural formats, and the possibility for performance and repositioning within their varied aesthetic and conceptual palettes.  For this exhibition, Orozco presents a new series of tempera paintings in a large and small scale, and a selection of new watercolor collages which expand upon his Suisai series, begun in 2016. Read More »

Michael Queenland, Untitled (Stationary) (2017), via Tanya Bonakdar

Marking a sustained engagement with language and text, the current group show at Tanya Bonakdar Los Angeles, Restless Index, explores a specific approach to cataloging and documenting, and the potentials that these explorations of archives and databases might offer for the future.  Inadequacies of language—whether legal, symbolic, written or visual—are cast into stark relief during moments of social upheaval, a point which feels particularly apt during this cultural moment, and which serves as a bedrock for the show, exploring associations once normalized by cultural hegemonies as renewed sites of contention and conflict.  The show explores the canon as a permeable and flexible, where monuments and institutional mandates are called into question, histories reassessed, and so too are visual codes that derive from those histories. Read More »

Kevin Beasley, The Road (2019), via Casey Kaplan

Artist Kevin Beasley returns to Casey Kaplan this month for an exhibition of new work surrounding questions and explorations of ancestry, ownership and land, dwelling on a range of questions over ownership and property that underscore the United States’s relationship to its own past, and the culture of violence and oppression that helped to build its economic foundations.   Read More »

Philippe Parreno, Manifestations (Installation View),  via Esther Schipper

Marking his eighth solo show with Berlin’s Esther Schipper, artist Philippe Parreno‘s Manifestations spans the full range of his artistic output, running through a selection of pieces that include a granular soundtrack, a CGI film, atmospheric sensors, robotic systems, computer code, ice and water.  In typical fashion for the artist, the show is billed as an effort to “connect ‘things’ that, a priori, had nothing to do with one another; ‘thing’ that allow themselves to be summoned by repetitions, synchronicities, signals, or singularities.” Read More »

Andreas Gursky, Rhein III (2018), via Sprüth Magers

Opening a show of new works in Berlin, artist Andreas Gursky arrives yet again at a prime moment of reflection and consideration for the inhabitants of modernity, offering up a selection of photographs that welcome a renewed perspective on the state of the world, and the forces that shape it.  Featuring the artist’s first new body of work in almost three years, Gursky’s exhibition in the Berlin outpost of Sprüth Magers addresses a range of themes that the artist has investigated for decades, and often  revisits settings such as the Rhine river and Hong Kong’s futuristic cityscapes to explore new contexts and sets of information layered over by the current state of the world.  Gursky looks anew at our built environment and humankind’s impact on the natural world.

Andreas Gursky, Bauhaus (2020), via Sprüth Magers

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Harold Ancart, Untitled (2020), via David Zwirner

Making an intriguing continuation of his investigation of natural processes and large-scale environmental phenomena, artist Harold Ancart has a new show on at David Zwirner this month.  Delving into leafy canopies and expansive, haunting desert expanses, the show gives the impression of an extended meditation on place and space, and makes for a strong follow up to the artist’s first show with the gallery in New York.   Read More »