Jess Xiaoyi Han, Implosion (2023), all image photography by Cooper Dodds via Ross+Kramer Gallery

Currently exhibiting at Ross+Kramer Gallery’s Chelsea location is Chinese artist Jess Xiaoyi Han’s debut solo show Implosion, a series of her most recent paintings which explore abstract articulations of internal fluctuation and transformation. This new body of work, painted with alkyd on canvas, reflects an evolution in the young artist’s meticulously controlled and expressionistic style —the compositions are increasingly crowded with frenetic arrangements while still maintaining a cohesive and meditative fluency. Han’s luminous canvases, saturated with a vibrant, candy-colored palette, burst with streams of fluid brushstrokes, emanating a sense of dynamic movement through illusionistic space.

Read More »

Emma McIntyre, We will invent new roses (2023), via Chateau Shatto

On this month in Los Angeles, local favorite Château Shatto presents a body of new paintings by Emma McIntyre, unified under the title Pearl Diver and marking the first show for the artist at the space. Embracing a gestural and expressive mode of mark-making, the works here see the artist running through a range of approaches and techniques, each time exploring notions of density, movement and space. Read More »

Kara Walker, Harper’s Pictorial History of the Civil War (Annotated) (Installation View), via Art Observed

For over two decades, artist Kara Walker (b. 1969) has been making work that weaves together imagery from the antebellum South, the brutality of slavery, and racist stereotypes. Her work has stirred controversy for its use of exaggerated caricatures that reflect long-standing racialized and gendered stereotypes and for its lurid depictions of history. This mode of work takes center stage in a body of new prints on view this spring at the New York Historical Society, which challenge and re-examine methods of depiction and representation of history through pointed interjection.  Read More »

Tony Oursler, SpEcTrUm (2023), via Lehmann Maupin

Compiling a body of new work this month, Lehmann Maupin presents mAcHiNe E.L.F. by Tony Oursler, the pioneering new media artist whose diverse combination of multimedia projects, immersive environments, expansive outdoor installations, and dynamic dolls, ghosts, and bots that liberate video from its traditional two-dimensional format and bring it into the realm of sculpture have long served as a powerful and expressive exploration of modern culture.  Read More »

LaToya Ruby Frazier, More Than Conquerors: A Monument for Community Health Workers of Baltimore, Maryland 2021-2022, (2021 – 2022) (Installation View), all images via Gladstone

Marking its first show with artist LaToya Ruby Frazier, Gladstone Gallery has installed a body of work by the artist that pays tribute to and commemorates the work of healthcare workers during the course of the Covid-19 Pandemic. Centered around More Than Conquerors: A Monument for Community Health Workers of Baltimore, Maryland (2021-2022), which marks its first installation in New York, the show makes for a fitting reflection on several exceedingly challenging years for the United States and its healthcare workers.  Read More »

Mark Manders, Writing Skiapod (Installation View), via Tanya Bonakdar

Taking over the Los Angeles outpost of Tanya Bonakdar, artist Mark Manders marks his fifth solo show with the gallery, and his first in LA since 2010. Continuing his exploration of rooms as a container for expressive and surreal arrangements of material, the artist here takes on a range of explorations of language and expression. Read More »

Gedi Sibony, Her Seven Morning Sentiment (2015), via Greene Naftali

Artist Gedi Sibony presents a range of new works this month at Greene Naftali in New York, continuing the artist’s studied interrogation of spatial dynamics, color, and form, all explored through a range of sculpture and painting.  Titled I Was Like Wait, the exhibition stages a series of encounters, expansive and confounding.

Gedi Sibony, I Was Like Wait (Installation View), via Greene Naftali

Read More »

Charles Atlas, A Prune Twin (Installation View), via Luhring Augustine

On view this month, Luhring Augustine presents A Prune Twin, the gallery’s third solo exhibition with pioneering film and video artist Charles Atlas. The showmarks the debut of the titular piece, a multi-channel installation with sound and video originally commissioned by the Barbican Centre, part of the show Michael Clark: Cosmic Dancer. Atlas and Clark were longtime collaborators, and this show marks something of both a tribute and compendium of their work together.

Read More »

Leidy Churchman, Niki de Saint Phalle! (1) (2021), via Matthew Marks

On view at Matthew Marks in New York this month, artist Leidy Churchman presents a body of twenty-four monotypes, showcasing an expressive and engaging aspect of the artist’s already dynamic and expressive practice. Turning their hand towards print-making in a series of varied and interesting works, the artist seeks to catalyze the feeling of images and thoughts in human consciousness. By giving attention to each image, the artist hopes to encourage what they have described as “an immersion and transformation of the world from an intimate perspective; a richer, rounder view of the moment from within the mind.”  Read More »