Search Results

London – Darren Bader: “more or less” at Sadie Coles HQ Through March 29th, 2018

Thursday, March 15th, 2018

London— Jordan Wolfson at Sadie Coles HQ Through June 17th, 2017

Saturday, June 17th, 2017

London – John Currin at Sadie Coles HQ Through January 21st, 2017

Monday, January 16th, 2017

London-Raymond Pettibon at Sadie Coles HQ through August 20, 2016

Friday, August 12th, 2016

London – Elizabeth Peyton at Sadie Coles HQ Through February 20th, 2015

Sunday, January 24th, 2016

London – Rudolf Stingel at Sadie Coles HQ Through December 18th, 2015

Wednesday, December 16th, 2015

London – Ugo Rondinone: “clouds + mountains + waterfalls” at Sadie Coles HQ Through October 24th, 2015

Friday, October 23rd, 2015

London – Urs Fischer at Sadie Coles HQ Through August 16th, 2014

Friday, August 15th, 2014

London – Angus Fairhurst: “Un-titled” at Sadie Coles HQ, through March 26th 2013

Tuesday, February 26th, 2013

London: Sarah Lucas ‘Situation Make Love’ at Sadie Coles HQ through December 2012

Sunday, May 27th, 2012

Go See – London: Carl Andre ‘Travertine/Basalt’ at Sadie Coles HQ through March 5, 2011

Saturday, January 22nd, 2011

Go See – London: Raymond Pettibon at Sadie Coles HQ through January 9, 2010

Thursday, December 31st, 2009

Don't Miss – London: Ugo Rondinone's 'Nude' at Sadie Coles HQ through November 21st 2009

Tuesday, November 17th, 2009

Go See – London: Rudolph Stingel at Sadie Coles HQ, through October 10, 2009

Monday, September 21st, 2009

Martine Syms Now Represented by Sadie Coles

Saturday, September 9th, 2017

London – Sarah Lucas: “Situation Classic Pervery” ongoing rotational exhibition at Sadie Coles

Thursday, February 21st, 2013

London: Rudolph Stingel at Sadie Coles Gallery Through July 4, 2012

Saturday, June 30th, 2012

Don't Miss – London: Matthew Barney at Sadie Coles through March 6th 2010

Tuesday, March 2nd, 2010

Go See: John Currin at Sadie Coles, London April 2 – May 10

Tuesday, April 15th, 2008

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 7th – 10th, 2017

Friday, December 8th, 2017

AO On-Site – Paris: FIAC Art Fair at The Grand Palais, October 19th – 22nd, 2017

Thursday, October 19th, 2017

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 19th – 22nd, 2017

Wednesday, October 18th, 2017

AO On-Site – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Monday, June 19th, 2017

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 6th – 9th, 2016

Wednesday, October 5th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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