Ai Weiwei has received assurance from the Chinese government that he will be able to return to his home country following his 6-month stay in Britain.  “They know that I want to make China into a better country, that I am concerned about the young generation,” he said. “There is a basis of trust, otherwise they would not allow me, the former enemy of the state, my exhibitions; otherwise they would not have returned my passport.” (more…)

Artist Ai Weiwei has been granted his full 6-month visa by the UK Embassy, following an intervention by Home Secretary Theresa May.  “She has reviewed the case and has now instructed Home Office officials to issue a full six-month visa,” an embassy official said. “We have written to Mr Ai apologizing for the inconvenience caused.” (more…)

 Ai Weiwei, Bench (2004), via Faurschou Foundation Copenhagen

Chinese artist Ai Weiwei is currently presenting an exhibition of collected works that span the artist’s long career, encountering and documenting the artist’s countless conflicts, arrests and vocal critiques of the Chinese regime.  As a social activist, the artist’s work reflects the history and challenges of China in the 21st Century, placed alongside his own reflection and perception of his home country.  His work is intended to act as a form of intervention, and to encourage social change within the contemporary art sphere, while reflecting on China as the product of its vastly deep historical reserves.  This practice, and its history against the backdrop of contemporary China is illustrated in detail at Farschou Foundation this year, as the institution presents Ai Weiwei: Ruptures. (more…)

While Ai Weiwei’s passport has been returned to him, the artist has reportedly been limited in how long he can travel in Britain in the coming months.  While he had planned a six-month stay, the British Embassy had reduced his stay to only 20 days, citing an unreported conviction in Chinese court.  “The decision is a denial of Ai Weiwei’s rights as an ordinary citizen, and a stand to take the position of those who caused sufferings for human rights defenders,” the artist said in a statement on his Instagram. (more…)

Ai Weiwei with his Passport, via The Guardian

Artist Ai Weiwei is free once again to travel outside of China, following the return of his passport, The Guardian reports. The return caps a four year ordeal for the artist following his arrest for alleged tax evasion in 2011.  (more…)

In a commentary on the ongoing threat of nuclear radiation in Japan, Kenji Kubota, associate professor at the University of Tsukubacurat in Japan, has curated an exhibition inside the exclusionary zone at Fukushima Daiichi Power Plant, a space only accessible to visitors wearing hazmat suits.  The exhibition, featuring work by Ai Weiwei, Taryn Simon and others, will remain open until the public is able to see it. (more…)

London’s Royal Academy has launched a Kickstarter page to fund the £100,000 installation of Ai Weiwei’s Trees at the museum’s London courtyard.  “It is an experiment and a gamble, but a sensible one,” says Tim Marlow, the RA’s artistic director. “If it comes off, brilliant; if not then it was worth trying.” (more…)

The Royal Academy of Art has announced plans for a landmark retrospective of the work of Ai Weiwei, planned for 2015.  “There are many artists and exhibitions I would like to put on but there’s something timely about Ai Weiwei,” says Programming Director Tim Marlow.  “He’s one of the most famous artists in the world but I don’t think his work is as well known as it should be.”
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Ai Weiwei is preparing to open his newest exhibition of work at the former Alcatraz Prison this week, made possible through the efforts of dealer Cheryl Haines and her For-Site Foundation, a project that seeks to install specially focused works in unique environments.  “We are addressing issues of human rights, freedom of expression, the role of creative individuals in addressing these issues, and the role that communication plays in creating a just society,” Haines says. (more…)

Ai Weiwei is currently under house arrest in Beijing, but that hasn’t stopped the artist from planning and overseeing the installation of his largest UK exhibition to date at Blenheim Palace.  Ai has had a 3-D digital model of the space created, and has used it to plot out the placement of works meticulously without leaving his home.  “In the beginning, we sent him photographs and detailed plans, but he’s an absolute perfectionist and every inch of where works are placed matters to him. So in the end we lasered all the rooms to make the model for him,” says Lord Edward Spencer-Churchill said. (more…)

Ai Weiwei at Brooklyn Museum, via Art Observed

Chinese artist and dissident Ai Weiwei’s 2012 survey exhibition “According to What?” has made its way to the Brooklyn Museum after showings at the Mori Art Museum in Tokyo, the Hirshhorn Museum in Washington D.C. and the Perez Art Museum in Miami. This blockbuster show is the artist’s first major international retrospective, and one which aims to bring together his ideals about life and art, which inescapably lead him to reflect on the nature of contemporary, and especially Chinese, politics. A balance that is often so hard to achieve through aesthetic means, the exhibition reveals Ai’s poignant installation work, which allows the viewer a rare experience into his world. The Brooklyn Museum show is enhanced by two installation pieces completed in 2013: S.A.C.R.E.D., exhibited at the Venice Biennale last year, and Ye Haiyan’s Belongings, a new piece installed specially in New York. (more…)

An article in the New York Times explores the career of street artist and activist Caledonia Curry, also known as Swoon. With her installation “Submerged Motherlands” at the Brooklyn Museum this summer, Swoon became the first living street artist to be featured in a solo exhibition at the museum. In addition to showing her work in galleries and museums such as MoMA and MoMA PS1, Swoon has also spearheaded the creation of art centers and homes in New Orleans, Pennsylvania, and Haiti. Her unique blend of activism and art has led her friend and fellow artist JR to compare her to Ai Weiwei; the article quotes him as saying ““She has always managed to have some social impact with her work and at the same time stay an artist, not an activist”. (more…)

Ai Weiwei is set to launch a new project in Poland next month, consisting of three pits filled with broken crockery and covered over.  Installed in Brodno Sculpture Park, the hidden crockery are replicas of vases from a previous project made in 2005.  “In reaching out to the history of this precious object, Ai was interested in the fetishisation of certain artefacts and their complex history encapsulated in the colonial logistics of robbery and appropriation,” says park curator Sebastian Cichocki. (more…)

Ai Weiwei has backed the new Digital Arts website The Space which will commission and showcase new art online for website visitors.  The artist has also donated the names of 5,196 student victims from the Sichuan Earthquakes in 2008, in the hope that The Space will use them to create a new work.  “It gives another opportunity and a platform for artists or somebody like me to work with. I believe many, many young people and students will love it,” Ai says.  (more…)

Gao-Yuan, Ai-Weiwei (2012), all images courtesy Martin-Gropius Bau

Opening on April 3rd at Martin-Gropius-Bau in Berlin, and organized by the Berliner Festspiele, is the largest solo show of works by Ai Weiwei ever to be exhibited. Taking up 3,000 square meters in 18 rooms, the installations and sculptures.  Entitled Evidence, the politically driven works from the artist, architect, and amateur politician alludes to the term meaning “proof that will stand up in court.” The works were designed in his studio on the outskirts of Beijing, and many of which were specifically designed for display in the museum’s spacious exhibition halls.

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A new documentary on Ai Weiwei, The Fake Case, is preparing for release, profiling the artist’s release from his 81-day detention under the Chinese state, the artist’s response after his imprisonment, and his preparation for S.A.C.R.E.D., a series of works that documented his time while he was held without bail for tax evasion, a charge one person in his film notes doesn’t even exist in China.  “Nobody in China would believe it, because nobody pays taxes in China anyways, so there’s no such thing,” they say. (more…)

Artist Ai Weiwei, whose scale model recreations of his 2011 incarceration at this year’s Venice Biennale won him critical accolades, has spoken on his ordeal in a recent interview with Salon.  Recounting his experiences with his interrogators, Weiwei recounts conversations in which he began to teach his captors about conceptual art, Dadaism and protest.   “I explained art to them and then many times they said to me, ‘Weiwei, why whenever we talk about art and concepts do you get so excited that you keep talking? And why when we talk about facts, you say, ‘I don’t know’?’ But I say, ‘You know, I like to talk about art, and it makes me joyful and when I get to talk about art and explain I get very high spirits.’”  He says.

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Chinese artist Ai Weiwei has released a series of specially designed skateboard decks for The Sk8room.  Featuring shots of some of the artist’s work (including his iconic sunflower seeds work), overlaid with text from the artist. The set of three decks follows in the wake of other Sk8room Collaborations with Damien Hirst and Banksy.   (more…)

The Divine Comedy, Ai Weiwei’s heavy metal album has been released this week, and is also available for streaming at his website.  Turning to music to continue his active dissent against Chinese political oppression, the album includes tracks documenting his abuse at the hands of the police and political confrontation, inspired by his 2011 detention at the hands of the government. (more…)

Outside View, Art Basel 2013, Photograph Courtesy of Art Basel

The city of Basel, situated at the border between Switzerland, France and Germany, will be transformed into a contemporary arts hub this week for the 44th annual Art Basel. Anticipating record attendence, the fair will look to top its record of over 65,000 visitors at the marathon art event this year.  With over 300 top galleries from all over the world flocking to the city to display over 4,000 artists’ work, the fair is commonly referred to as the “Olympics of the art world.”  and features a similarly brimming schedule of events and claustrophobic crowds of eager spectators. Each day boasts its own full agenda, including film screenings, artist talks, and performances, and joined by the vast number of peripheral art exhibitions and events hosted by cultural institutions of Basel throughout the entire region, held in obscure and romantic venues amidst the Swiss lakes and mountains.

Olafur Eliasson, Untitled (2003), Courtesy of Art Basel

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Damien Hirst, Death or Glory (2001)

In conjunction with the events and exhibitions of the 55th Venice Biennale this summer, Le Stanze del Vetro (“Rooms for Glass”), the joint project by La Fondazione Giorgio Cini and Pentagram Siftung, is currently presenting Fragile?, an exhibition dedicated to the presence and use of glass in contemporary art.  Perhaps one of the more interesting conceits for a Biennale exhibition, the show on the Venetian island of San Giorgio Maggiore looks at glass as an aesthetic and and figurative medium in current practice, featuring works by Ai Weiwei, Marcel Duchamp, Pipliotti Rist, Joseph Beuys, and many more.

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Ai Weiwei, S.A.C.R.E.D. (Installation View inside steel diorama) (2013)

Since his 2011 detention for alleged tax evasion by the Chinese government, artist and political dissident Ai Weiwei has taken the world by storm, with exhibitions and retrospectives around the world, alongside documentary profiles, constant press coverage, and a notably enigmatic heavy metal album.  His ubiquity in the artworld, set in contrast to his physical restriction from leaving China, is clear, and consistent at the 55th Venice Biennale, where the artist is holding two separate solo installations.

Ai Weiwei, S.A.C.R.E.D. (Installation View) (2013)

Ai Weiwei, Straight (Installation View) (2008-2012) (more…)

Capitalizing on the platform of the Venice Biennale, artist Ai Weiwei has created six dioramas depicting the events of his 81 day detention under the Chinese communist state, which will be on view at Zuecca Project Space, running concurrently with the festival.  The half-scale works were created in Beijing, and secretly transported to Venice, showing the psychological torment of confinement and constant surveillance.  “Can political art still be good art?” Ai says.  “Those questions have been around for too long. People are not used to connecting art to daily struggle, but rather use high aesthetics, or so-called high aesthetics, to try to separate or purify humans’ emotions from the real world.” (more…)

Artist Ai Weiwei has just released “Dumbass,” a new music video from his new heavy metal project.  Detailing his 81 days in detention in 2011, the song and video are an attempt to recreate his trying ordeal in the Chinese penal system.  The first song from his album The Divine Comedy, “Dumbass” revisits his detention, which Ai says “was very hard, but I had to do it because that helped me to overcome the trauma.” (more…)