Raymond Pettibon, No Title (Something Approaches There) (2001), via Art Observed

On view at Venus Over Manhattan is the first exhibition ever to focus entirely on Raymond Pettibon’s surfer paintings, comprised of 40 works created over a 28 year period, from 1985 to 2013. The works vary from small-scale India ink pieces to large-scale paintings up to 10 feet wide, and will remain on view through May 17, 2014.

Raymond Pettibon, Are Your Motives Pure?’ Surfers 1985-2013 (Installation View), via Art Observed

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The Wall Street Journal reports on one man’s repeated attempts to authenticate a work he believes is a Mark Rothko. Douglas Himmelfarb purchased the painting in 1987 for $319.50, but has had many problems with authenticating the work, as a number of experts refused to confirm the work’s authenticity.  “I think I had a little too much braggadocio after I found the painting,” Himmelfarb says. “Maybe that’s part of the problem. I thought, ‘This is great, and I did it.'” (more…)

Brendan Fowler, (That) hat on bedspread (countries of origin:my deposition was postponed and Matt’s took all day) (2014), via Half Gallery

Brendan Fowler’s new works, currently on view at Half Gallery uptown, are nothing if not elusive.  The show, on view last month at Los Angeles’s LAXArt, to New York as a follow-up of sorts to the last showing of photographic works by the artist at MoMA’s survey of new photography late last year (a series of Fowler’s highly-popular crash works).  Here, Fowler seems more interested in the image itself, rather than the potentials for combination and assemblage of the modern image.  The works are created entirely using a commercial grade embroidery machine and thread, leaving layered, textured works that offer a striking commentary on the photographic image. (more…)

Los Angeles Collectors Jane and Marc Nathanson have announced that they will auction three works from their collection at Sotheby’s May 14th auction in New York, among them Richard Diebenkorn’s Ocean Park #20, estimated between $9 million and $12 million. “We’re trying to fine-tune our collection as we’re getting older,” Mr. Nathanson said, continuing on to say that the works for sale  “don’t really fit in” with their interests in pop art. (more…)

MOCA’s newly appointed director Philippe Vergne will assume the Director position at MOCA starting on March 10th, the LA Times reports.  MOCA announced the director’s start date via a press email this week. Vergne’s start date was accompanied by news of two new board members at the Museum: Maurice Marciano and Lilly Tartikoff Karatz, as well as a new endowment fundraising goal of $150 million. (more…)

Calder and Abstraction: From Avant-Garde to Iconic, (Installation View), all images courtesy LACMA

Currently on display at the Los Angeles County Museum of Art is a landmark exhibition of from American sculptor Alexander Calder, including his iconic series of mobiles, as well as his later stabiles. Titled Calder and Abstraction: From Avant Garde to Iconic, the exhibition will remain on view at LACMA for over half a year, from November 24, 2013 through July 27, 2014.

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Philippe Vergne, the current director of the Dia Art Foundation has been selected to replace Jeffrey Deitch as the head of the Los Angeles Museum of Contemporary Art.  Vergne has previously worked on the 2006 Whitney Biennial, and also served briefly as the head of the François Pinault Foundation.  “The most important challenge for the new director,” former director Richard Koshalek says, “is to raise the standard of expectations of the museum within this community and beyond, and that means new, original ideas for the future.” (more…)

A number of artists who left the MOCA Board  in 2012 have joined the search team for selecting a new director for Los Angeles’s contemporary art museum.  John Baldessari, Barbara Kruger, Catherine Opie and Ed Ruscha have all signed on as part of the 14-person board, and will help in the search and selection process.  “Pertinent qualities [for a new director] would be fundraising, experience in how a museum operates, and most importantly, vast curatorial skill,” Baldessari said. “It would be a real opportunity to whoever is appointed, because there’s nowhere to go but up.” (more…)

Cecily Brown, Untitled (The Beautiful and the Damned) (2013), Courtesy Gagosian Gallery

A collection of new and recent paintings by London-born artist Cecily Brown, is currently on view at Gagosian Gallery, Beverly Hills through October 12. The show includes fifteen paintings primarily focusing on the the human form as an abstraction, and follows up on a previous body of work shown in at Gagosian’s New York gallery earlier this year.

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Los Angeles collector and patron Eli Broad is at the top of a new list detailing the top art collectors around the world, titled Larry’s List.  Contrasting with the annually published ARTnews assessment, Larry’s List ranks collectors based on Internet presence, institutional engagement, art fair participation, communications platforms, and the physical visibility and scale of their collection.  A full 60-page report will be published later this year. (more…)

Chris Johanson, Being in My Life (2013), Courtesy of MOCA Pacific Design Center

In keeping with Los Angeles-based artist Chris Johanson’s aim to create “peaceful” art, Within The River of Time is my Mind presents a serene body of new painting, sculpture, and found wood, site-specific installation at is on display at MOCA‘s Pacific Design Center through October 13^th.  The solo exhibition, organized by art critic and guest curator Andrew Berardini, corresponds with the release of Chris Johanson, the most recent monograph in Phaidon’s celebrated Contemporary Artist series. (more…)

The Wall Street Journal interviews Raymond Pettibon, who recently settled into a residency at David Zwirner Gallery in New York.  His new show, “To Wit”, a show features more than 200 works from this period of creative output. “I had the opportunity to do things on the spot, which is not normally the case. It is a space to work on, rather than just a place to put up work,” said the artist.  (more…)

In the run-up to his career retrospective at the New Museum next month, Chris Burden is profiled in the New York Times, detailing his diverse and challenging body of work, his position as a highly influential, yet elusively underground figure in the American art world, and his Topanga Canyon home where he lives and works with his wife, sculptor Nancy Rubins.  “One of the reasons Nancy and I have lived up here is so we can just leave lots of junk lying around, and it doesn’t bother anyone that much,” says Burden. “Money has come into this canyon in the last few years. By our standards, it’s starting to get a little too crowded.” (more…)

Los Angeles’s Museum of Contemporary Art, the first planned location for a traveling retrospective of the work of Jeff Koons, has announced that it will no longer be hosting the show.  The news comes in the wake of Director Jeffrey Deitch’s resignation from his position.  The exhibition will now open in New York at The Whitney Museum in June of next year. “It was decided by MOCA and the Whitney that it would be better for an exhibition as complex and ambitious at this one to be developed over a longer period of time,” said Whitney spokesman Stephen Soba. “And that the show should open in June in New York.”  (more…)

Maurice and Paul Marciano, known as the co-founders of Guess Jeans, have purchased the Scottish Rite Masonic Temple on Wilshire Boulevard in Los Angeles, with the intent of turning the space into a museum for their contemporary art collection.  The property was purchased by the Maurice and Paul Marciano Art Foundation, for the price of $8 million. “We have been looking for a home for the collection,” said William F. Payne, a spokesman for the foundation. “It’s a legacy project for the family.” (more…)

Artist Ed Ruscha is profiled in the most recent issue of the New Yorker, discussing his life in Los Angeles, his practice, and the inspiration for some of his most iconic works, including his famous painting Oof.  “It had one foot in the world of cartooning,” he says. “You get punched in the stomach, and that’s ‘Oof.’ It was so obvious, and so much a part of my growing up in the U.S.A. I felt like it was almost a patriotic word.” (more…)

MOCA has announced that will begin airing a video series, titled “The Art of Punk,” looking at the roots of some of punk rock’s most iconic logos and artwork.  Created by Bryan Ray Turcote and Bo Bushnell, the series features interviews with a number of musicians and artists, including Jello Biafra, Henry Rollins, Raymond Pettibone, and Winston Smith.  The series will debut on June 11th, with an episode on Black Flag. (more…)

Donald Judd at LACMA (Installation View), courtesy of LACMA

On view alongside LACMA’s permanent modern and contemporary collection is a peripheral gallery highlighting a selection of works by artist Donald Judd. Focusing on several of various mediums, the brief show revisits Judd’s focus on simplified geometric forms and the space created around his simple objects.

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Richard Jackson, Bad Dog, 2013 via Orange County Museum of Art

The Orange County Museum of Art is currently presenting the first retrospective of Los Angeles-based artist Richard Jackson. Known for his radical expansion of painting’s practice and definition over the past 40 years, Jackson’s personal take on “action” painting invigorated its performative potential, and brought it into the sculptural dimension, while extending his practice into everyday life. Jackson’s pioneer approach to making paintings most likely has roots in his homestead upbringing. Sacramento born and raised, he spent most of his free time on a 2,000 acre ranch as a child before going on to study art and engineering at Sacramento State College.

Richard Jackson, Deer Beer, 2013 via Orange County Museum of Art

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New York Gallery Mitchell-Innes and Nash has announced that it will represent late artist Jay DeFeo through the Jay DeFeo trust, seeking to bring a new perspective on the artist to the East Coast following her landmark exhibition at The Whitney Museum.  The gallery is planning its own retrospective of DeFeo’s work for next year.  “Her work intersects three areas of interest to us,” said gallery founder Lucy Mitchell-Innes. “Abstract Expressionism; European art from the 1950s, ’60s and ’70s; and women artists.” (more…)

Artist Ryan Trecartin’s installation and video work B: Settings has been purchased by the Museum of Contemporary Art in Los Angeles, marking the artist’s first entry into a museum collection in the Southern California city.  “At the risk of oversimplification, his art could be said to combine the retinal extravagance of much 1980s art with the political awareness of the ’90s and the inclusiveness and technological savvy of the post millennium.”  Says Holland Cotter of the NY Times. (more…)

Storming back from its brush with financial insolvency earlier this year, the Museum of Contemporary Art in Los Angeles has announced that it has raised over $50 Million in the past month, bringing its total endowment past $75 Million.  The new contributions come from a number of prominent names, including new board member Bruce Karatz, Jeffrey Soros, and Eli Broad.  “The level of support we have received is fantastic. There is a new energy and excitement about MOCA’s future and its leadership role in the art world,” says Eugenio Lopez, co-chair of  the endowment campaign. (more…)

Artist Ed Ruscha is on this Times’s list of the world’s 100 most influential people this year, recognizing the artist’s highly influential conceptual practice and ongoing contributions to contemporary American art.  “Even if Ruscha never met a word he couldn’t unsettle, let’s hang on to the one we need sometimes to describe him: genius.” Writes Time art critic Richard Lacayo. (more…)

Artist Takashi Murakami’s first feature-length film, Jellyfish Eyes, is set for its International premiere America this coming Monday at the Los Angeles County Museum of Art.  Taking place in a small Japanese town, the film follows a young boy who befriends a series of bizarre monsters after moving to a new town.  The screening of the film will also include a a Q-and-A with the director. (more…)