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Jeffrey Deitch Featured on “Artbound”

Monday, June 17th, 2019

New York – Austin Lee: “Feels Good” at Jeffrey Deitch Through May 18th, 2019

Friday, April 12th, 2019

Jeffrey Deitch Interviewed in LA Times

Thursday, September 20th, 2018

Larry Gagosian and Jeffrey Deitch to Join Forces Again in Miami

Friday, November 10th, 2017

Jeffrey Deitch Opening New Exhibition Space in Hollywood

Wednesday, April 12th, 2017

Jeffrey Deitch Collaborates with Uniqlo for New Series of Design Objects

Sunday, January 15th, 2017

New York – Ai Weiwei’s Return to New York, at Jeffrey Deitch, Mary Boone and Lisson Gallery Through December 23rd, 2016

Friday, December 23rd, 2016

New York – Walter Robinson: “Paintings and Other Indulgences” at Jeffrey Deitch Through October 22nd, 2016

Saturday, October 15th, 2016

New York – Eddie Peake: “Head” at the Reopened Jeffrey Deitch Space at 18 Wooster, September 8th-10th, 2016

Thursday, September 15th, 2016

Jeffrey Deitch to Open Former Space with Performances by Eddie Peake

Thursday, July 7th, 2016

Jeffrey Deitch to Open 18 Wooster St. with Show of Walter Robinson Paintings

Wednesday, June 15th, 2016

Jeffrey Deitch’s Deitch Projects Returning to 18 Wooster Street

Monday, March 14th, 2016

Jeffrey Deitch to Open Street Art Show in Coney Island

Sunday, May 3rd, 2015

Jeffrey Deitch Profiled in New York Magazine

Tuesday, January 14th, 2014

Jeffrey Deitch to Leave MOCA

Tuesday, July 23rd, 2013

AO Breaking News: Jeffrey Deitch Named New Director of Museum of Contemporary Art (MOCA) in Los Angeles

Monday, January 11th, 2010

Gagosian and Deitch Plan Major Show During Miami Art Week

Friday, October 16th, 2015

Deitch Returns to NY with Street Art Exhibition

Wednesday, August 21st, 2013

Without Deitch, MOCA Searches for a Way Forward

Saturday, July 27th, 2013

Deitch Officially Announces Departure from MOCA

Thursday, July 25th, 2013

AO On Site – New York: Shepard Fairey ‘May Day’ at Deitch Projects, Saturday, May 1st through May 29th, 2010

Monday, May 3rd, 2010

Go See – New York: Black Acid Co-op at Deitch Projects Through August 15, 2009

Friday, July 24th, 2009

AO On Site: Francesco Clemente “A History of the Heart in Three Rainbows” at Deitch Projects New York, through May 30th, 2009

Sunday, May 3rd, 2009

AO On Site (with AO Video): Vanessa Beecroft, VB64, at Deitch Studios in Long Island City, Saturday, March 6th, 2009

Tuesday, March 10th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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