October 21st, 2019
Ed Clark, Untitled (2005), via Hauser & Wirth
Pioneering painter Ed Clark, the African-American painter known for his use of a push broom to spread bold colors across his canvases to create energetic and engaging comments on the state of the world, has passes away at the age of 93. His death was announced by his gallery, Hauser & Wirth. Read More »
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October 18th, 2019
Jeppe Hein, Moon Mirror (2019), via 303
Artist Jeppe Hein rounds out a new show of works at 303 Gallery this month, a selection of works that continue a frank, emotive sensibility and a meditative approach towards perception and understanding in his work. The show, including neon works, LED-lit sculptures and painted canvases, seems to reflect and rework a range of expressive tendencies from the contemporary canon through a colorful, subdued lens. Read More »
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October 18th, 2019
Jonathan Lyndon Chase, watch shopping (2019), via Mitchell-Innes & Nash
Currently on view at its Chelsea exhibition space, Mitchell-Innes & Nash is currently presenting Embodiment, a group exhibition of works by Pope.L, Jonathan Lyndon Chase, Cheyenne Julien and Tschabalala Self that explores the different ways in which corporeality is envisioned and depicted within the spatial confines of the two-dimensional picture plane. Focusing on a selection of works that tease and turn the human form through a variety of perspectives and varied iterations, the show is a fascinating investigation of how the human form exists in contemporary art, and how it might be incorporated in the future. Read More »
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October 17th, 2019
Yayoi Kusama at Victoria Miro, via Andrea Nguyen for Art Observed
Spread out along the spacious aisles and picturesque dome of the Grand Palais in Paris, the Foire internationale d’art contemporain, also known as FIAC, has returned once again for another year of sales and exhibitions in the French capital. With Wednesday evening slowly dragging into the late hours, the fair’s VIP opening is now concluded, once again garnering strong praise and enthusiastic response from its attendees. This year, the list of galleries brings together exhibitors from 25 countries, marking its 46th edition with a fitting reflection of its storied history, one echoed by the prestigious locale of the Grand Palais. With an exacting selection of modern art, contemporary art, and design galleries, among the most emblematic of the international scene, the fair’s opening hours once again underscored its vitality in the modern fair circuit. Read More »
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October 15th, 2019
Sadie Benning, Blow Up #26 (2018), via Kaufman Repetto
Returning to the French capital for another year of exhibitions inside the iconic expanses of the Grand Palais, the Foire International Art Contemporain, or FIAC, opens its doors today in Paris. The fair, which has operated for over 45 years in the city, has undergone several facelifts over the course of its lifetime, with its most recent editions courting a healthy mix of contemporary and modern works alongside more classical and historical modes, making it one of the world’s more ambitiously curated programs. Read More »
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October 14th, 2019
John Giorno, via Sperone Westwater
Artist John Giorno, the poet and artist whose practice turned poetry towards a living, breathing mode of art, separated from the page, has passed away at the age of 82 in his home in Lower Manhattan. A longtime fixture in the New York art scene, Giorno would explore a range of techniques and modes for promoting his work outside the book or magazine. He founded Giorno Poetry Systems, a nonprofit foundation, and designed a mass communication system called Dial-A-Poem, which allowed for people to call in and hear orated poetry over the phone.  Read More »
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October 14th, 2019
Paul Chan, Khara En Tria (Joyer in 3) (2019), via Greene Naftali
On view this month at Greene Naftali in Chelsea, artist Paul Chan makes his fourth solo entry in the gallery program, featuring a new series of works Chan calls “Bathers.†Marking new iterations and elaborations on his prior work, the show explores space and movement through simple materials. Read More »
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October 11th, 2019
Janiva Ellis, Wokey Doke (2019), via 47 Canal
There’s a remarkable concept of balance and duality in the work of Janiva Ellis, moments of sublime beauty and fragile, held states that seem to make the moments of bizarre surrealism and sinister iconographies all the more unnerving. For her most recent show, ‘Tip Drill,’ on view at New York’s 47 Canal Gallery through October 20th, the artist continues her practice of elaborate systems of tension and release. Read More »
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October 9th, 2019
Sophie Kitching, Untitled (Plume) (2019), via Kiosk
Known for its shop selling a range of meticulously curated and enigmatic products, the online platform Kiosk has traveled widely, orchestrating various projects and pop-ups, not to mention an inclusion in MoMA PS1’s Greater New York show that spotlighted its daring vision and unique approach to the fine lines traditional distinctions between shop and art gallery, product and art object. Read More »
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October 4th, 2019
Dan Graham, via Art Observed
After a whirlwind few hours in London, the Frieze Art Fair is underway, and the doors are open for the public. Opening its doors this week for its 17th edition in Regent’s Park, Frieze London has once again turned the art world’s collective eye towards the British capital for the next week, as sales and installations across its spacious halls make for a fitting center to one of the city’s busiest art events. Read More »
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