Sotheby’s is currently facing a lawsuit from a past customer, who discovered that a work he had purchased through the auction house was reportedly once owned by Herman Goering, the Nazi leader recognized as the founder of the Gestapo.  The piece, an 18th century painting by Louis-Michel van Loo, was sold in 2004, but was unable to be resold when questions arose about how Goering acquired the piece.  The plaintiff, Steven Brooks, claims that Sotheby’s sold the work fraudulently, knowing about its questionable origins, as well as knowing that the work would be difficult to resell. (more…)

Catherine Opie, Julie & Pigpen (2012), via Regen Projects

The photographic work of artist Catherine Opie has long been interested with context, how the architecture of the frame, staging, and positioning of the subjects opens the door to new readings, implications and relationships within the work itself.  Blending historical references with cultural signifiers and assiduous attention to the color and detail, Opie’s work initiates striking dialogues on identity and meaning in American culture.

Catherine Opie (Installation View), via Regen Projects

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Adel Abdemessed, Le Vase Abominable (Installation View), via David Zwirner

Upon entering the ground floor of David Zwirner’s gallery space in London, visitors are immediately greeted by the surreal image on a massive explosive device, upon which rests an equally enormous gold vase.  This is Le Vase Abominable, the sculpture by French-based, Algerian born artist Adel Abdemessed that serves as the title piece for the artist’s current show, exploring dichotomies of violence and creation through poignantly composed sculptural, video, and drawn works.

Adel Abdemessed, Le Vase Abominable (2012-2013), via David Zwirner (more…)

Alexis Adler, a former girlfriend of Jean-Michel Basquiat, has released news of a massive collection of the late artist’s drawings, photographs, and paintings, some scrawled on the walls and appliances of the East Village apartment that the two shared in the late 1970’s.  Given the artist’s current popularity, the collection is of particular note for its thorough documentation of much of Basquiat’s early development as an artist.  Adler is currently planning a book documenting the collection, as well as an auction of the work.  “The thing that’s most interesting is the material she has to support the actual artwork,” said former Gracie Mansion director Sur Rodney Sur. “A lot of the signage he used in his work over and over again, this was when he was developing it. The idea that it’s all together in one place makes it even more important.” (more…)

Following several weeks of turbulence for Los Angeles’s Museum of Contemporary Art, the institution announced that it has been promised donations that will raise its endowment past $60 million, the highest levels in its 34-year history.  The news comes after several weeks in which the museum was forced to consider a potential merger with LACMA to keep its doors open.  “The financial support we have already raised demonstrates the commitment of the board to ensuring that MOCA remains a world-class independent contemporary art museum, and we call on others to join in this campaign,” says MOCA Board President Jeffrey Soros. (more…)

Calling itself the first online-only art biennale, BiennaleOnline has announced that it will launch its exhibition on April 26th.  Featuring a high-profile curatorial team, including Hans Ulrich Obrist and Daniel Birnbaum, and a strong roster of artists including Ed Atkins, Tony Chakar and Ragnar Kjartansson, the online exhibition will have a total roster of 180 artists, and will charge $10 for admission to the site.  BiennaleOnline will also feature a separate exhibition curated by Jan Hoet. “Great contemporary art is the sum of reflection and imagination,” said Hoet. “The artist adds his or her personal vision to history and the memory of history. I hope this combination of factors will be present in every single work in this biennale. In this way we’ll come to a new world and new art.” (more…)

New York Magazine is currently featuring the city of Miami in its Travel section, highlighting the city’s growing arts scene, as well as some of its most notable museums.  The magazine makes express mention of Emerson Dorsch, The Marguiles Collection, and The Wolfsonian-FIU, among others.  The magazine also offers advice on shopping and transportation in the vibrant urban hub. (more…)

Rita Ackerman, Fire by Days XXI (2012), Courtesy the artists and Vito Schnabel

Assembled by the young curator Vito Schnabel (son of artist and filmmaker Julian Schnabel), White Collar Crimes, at Acquavella Galleries, brings together a collection of new abstract and conceptual works from emerging and internationally recognized artists, exploring the themes of concealment of crime by wealth, high level education and social status. Connecting concepts such as identity, historical erosion, commercialization, and political satire, the show opens the door to complexly interconnected readings of the subjects and artists on view, while directly addressing the context and location of the event itself. According to Schnabel, the exhibition  “proposes an interplay between obscure ciphers and spectacular discoveries.”

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The Cuming Museum, located in South London, faced a major fire inside the building yesterday, threatening its collection of Roman London, Chinese and African artworks and artifacts.  120 firefighters and 20 engines were needed to stop the blaze inside the centuries-old building. (more…)

The passing of Merton J. Simpson, a notable artist and prominent dealer of African art, has set his inheritance into a state of uncertainty, with familial infighting leaving his estate without the money to bury his body, and the future of his impressive collection of works up in the air.  “I knew that when he passed, it was going to get really ugly,” said Luna Devin Crystal, a friend and employee of Mr. Simpson’s. (more…)

The Metropolitan Museum of Art has been handed a class-action lawsuit, alleging that it has deceived patrons into believing that the admission price for the museum is $25.  While the museum is legally required to offer free admission to the public, it posts a “recommended” admission fee at the front entrance.  “The museum was designed to be open to everyone, without regard to their financial circumstances,” says Arnold Weiss, one of the attorneys in the case.   “But instead, the museum has been converted into an elite tourist attraction.” (more…)

Pablo Picasso, Le Rêve (1932)

Hedge fund manager and notable collector Steven A. Cohen, who has just settled two insider-trading lawsuits with the government, has just purchased Picasso’s Le Rêve for $155 Million.  The exchange, between Cohen and Las Vegas Hotel Mogul Steve Wynn, is estimated to be the largest price ever paid for a work of art by an American collector. The sale of Le Rêve, Picasso’s 1932 portrait of a sleeping woman, had previously been discussed between Wynn and Cohen, particularly in 2006, when the sale was canceled after Wynn accidentally thrust his elbow through the piece, causing a 6-inch tear.  “Steve has wanted that painting for a long time. The timing of the sale is just a coincidence.”  Said an unnamed source.

Steven A Cohen, via Patrick McMullan

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Artist and musician Nick Cave’s Heard•NY opened at Grand Central Terminal in New York yesterday, filling the terminal with actors dressed in surreally designed horse costumes.  Bloomberg spoke with the artist about his practice, and his goals for the installation, which will remain open all this week.  “I’m looking at the station as a platform to get people back to that place where we dream. We’re in a world where we’re trying to do what we can to exist and hold on to our jobs. So I’d like to transmit this dream-state feeling, to get us out of our day-to-day routine for a moment.”  Cave says. (more…)

The Wooster Collective is currently celebrating its tenth anniversary, and has welcomed a number of artists the site showcased in its early years to offer advice and lessons learned over the past decade.  The most recent contribution comes from the Los Angeles-based Skullphone, who offers: “If you are too pure you will never fly, drive, or physically go anywhere.” (more…)

Nick van Woert, Microscope (2013), (Nick van Woert in Ted Kaczynski’s clothes), courtesy of the artist and OHWOW

Since his first solo exhibition at Grimm Gallery, Amsterdam in 2010, Brooklyn-based artist Nick van Woert has quickly risen through the ranks of the contemporary arts scene, creating a prolific and experimental body of work informed by his unique interests in history, architecture, environment, and philosophy.  From ancient Rome to the Unabomber, van Woert casts an eye on the past as a means of understanding the present and inquiring into the future. His work blends an emphasis on sculptural craft and process with the use of found objects and readymades, resting between aesthetic value and conceptual statement. While preparing for the opening of No Man’s Land, his first exhibition at OHWOW in Los Angeles, (open through April 6, 2013), the artist sat down to answer some questions for Art Observed.

Nick van Woert, No Man’s Land (2013), Courtesy of the artist and OHWOW

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Jim Shaw (Installation View), via Simon Lee

On view at London’s Simon Lee Gallery is a solo exhibition of eclectic new works by Los Angeles-based, American artist Jim Shaw. A California Institute of the Arts graduate and longtime L.A. resident, Shaw’s works highlight the anxieties and triumphs of  late capitalist society, phantasmic religion and the shamanic, mythical world of his dream life. This idiosyncratic body of work utilizes comic book aesthetic in pencil drawings and groupings of sculptures juxtaposed against new painted and drawn portraits of unhinged and broken body parts, which engender a distinct unease in the viewer.  

Jim Shaw, Oden’s Broken Staff and Emerald City Asgard (2013), via Simon Lee

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The New York Times has published a profile on art forger Guy Ribes, whose remarkably accurate forgeries of works by Pierre-Auguste Renoir are being used in the biographical film exploring the life of the late artist (Watch Trailer).  Ribes, who served several years in prison for forging works by renowned artists and selling them to a criminal art ring, was brought in to recreate works by Renoir, as well as works the artist may have painted.  “It’s funny, isn’t it,” Says writer Jean-Baptiste Péretié, “that the same thing that led to his conviction is what he’s being paid legally to do?” (more…)

The Art Dubai fair closed its doors yesterday on the most successful fair in its seven year history, with $45 million in fine art exhibited over the course of the four day fair.  Initial reports signal strong sales across the board, and underlines the rising prominence of the city for the global arts market.  “The growth of Art Dubai over the past seven years reflects the rising prominence of the UAE as a centre of art and cultural discourse.” said Fair Director Antonia Carver.  (more…)

Visitors to The Museum of Modern Art in New York were treated to a special performance by actress Tilda Swinton yesterday, as the actress launched a month-long performance at the museum called The Maybe.  The artist spent the day sleeping in a glass case in the museum’s lobby, and will return to the case several times during the duration of the performance.  No one knows when Swinton will appear for her performances, emphasizing the unpredictability of the work.  “There is no published schedule for its appearance, no artist’s statement released, no museum statement beyond this brief context, no public profile or image issued,” MoMA stated in a press release. “Those who find it chance upon it for themselves, live and in real-shared-time: now we see it, now we don’t.”

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The Guardian has published a lengthy piece on the role of the artist’s assistant, and assistant’s often ignored contributions to the work of major artists.  The piece features an interview with Jake and Dinos Chapman, who recall their early work as assistants to Gilbert and George.  ‘It was hard labour by any measure,” says Jake Chapman.  “There was absolutely no creative input at all. They were very polite and it was interesting to hear them talking – as we did our daily penance.”  (more…)

Robert Rauschenberg: Jammers. All artwork © Robert Rauschenberg Foundation. Courtesy Gagosian Gallery

Currently on view at Gagosian Gallery in London is a display of Robert Rauschenberg’s vibrant and unique Jammers installations from 1975, a series of elegantly draped fabrics inspired by nautical aesthetics and Rauschenberg’s then recent move from New York to Captiva Island off the coast of Florida.

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James Angus, John Deere Model D (2013), via Gavin Brown’s Enterprise

Pulling together three disparate artists in its three galleries on Greenwich Street in  New York’s West Village, Gavin Brown’s Enterprise is currently presenting a group of works that illuminate and reinterpret the construction of physical and structural realities.  Combining sculptural, installation projects, assemblage and conceptual painting practices, the works on-view by James Angus, Rikrit Tiravanija and Jonathan Horowitz highlight their drastically different conceptual practices in exploring similar thematic territory.  

Rikrit Tiravanija, Untitled (2013), via Gavin Brown’s Enterprise

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In homage to the late Cornell astronomy professor Carl Sagan, artist Leo Villareal has installed a massive light work at the Johnson Museum of Art in Ithaca, New York.  Titled Cosmos, the work uses 12,000 LED lights to emit complex patterns of shimmering light.  (more…)

Beginning July 1st, The Metropolitan Museum of Art will be open to the public 7 days a week.  The changes also apply to The Cloisters museum in northern Manhattan, and are the result of a decision to make the spaces “accessible whenever visitors have the urge to experience this great museum.”  Says Museum Director Thomas Campbell. (more…)