Search Results

St. Moritz – Sterling Ruby: “Stoves” and Urs Fischer: “Bruno and Yoyo” at Vito Schnabel Gallery Through January 31st, 2016

Saturday, January 9th, 2016

Vito Schnabel to Take Over St. Moritz Gallery Space of Bruno Bischofberger

Friday, January 9th, 2015

New York – Vito Schnabel presents “White Collar Crimes” at Acquavella Galleries, Through March 27th 2013

Tuesday, March 26th, 2013

Vanity Fair Interviews Curator Vito Schnabel

Saturday, February 23rd, 2013

AO on Site- New York: Rene Ricard presented by Vito Schnabel through June 25th, 2011

Wednesday, May 18th, 2011

Go See: Terence Koh ‘Flowers for Baudelaire,’ curated by Vito Schnabel, at 407 East 75th Street, New York, through January 2009

Wednesday, November 26th, 2008

AO On-Site: Greenwich, CT – Julian Schnabel at the Brant Foundation Art Study Center Through March, 2014

Wednesday, November 13th, 2013

Photoset: The Creative Time Gala Honoring Kara Walker at The Domino Sugar Factory, May 6th, 2014

Wednesday, May 7th, 2014

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

AO on site New York – Opening of Bruce High Quality Foundation’s ‘Brucennial 2012′ at 159 Bleecker Street through April 20, 2012

Thursday, March 1st, 2012

Living Artists

Thursday, July 7th, 2011

AO on site: Terence Koh performs ‘nothingtoodooterencekoh’ at Mary Boone Gallery, 24th Street, Chelsea, February 12th, 2011

Sunday, February 13th, 2011

AO On Site fair and event preview: Art Basel Miami Beach 2010 begins today through December 5th

Tuesday, November 30th, 2010

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

Go See – New York: The Bruce High Quality Foundation University at Susan Inglett through January 23, 2010

Wednesday, January 6th, 2010

AO Onsite – Art Basel Miami Beach 2009 Round- up – “A lot less ornament and a lot more substance”

Monday, December 7th, 2009

AO on site – New York: Terence Koh’s “Art History: 1642 – 2009,” at the National Arts Club as part of Performa 09

Friday, November 20th, 2009

Newslinks for Tuesday, June 2, 2009

Tuesday, June 2nd, 2009

Newslinks for Sunday, October 26th, 2008

Monday, October 27th, 2008

NEWSLINKS 05.09.08

Friday, May 9th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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