Duane Hanson’s “Flea Market Lady” staffs Emmanuel Perrotin’s booth at Frieze via New York Magazine

In the midst of perhaps the most spectacular global financial and credit market cave-ins ever experienced, The Frieze Art Fair in London, one of the three largest contemporary art fairs, felt a slowdown in some attendance indicators, sales volume and pricing; a harbinger of similar buyer sentiment reflected in anemic sales totals from all of the three major contemporary art auctions that followed in London over the weekend from Sotheby’s, Phillips and Christie’s respectively. In light of the true magnitude of the global wealth disrupted in recent weeks, overall, the output of the Frieze art fair and the concurrent contemporary art auctions likely could have been worse. The following is a roundup of the news and images looking back from the close of the Frieze fair as well as detailed summaries of each auction.

Takashi Murakami’s “Tongari-Kun” 2004. Though it was headliner of the Phillips Auction on Saturday, it failed to sell. Image via Phillips

Newslinks, images and more on the Frieze Art Fair and on the Sotheby’s, Christie’s and Phillips auctions after the jump…

(more…)

Cory Arcangel’s “Golden Ticket” to the 2008 Frieze Art Fair via Artnet

With over 150 galleries, The Frieze Art Fair, set in London’s Regent’s Park, began selling works by over 1,000 artists on October 15. Since its first year in 2003, the Frieze fair has grown to be regarded as the youngest and perhaps the most cosmopolitan and cutting edge of the global fairs, which include Art Basel, Art Basel Miami Beach and the Venice Biennial. The fair, which runs until the 19th of October, and the London auctions that will occur this evening and this coming weekend, mark the first major opportunity for transparency into the the status of the global art market since the widespread financial turmoil began. Following Damien Hirst’s groundbreaking, clearing house, £111.5 million, direct-to-market auction of his own work at Sotheby’s last month (as covered by ArtObserved here) the market has had some clouds brewing over it, with beginning indications of weakness manifesting in events such as Sotheby’s lackluster first evening sale of contemporary Asian art in Hong Kong earlier this month (as covered by ArtObserved here), which sold £7 million against expectations of £30 million to another auction that same weekend in which Sotheby’s sale of modern 20th-century Chinese art left over a third of the lots unsold. More recently, the Singapore Art Auctions were also a dissapointment.

London’s Frieze Prepares for a Chill [Wall Street Journal]
Crisis Imperils U.K. Art Fairs, $183 Million Sales, Dealers Say and Auction Houses Guarantee Top Lots; Dealers See Falling Demand and Paltrow, Saatchi, Zhukova Browse Frieze Art as Sales Go Slowly, Aguilera Parties, Damien Hirst Has a Head Case: London Art Buzz [Bloomberg]
Deep Frieze: UK’s hottest art fair braces itself for the chill of the banking crisis and Prank canvas [GuardianUK]
Frieze Art Fair: Super-rich to cast economic crisis aside and Andy Warhol’s Skulls up for auction [Telegraph]
All the fun of the fairs: the art world gathers for Frieze [Independent]
The Post-Materialist | Frieze Art Fair [TheMoment]
Diary: Frieze Frame [ArtForum]
Frieze Factor [Artnet]
Frieze: First night blur [ArtReview]
Frieze Art Fair 2008 [Frieze Art Fair]

(more…)

Untitled (1982) (known unofficially as The Boxer) by Basquiat, via

Lars Ulrich, drummer for heavy metal band Metallica and erstwhile art collector, is putting up an untitled Basquiat painting up for sale in New York through Christie’s.  Known as ‘The Boxer,’ it depicts a triumphant black boxer with arms raised, painted in Basquiat’s signature style: very raw with elements of graffiti and ‘primitive’ aesthetics. The painting was a feature of the Basquiat retrospective shown at the Brooklyn Museum of Art, the Museum of Contemporary Arts in Los Angeles, and the Museum of Fine Arts in Houston in 2005.  Christie’s will be putting ‘Boxer’ on sale on November 12th, and will display it in London over the weekend of October 17th to coincide with the Frieze art fair, when collectors will converge en masse in London.

Basquiat’s ‘Boxer’ is expected to sell for $12 to $16 million, with some estimates going as high as $20 million. Given the art market’s recent performance, it remains to be seen if the auction will break the artist’s previous record of $14.6 million for an unnamed painting from 1981. Nevertheless, given the fact that Basquiat has a limited, in-demand body of work due to a premature demise, pricing is still expected to be at the higher end of estimates.

Brooklyn Museum: Basquiat Retrospective with biographical information
Metallica Drummer to Sell Basquiat ‘Boxer’ [New York Times]
Another Rock Star Auctioning Off His Rare Basquiat [New York Observer]
Metallica Drummer Puts $12 Million `Boxer’ Basquiat Up for Sale [Bloomberg]
Metallica drummer to sell Basquiat painting in NYC [Washington Post]
Musician selling a Basquiat at Christie’s [Crain’s New York]
Good as Gold [Art Market Monitor]

(more…)

–>
Suprematist Composition (1916) by Kazimir Malevich, via Art Daily

Despite the ongoing deterioration of global stock markets, including, at the time of this article, a 61% decline in the Russian Stock Market since May, Sotheby’s is confident that it will break the $20.9 million record set for  the sale of Russian art at auction by Kandinsky set in 1990.  ‘Suprematist Composition,’ composed by Kazimir Malevich in 1916, is widely considered a masterpiece of early 20th century avant garde art–Sotheby’s calls it “one of the greatest modern paintings ever offered for sale.” It is expected to fetch $60 million dollars when it goes on sale at the Impressionist and Modern Art auction on November 3rd.  The piece goes on sale after Malevich’s heirs recouped it from the Stedelijk Museum in Amsterdam.

Sotheby’s optimism in the face of recent subpar auction performances [AO] is due to what they say is the unprecedented quality of the work and the historical importance of the artist, who has recently risen in profile to the ranks shared by Picasso, Pollock, Chagall and other marquee 20th century artists.  Sotheby’s is also counting on the interest of Russia’s billionaire art collectors, who have had a major impact on art markets this decade, paying record prices and avidly acquiring trophy works by the likes of Damien Hirst as well as Russian artists. The results of Sotheby’s prediction remains to be seen and some of the factors that will affect the outcome certainly have developed for the worse, as Bloomberg estimates that Russia’s billionaires have lost close to $230 billion of their net worth in the recent Russian stock market’s decline.

Sotheby’s: Suprematist Composition (1916), Lot #6, Impressionist and Modern Art Fall Sale [Sotheby’s]
–>
“Suprematism” by Kazimir Malevich, plus selection of artwork [Artchive]
–>
Sotheby’s expect Malevich to smash Russian record [Reuters]
–>
Heirs to Auction Russian Painter’s Work [New York Times]
–>
Malevich Painting May Fetch More Than $60 Million [Bloomberg]
–>
Restituted Malevich to Be Sold at Sotheby’s [ArtInfo]
–>
Sotheby’s To Auction One of the Greatest Modern Paintings Ever Offered for Sale [ArtDaily]
–>
Sotheby’s predicts Russian Malevich masterpiece to fetch a record-smashing £33million [Daily Mail]
–>
Abramovich, Deripaska, Oligarchs Lose $230 Billion [Bloomberg]

a history of the current painting and how it came to auction after the jump…

(more…)

–>
Nuggets by Banksy, at the Village Petstore and Charcoal Grill, via the New York Times

Two new Banksy rat murals have gone up (following two previous murals, as covered by AO here and here); one at the corner of Houston and MacDougal, the other at Canal and West Broadway. The murals are tie-ins for The Village Pet Store and Charcoal Grill, Banksy’s new installation/storefront in the West Village and his first official show in New York. The storefront features a number of animatronic representations of animals and food derived from animals, highlighting the disintermediation between the two due to excessive processing and the contemporary consumerist, fast food culture. “I wanted to make art that questioned our relationship with animals and the ethics and sustainability of factory farming,” said Banksy, quoted through a publicist in the New York Times. “But it ended up as chicken nuggets singing.”

Artist site: Banksy
–>
Exhibition site: Village Petstore and Charcoal Grill
–>
ArtObserved Profile: Banksy
–>
Banksy exhibition features chicken nuggets [TelegraphUK]
–>
Banksy Unveils Singing Chicken Nuggets at New York “Pet Supply Shop” [ArtInfo]
–>
Where Fish Sticks Swim Free and Chicken Nuggets Self-Dip [New York Times]
–>
Banksygate 2008: Banksy opens new show in New York! [Gothamist]
–>
Banksy rats now in NYC! [Art Fag City]

VILLAGE PET STORE AND CHARCOAL GRILL
–>
89 7th Avenue South – between West 4th Street and Bleecker
–>
10am to 12am every day
–>
through October 31st, 2008

(more…)

A silica gel sculpture “Communication” by Cang Xn in the new Saatchi Gallery via Reuters

One of the most influential art collectors, Charles Saatchi, who years ago jump started the careers of the Young British Artists such as Damien Hirst and Tracey Emin, has opened his new gallery in Chelsea in Central, London. The neoclassical former military barracks from 1801 known as the Duke of York Headquarters building is the now home to Saatchi’s gallery and his opening exhibit called “The Revolution Continues: New Art From China.” Within the space, a standard “white cube” internal architecture, the inaugural group show features works of art from the most of the top contemporary Chinese artists. Duke of York Headquarters buildings provides an impressive 70,000 square feet of space of gallery space, and in its past life was the military headquarters and barracks for the Duke’s soldiers.

Also notable is that the new Saatchi Gallery, a huge space that compares with City or National arts spaces in its scope and quality of offerings, is entirely free, due to a corporate sponsorship by Phillips de Pury & Company, which only this week was purchased by the Mercury Group of Russia, as reported by Art Observed yesterday here.

Saatchi Gallery Website
Saatchi Gallery Opens at Duke of York’s HQ Building, Chelsea [Artdaily]
Saatchi leads Chinese revolution with video here, and more video here [BBC]
Classical frame for Saatchi’s brand-new look [Financial Times]
Art guru Saatchi back with new gallery, China show [Reuters]
Saatchi’s New London Gallery Hails Britart, Chinese Revolution [Bloomberg]
Charles Saatchi’s old favourites – made in China [TimesUK]
Stuck with Saatchi [ArtReview]
The Revolution continues at the new Saatchi Gallery [TimesUK]
The verdict on Saatchi’s new gallery and Dog chews and Mao [Independent]
Saatchi Gallery: great space, shame about the art and Saatchi gallery: a study in blandness [GuardianUK]
Last scene by Saatchi and Charles Saatchi: Did I say that? and Is it third time lucky for Saatchi gallery? [GuardianUK]
Saatchi Gallery Opening – London [Jean Pigozzi for Colette]
Update: Opening of the Week: Saatchi rolls out the red carpet [Independent]

(more…)

Sotheby’s (NYSE: BID) 1-year stock chart, via Yahoo! Finance

Sotheby’s (BID) stock declined by 14% on Monday, October 6th, 2008, to close at the lowest levels since July 2005 according to Bloomberg.  By ArtObserved’s calculations, Sotheby’s has lost more than 75% of its value since falling from its October 12th, 2007 high of $57.12 to today’s close of $13.86.  Besides the general buckling of the US Stock markets, Sotheby’s stock’s decline has presumably also been due to concerns about the buoyancy of the art market (as specifically reflected in this past weekend’s Asian art sales by Sotheby’s) which some analysts consider to be overheated and on the verge of a decline, especially in light of the global financial contagion.  Despite the overwhelming success of the landmark Damien Hirst direct to market auction less than a month ago in London (as reported by AO here), overall in the past month, Sotheby’s shares have dropped three times that of Standard & Poor’s 500 Index.

Evidence supporting the decline in the market is mounting: several recent auctions have failed to make the grade, including one recently featuring previously extremely in-demand artwork of Banksy. Some hoped that the continued influx of funds into the art market from collectors in ‘new markets’ such as Russia, China, India and the Persian Gulf, would prop up prices in Western markets and in burgeoning domestic contemporary art scenes. The results of Sotheby’s fall sale of Asian contemporary art however, selling a sector of the market which had previous momentum that seemed relentless, poke holes in that assertion. The auction failed to sell 19 of 47 of its headline lots, including pieces by Subodh Gupta, Zheng Xiaogang, Yue Minjun and Takashi Murakami. “Today’s results aren’t acceptable, they’re very poor. The contemporary Chinese art market has raced ahead too quickly and now people can’t prop it up anymore,” a Taiwanese dealer was quoted as saying in the Wall Street Journal.

Hong Kong tests art buyers’ courage [Financial Times]
Weak Sales for Sotheby’s in Hong Kong [Wall Street Journal]
Sotheby’s Shares Fall Amid Concern About Art Market [Bloomberg]
Top Lots Shunned in Post-Lehman Art Sale at Sotheby’s Hong Kong [Bloomberg]
Chinese contemporary art palls in Sotheby’s HK sale [Reuters]
Pop Goes the Bubble in Chinese & Indian Art [BusinessWeek]
Credit crunch crushes art auction [BBC]
Sotheby’s Sale of Modern and Contemporary Southeast Asian Paintings Brings US$9,165,947 [ArtDaily]
Sotheby’s Website

(more…)

Simon de Pury, Chairman and Co-Founder of Phillips de Pury, via Getty Images

Phillips de Pury, a pre-eminent auction house with a strong contemporary art and photography focus, has been bought by Mercury Group, a Russian luxury retail group that owns top shelf department stores selling Gucci, Prada, Ferrari, Maserati, Rolex and other high end names.

Phillips was acquired in 1999 by Bernard Arnault who is the chairman of Louis Vuitton Möet Hennessey. Following that acquisition by Arnault, Simon de Pury and Daniella Luxembourg, both art dealers, ran the auction house then called Phillips, de Pury & Luxembourg. In March 2004 Simon de Pury acquired majority control of the firm which was then renamed Phillips de Pury.

Coincidentally, the acquiring firm Mercury Group, headed 41 year old self made billionarie and tobacco tycoon Igor Kesaev, owns the shopping center that was the site of Sotheby’s preview of contemproary art, as reported by AO in April. Simon de Pury will stay at the helm of the company as Chairman, and will remain an important shareholder. According to de Pury, who was quoted in the company’s press release, the ‘strategic partnership’ with Mercury will “allow us to provide a unique platform to new and fast growing markets.”

Press Release: Phillips de Pury announces partnership with Mercury Group
Russian Group Buys Auction House [NYTimes]
Russian Luxury Retailer Acquires Phillips [ArtInfo]
Russia’s Mercury Group Buys London Art Company Phillips de Pury [Bloomberg]
Phillips de Pury sold to Russian group [Financial Times]
Phillips auction house is sold [Wall Street Journal]
Phillips de Pury hopes takeover will secure future sales [DesignWeek]
Newslinks for Wednesday, September 24, as summer’s China-focused news comes to an end, Autumn news centers on Russia [AO]

(more…)

Self (1991) by Marc Quinn, via Culture Loves Us

The National Portrait Gallery, home to portraits of major British figures such as kings, queens, and prime ministers, has set its eyes on acquiring ‘Self,’ a sculptural self-portrait of Marc Quinn made from ten pints of his own frozen blood. Marc Quinn–one of the most celebrated of the YBAs (Young British Artists) along with Damien Hirst and Tracey Emin–has made three sculptures using his blood as the raw material since 1991, and has said that he plans on making similar sculptures every five years until he is unable to. The original ‘Self’ was acquired by advertising magnate Charles Saatchi for £13,000; White Cube Gallery is offering the NPG the most recent iteration (dating from 2006) for £350,000, with its open market value being quoted at £1.5 million. The Art Fund and several other sources have committed £150,000 to acquiring the work, leaving £200,000 which the NPG needs to raise by December 31st.

National Portrait Gallery criticised over purchase of Marc Quinn’s Blood Head [TimesUK]
National Portrait Gallery Raises Money for Self-Portrait Made From Frozen Blood [ArtInfo]
Museum needs £200,000 for Marc Quinn’s blood portrait [The Art Newspaper]

Previously:
Go See: ‘Statuephilia’ at The British Museum today through January 25th [ArtObserved]
Marc Quinn’s gigantic baby sculpture up for private auction by Sotheby’s [ArtObserved]

–>
Bansky mural at Howard St. and Broadway photo by ArtObserved

The large-scale Banksy piece on the corner of Howard St. and Broadway in Soho is the second entire-building-facade work found in downtown Manhattan this week (the first covered by ArtObserved here) and is also the second collaboration between Banksy and the professional advertisement firm, Colossal Media.  The massive rat, filled with fast scrawling black-lines to appear as if done in crayon or marker, stands next to dripping red letters reading, “LET THEM EAT CRACK.” 

Banksy Goes Legal: Rent Walls & Hires Painters[Supertouch]
–>
Banksy Reacts To Wall Street [TheWorlds Best Ever]
–>
A Could-Be Banksy Mural Appears on Soho Wall [NYTimes]
–>
Banksygate 2008: Natives Respond [Gothamist]
–>
Banksy Official Website

(more…)

Desmond by Jean Michel Basquiat, up for auction at Christie’s Post-War and Contemporary Art Auction, via Christie’s

In addition to selling a rare portrait by Francis Bacon, Christie’s October 19 auction catalogue features a long list of post-war luminaries. Several portraits of Mao and Marilyn Monroe by Andy Warhol figure prominently among the auction’s offerings. A sculpture by Jeff Koons, as well as pieces by Jean Michel Basquiat, Gerhard Richter, Richard Prince, Anish Kapoor, Willem de Kooning, Lucian Freud and a plethora of other artists account for the rest of the lots. The priciest of 48 lots is expected to be Lucio Fontana’s canvas, Concetto spaziale, la fine di Dio, which should fetch around £12 million pounds ($21.8 million).

Christie’s: Post-War and Contemporary Art Evening Sale
Christie’s: Press Release for Post-War and Contemporary Art Evening Sale
Fontana work may fetch $21.8 million in Record Christie’s Sale [Bloomberg]
Bacon Portrait Expected to Sell for £7.5 million at Christie’s Auction in October [ArtObserved]

(more…)

Still Life (Natura morta) (1943), Giorgio Morandi via [Metropolitan Museum of Art]

‘Giorgio Morandi, 1890-1964’ at the Metropolitan Museum of Art is the first  exhibit of its size and scope in the United States, displaying approximately one hundred still life paintings and a dozen landscapes. Composed with narrow-ranging hues of cream, brown, and gray, Morandi projects a study of rhythm, balance and intricacy of shape with his identifiable style. The show includes works which span Morandi’s 50-year tenure as a painter and track the lineage of the painter’s influence upon Cézanne, Cubism, Futurism, and the pittura metafisica of Giorgio de Chirico and Carlo Carrà.  In addition, the intimacy of the underground gallery of the Robert Lehman wing provides well-suited location for the subtleties of such an artist.

All That Life Contains, Contained [NYTimes]
Morandi’s Subtle Spectable [NYSun]
Tables for One [New Yorker]
Giorgio Morandi, 1890-1964 [Met Museum]
Museo Morandi Website

(more…)

‘I give you all my money 2008’ by Cathy Wilkes, a finalist at 2008’s Turner Prize, via Guardian

The Turner Prize is exhibiting this year’s finalists starting September 30th at the Tate Britain, in London. Founded in London in 1984 to support the development of contemporary artists under 50 years of age, the prize is widely considered one of the art world’s highest honors. This year’s finalists are Runa Islam, Goshka Macuga, Mark Leckey and Cathy Wilkes–the first time in the prize’s history that three of its four nominees are women. The works shown run the gamut from installation art to film.  Past award recipients have included Wolfgang Tillmans, Tracey Emin, Damien Hirst, Anish Kapoor and Steve McQueen.

Turner Prize page at the Tate Britain
A mannequin on a toilet and dry porridge – it’s the Turner Prize [Independent]
The Turner Prize 2008: who cares who wins? [Telegraph]
Turner Prize Nominees Offer Supermarket Checkouts, Broken China [Bloomberg]
Video: Take a tour of the Turner prize 2008 [Guardian]
Turner Prize 2008: Who’s Who [Guardian]
Dummies and china compete for Turner [Financial Times]
Turner fight begins again [Financial Times]
Nurses and Curses: Adrian Searle on this year’s Turner Prize finalists [Guardian]

(more…)

Portrait of Henrietta Moraes by Francis Bacon, via the BBC

Francis Bacon, one of the best known painters of the 20th century and the focus of a recent retrospective at the Tate Britain, is in the news again. His 1969 portrait of socialite Henrietta Moraes, who also posed for Lucian Freud and other British artists, will be on sale at Christie’s Postwar and Contemporary auction on October 19th, in London. The painting, which was previously owned by Guinness heir Garech Browne, is expected to fetch £7.5 million.

Christie’s: Postwar and Contemporary Art Evening Sale
Go See: Major Francis Bacon Retrospective [ArtObserved]
Bacon Portrait Press Release [via Art Market Monitor]
Bacon portrait to sell for £7.5m [BBC]
Bacon Bit and the Whole Hog [Art Market Monitor]
Old School Bad Boy’s Messy World [New York Times]

(more…)

Le Rêve, Pablo Picasso (1932) via Ocasionalidades

The $139 million Picasso painting, Le Rêve, that was damaged in 2006 by billionaire Stephen Wynn will be publicly shown for the first time since the accident at Acquavella Galleries in New York City.  Stephen Wynn, the operator of a Las Vegas casino and one of the most significant art collectors in the world, damaged the Picasso painting when he accidentally bumped it with his elbow back in 2006, only hours after agreeing to sell it to Steven Cohen for $139 million.  The sale was canceled due to the damage of the painting.  Since then, the painting has been repaired and will be included in the upcoming Picasso exhibit opening October 15 at Acquavella Galleries. The exhibit will include an estimated $500 million worth of artwork, much of which is not for sale.

Watch Those Elbows: Wynn’s $139 Million Picasso Joins N.Y. Show [Bloomberg]
Acquavella To Show Wynn’s Damaged Picasso [NYSun]
Steve Wynn’s Repaired Picasso Joins New York Show [Artinfo]
The $40-Million Elbow [New Yorker]

(more…)

‘Paris, 2008’ by Jonathan Yeo, at The Outsiders show, via Gawker

Damien Hirst, who set a record in a groundbreaking primary market auction, has bought Jonathan Yeo’s ‘Paris, 2008’ piece for an undisclosed amount. ‘Paris, 2008,’ which is on display at the UK Lazarides Gallery’s Outsiders show covered by AO here and currently housed at 282 Bowery.  Though the show was not without other spectacle, this particular collage piece has made the news because it is made entirely of clippings from porn magazines, much like Yeo’s other famous portrait of George W. Bush.

Hirst snaps up Paris Hilton picture [The Press Association]
Hirst buys Paris ‘porn’ portrait [BBC]
AO On Site: The Outsiders [ArtObserved]
Damien Hirst’s primary-market Sotheby’s auction sets records alongside historic financial market collapse [ArtObserved]

(more…)

Banksy mural at Wooster and Grand St, via The World’s Best Ever

A three story high rat wearing an I Heart New York t-shirt, caught red handed drawing another rat, was erected on Saturday near the intersection of Wooster and Grand Streets in SoHo. Unmistakably done in Banksy’s signature style, the mural was actually painted by Colossal Media, a professional firm, and not the artist himself. The mural was comissioned, although its not exactly clear by whom. There is also speculation that Banksy himself may have been near the site of the mural as it was going up, or at least may have been in the city for the Lazarides Gallery’s Outsiders show on Bowery, which AO recently recently covered On Site.

New Banksy piece in NYC’s SoHo [The World’s Best Ever]
Banksy mural going up right now in SoHo [Gothamist]

Monkey Queen by Banksy, via Lyon and Turnbull

Despite an initial reluctance to identify the works as his, five pieces confirmed to be made by prolific and secretive graffiti artist Banksy went up for auction in Central London last night on September 27th. However, in a marked departure from other, recent high profile contemporary art auctions by popular artists, this time no records were broken. In fact, the Lyon and Turnbull auction struggled to drum up enough interest to meet the lower end of estimates, with some lots even being withdrawn from the auction altogether. In fact, more than two thirds of lots in the auction remained unsold when it was over (74 of 270 sold). One shocked expert even went as far as calling the auction “a bloodbath,” according to the UK’s Independent. Other artists whose works were auctioned included Kate Moss, Sam Taylor-Wood (who recently split with Jay Jopling, owner of the White Cube gallery), Peter Doherty, and Sean Scully, among others.

A prevalent opinion of art market followers is that the recent auction success on the higher end from artists such as Damien Hirst may be due to an artificial propping up of the sales from direct marketing to new buyers such as Russians and other new found pools of wealth by well oiled marketing machines such as Sotheby’s. However, for the bread and butter lower priced works, there perhaps simply is no escaping that there is less confidence and less money in the system overall.

Banksy Official Website
Lyon and Turnbull: Sale 222 page
Banksy’s artworks fail to shift [BBC News]
Banksy Works Go Unsold; Buyers Stay Away From Urban-Art Auction [Bloomberg]
Banksy Won’t Say if Works for Sale Are His [Gawker]
Art Sale Moss-acre [Independent]

(more…)

No Title (They’ve shot the) (1982), Raymond Pettibon via Regen Projects

A little-known fact about Raymond Pettibon is that he raised “sporting” pitbulls and mastiffs in the backyard of his home in Hermosa Beach, California.  For someone so inextricably linked to the punk and hardcore music scene of the late 1970s and early 1980’s, this may not come as such a surprise to some.  Pettibon won wide-spread appeal for his ambiguous and irreverent monochromatic comic-like posters and album covers for the band Black Flag and SST records, both founded by his older brother Greg Ginn. One can digest Pettibon’s work as a type of stark and detached reenactment of a depraved silent-film with wry, tongue-in-cheek undertones. Even Pettibon’s use of “sporting” rather than “fighting” with reference to his dogs exemplifies his seemingly caustic dryness.  Part one of a two part Pettibon solo exhibition at Regen Projects in Los Angeles runs from September 13th to October 18th and features seminal works showcased in some of his early ‘zines. His second exhibit runs from December 13, 2008 to January 24, 2009 also at Regen Projects.

Raymon Pettibon Part I: Seminal Early Works 1978-88 [Regen Projects]
Raymon Pettibon Seminal Early Works 1978-88 [LA Times]
Raymon Pettibon Exhibit at Regen Projects [LAist]
Interview with Raymond Pettibon [Believermag]

(more…)

‘Study for Agony I’ (1946-7) by Arshile Gorky, part of a Christie’s auction which will include works from the Kathleen and Richard Fuld collection, via Art Market Monitor

“I’ve been selling things for the past few years, but nobody cared until now,” Kathleen Fuld was reported to have said to the New York Times in an interview with Carol Vogel. Kathleen Fuld, trustee of MoMA–and wife of beleaguered Lehman Brothers’ CEO Richard Fuld–recently announced that she will be auctioning 16 works of post-war and contemporary art through Christie’s on November 12th, following a related report  (covered by AO) that Lehman may sell some or all of its 3,500-work corporate collection. The Fulds make regular appearances on ARTNews list of Top 200 collectors, and have been collecting since the 1980s, focusing mostly on drawings and studies that yield insight into the artists’ creative process. The auction will include drawings from the likes of Barnett Newman, Arshile Gorky, Willem de Kooning and Agnes Martin, and is expected to raise $15 to $20 million.

Study in Financial Agony: Lehman Chief’s Wife Hires Christie’s to Auction $20 M. Collection [New York Observer]
Fallen Tycoon to Auction Prized Works [Wall Street Journal]
Kathy Fuld, Wife of Lehman CEO, to Auction Artworks [Bloomberg]
Lehman Brothers CEO is a top art collector. For a few more minutes. [C-MONSTER]
The Russians Aren’t Coming, They’re Already Here! Lehman Chair Looks to Moscow to Sell His Art Collection [New York Observer]
Fuld Folds Paper [Art Market Monitor]
Modern Drawings Head for Auction [New York Times]

(more…)

An untitled 1969 work by Mark Rothko via Telegraph The painting, created a year before the artist committed suicide, displays the dark color palette the artist primarily used during his last years of life a period that was said to be increasingly lonely and isolating for the artist.

Opening today at the Tate Modern is retrospective of abstract expressionist Mark Rothko. The Latvian-born American artist has not had an solo exhibition in the UK in over 20 years. The exhibit includes Tate’s permanent Rothko colletion that consists of nine paintings known as the Seagram murals. The paintings which are usually on display in what is known as the Rothko Room within the Tate have been moved to a larger space and joined by another six Seagram murals on loan from Kawamura Memorial Museum of Art in Japan and the National Gallery of Art in Washington. In 1958 the artist was commissioned by the Four Season’s restaurant in New York’s Seagram building to create the works, earning the paintings the name Seagram murals. However Rothko ultimately deemed a restaurant as an inappropriate place to display the works and did not hand them over. Instead the artist donated many of the works, including several to the Tate. The exhibition will also include the 1964 series Black-Form paintings, 1969 series Brown on Grey works on paper, as well as works from his last series before his death Black on Gray made in 1969-70.

Mark Rothko exhibition at Tate Modern, 26 September 2008 – 1 February 2009 [Tate Modern]
Bacon and Rothko in London [New York Sun]
How Mark Rothko became an Anglophile [Times Online UK]
Rothko’s Humor Shown by Son as Tate Fetes Artist’s Darkest Work [Bloomberg]
In at the Deep End Rothko Video [Guardian]
Rothko’s Gloom Is Compelling at London’s Tate: Martin Gayford [Bloomberg]
Rothko’s murals reunited at Tate [BBC News]
Rothko exhibition opens at Tate Modern [Telegraph]
First Major Exhibition Dedicated to the Late Works of Mark Rothko at Tate Modern [Art Daily]
Current Exhibition: Rothko [Art Info]
The trouble with Mark Rothko’s genius [Times Online] (more…)

Sam-Taylor Wood and Jay Jopling via Art Info.

“Young British Artist” couple Jay Jopling and Sam Taylor-Wood are separating after 11 years of marriage. The two have both been a constant force within the British contemporary art world.  Jopling’s White Cube gallery represents famed British artists Damien Hirst, Tracey Emin, and the Chapman brothers among an international roster that includes Chuck Close, Andreas Gurksy and Jeff Wall.  Taylor-Wood is a Turner Prize winning artist whose photo and video work has included celebrities Elton John, Jude Law and Benicio Del Toro among others. The artist furthered her fame in 2002 when she created a video portrait of David Beckham sleeping. The announcement follows Jopling in the news alongside Damien Hirst’s record breaking sotheby’s auction last week in which the artist cut Jopling and other dealers out of the selling process. The couple has stated that no other parties were involved in the split which they have described as “amicable.” Jay Jopling and Sam Taylor-Wood have two daughters together.

Jay Jopling and Sam Taylor-Wood separate after 11 years [The Times UK]
Jay Jopling and Sam Taylor-Wood split after 11 years of marriage [Telegraph]
Art’s golden couple Sam Taylor-Wood and Jay Jopling split after 11 years of marriage [Daily Mail]
Jay Jopling and Sam Taylor-Wood Separate After 11 Years [Art Info]

(more…)

Love and Pain by Edvard Munch via Art Market Monitor.

Edvard Munch’s 1894 painting Love and Pain, known as Vampire, will be auctioned at Sotheby’s New York November 3, 2008. The piece has been in private hands for the past 70 years and will be the feature work during Sotheby’s evening sale of Impressionist and Modern Art. It is estimated that the painting will sell for $35 million surpassing the existing Munch record of $30.8 set this past May for Girls on a Bridge. The painting which is said to represent love, sex, and death shows a woman and man in embrace. It is one of four paintings by Munch that explores the same theme, the other three works are housed in institutions in Oslo and Gothenburg. Curiously, the work was painted within years of Bram Stoker publishing the hugely popular ‘Dracula’ which may have caused the painting to be effectively renamed in popular culture. [Coxsoft] Prior to its sale the work will be displayed at Sotheby’s London from October 3-7, and in Moscow from October 16-19.

Iconic Masterwork by Edvard Munch to be Sold by Sotheby’s New York on November 3, 2008 [Sotheby’s Press Release]
Munch’s Vampire to be auctioned [BBC News]
Munch’s Vampire Comes to Market [Art Market Monitor]
Munch’s Vampire Goes Up for Sale With $35 Million Estimate [Art Info]
Iconic Masterwork by Edvard Munch to be Sold by Sotheby’s New York in November [Art Daily]

(more…)

Richard Armstrong, the new Director of the Guggenheim via NY Times.

As anticipated by Art Observed earlier this month in a report here, Richard Armstrong of the Carnegie Museum of Art in Pittsburgh has been named the new Director of the Soloman R. Guggenheim Foundation and its flagship the Soloman R. Guggenheim Museum in New York.  The announcement made yesterday by the Board of Trustees follows an extensive seven-month international search. The search begin February 2008 after Thomas Krens resigned as Director of the Guggenheim after nearly 20 years. Armstrong served four years as Chief Curator and Curator of Contemporary Art at the Carnegie Museum prior to his appointment as director there. He has also worked previously as the curator at the Whitney Museum of American Art where he organized four biennials and as curator at La Jolla Museum of Contemporary Art, California.

Guggenheim Chooses a Curator, Not a Showman [NYTimes]
Guggenheim Foundation Names New Director Richard Armstrong [Art Daily]
Richard Armstrong appointed director of the Guggenheim [The Art Newspaper]

(more…)