Taiyo Kimura, Performance Study With Plastic Bag (1997), via MoMAPS1

In the hustle and bustle of the art fairs and auctions of the two weeks prior, the opening of MoMA’s EXPO 1: New York went almost unnoticed, despite its three-venue makeup that includes modules at the museum’s midtown location, the PS1 annex in Queens, and at the newly built VW dome in the Far Rockaway, all which explore new conceptions of ecology and politics in the post-millenial landscape.

Steve McQueen, Static (2009), via MoMAPS1 (more…)

MoMA’s PS1 campus in Long Island City, Queens, has received $3 million in funding from the city of New York, needed to purchase an adjacent building for expansion.  The new space, located at 22-01 Jackson Ave., will potentially be utilized for museum office space, freeing the main building up for more exhibition spaces.  “You want dynamic institutions like MoMA PS 1 to continue to change, to progress and to grow, and they can’t do that without the physical expansion,” Said City Council Member Jimmy Van Bramer. “I think it’s great for the neighborhood, it’s great for Long Island City.” (more…)

With Dia’s announcement last month that it would deaccession some of its works in order to fund new acquisitions, a number of former leaders and collaborators have spoken against the move.  The sale of works, which will occur this fall, includes a number of works by Cy Twombly and Barnett Newman.  In a June 28th letter to the institution, former Menil Collection Director Paul Winkler writes: “The primary purpose of Dia has been to collect and present bodies of work by a select group of artists in permanent installations and to realize site-specific commissions, also in permanent situations. It is uninformed and disrespectful of your history to equate permanence with mausoleum.” (more…)

This fall, The Tate Britain will present an exhibition exploring iconoclasm in British art.  Art under Attack: Histories of British Iconoclasm opens this October, and will include a number of works that have been damaged, defaced or otherwise physically attacked as part of an ideological agenda, including the Statue of the Dead Christ, a 16th Century statue that survived the purgations of religious reformers.  “We wanted to look at things that had gathered significance over time and not something that happened to be topical.” Penelope Curtis, director of Tate Britain, said.  (more…)

The winning design has been announced for the M+ Museum in Hong Kong, an inverted “T” by Pritzker Prize winners Jacques Herzog and Pierre de Meuron.  Featuring 183,000 square feet of exhibition space, the design will be more than twice the size of the Tate Modern, and will stand as the centerpiece of the expanding cultural district in the West Kowloon area of the city.

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The  New York Times writes on the ongoing contention between the nation of Turkey and the J. Paul Getty Museum over a number of potentially looted items currently held in the American museum’s collection, highlighting the difficult issues at play in repatriation claims.  While many museums are speeding up their processing of these claims, many factors must be taken into account before handing over past property.  “Museums must untangle a lot of knots before making such an irrevocable decision,” said Stephen K. Urice, an expert on cultural heritage law at the University of Miami School of Law in Florida. (more…)

The Whitney’s new building, scheduled to be finished in 2015, was affected by hurricane Sandy’s floods last year, forcing “significative adjustments.” Located at the intersection of Gansevoort and Washington Streets, the building is just one block away from the river, raising concerns about the possibility of future floods. As a preventive measure, the Whitney has committed to bring top-specialists to remodel the walls, lobby, and basement, to make them waterproof. In consequence, the museum has also increased its capital goal by $40 million to a total expense of $760 million. In this regard, Adam D. Weinberg–the Whitney’s director–says that “77 percent of the total [has] been raised. About half of the additional funds will pay for flood mitigation, […] the other half will cover unexpected costs.” (more…)

Russian Marat Guelman has been fired from his post as the director of the Perm Museum of Contemporary Art, and is currently under investigation for his financial practices.  The firing comes days after Guelman’s exhibition Welcome! Sochi 2014 (a protest against the upcoming winter olympics as a Kremlin publicity project) was raided by authorities.  “All of this looks like they received an order from Moscow. To find something at any cost,” he said. “And this is even though I’m not in any way part of the opposition, but simply a person who openly speaks what I think.” (more…)

Michigan’s Attorney General Bill Schuette has spoken out on the proposed plan to auction off parts of the Detroit Institute of Art’s collection to pay off some of the city’s considerable debts.  Speaking on Thursday, Schuette emphasized the public nature of the collection, and its role as part of a public trust.  “The art collection of the Detroit Institute of Arts is held by the city of Detroit in charitable trust for the people of Michigan, and no piece in the collection can thus be sold, conveyed or transferred to satisfy City debts or obligations.”  He said. (more…)

Starting its campaign to create a “neighborhood of art” around its Houston campus, the Menil Collection has hired landscape architect Michael Van Valkenburgh to redesign and expand the environment around its 6 buildings.    “It’s always a challenge to take a landscape that has evolved incrementally and a landscape that has a subtle and modest character and to somehow succeed in improving it,” Mr. Van Valkenburgh says. “It’s not something that needs to be reinvented.” (more…)

Two of Russia’s most prominent museums, the Hermitage Museum and the Pushkin Museum, are currently embroiled in a dispute over the collections of Ivan Morozov and Sergei Shchukin, which had been distributed between two institutions when Stalin shut down the State Museum in 1948.  The debate was brought to light this year, when the Pushkin’s director, Irina Antonova, appealed to President Vladimir Putin on live television, asking him to recreate the institution in Moscow, raising ire over the rightful home of the works, which include pieces by Picasso and Matisse.  “The expert advice seems to be all on the Hermitage side—but you never know,” says Geraldine Norman, an advisor at The Hermitage. (more…)

Prior to his death in February, American artist Richard Artschwager designed four elevators for the Whitney Museum’s new museum space in Chelsea, currently under construction.  The four designs, titled Six in Four, are designed around the reoccurring motifs of doors, windows, tables, baskets, mirrors and rugs that appear in Artschwager’s work.  “The idea was to have something that immediately gives you a sense of place, an identity, so that this isn’t just another generic museum,” Whitney Director Adam D. Weinberg said. (more…)

The William Morris Gallery in Walthamstow, London has been awarded the UK’s prestigious Art Fund Museum of the Year, entitling it to a £100,000 prize.  The award comes after an ambitious renovation and restoration project, which put £3 million into upgrades and new curatorial standards to make the museum a jewel of the city’s already burgeoning cultural offering.  Says Art Fund Director Stephen Deuchar: “The collections are not only important but they are very beautifully presented, in terms of the physical fabric of the showcases and also the interpretation – the labels are erudite and accessible. There is a great curatorial coherence to the collections and that comes across in every square foot of the museum.” (more…)

Vollis Simpson, a self-taught North Carolina artist renowned for his whirligigs, died on Friday at his home after complications from a heart valve replacement.  He was 94.  Simpson was known to scour junkyards for bits to assemble his quirky, wind-powered whirligigs. His pieces have been featured in numerous art museums and exhibitions across the country, including his 55-foot-tall, 45-foot-wide work Life, Liberty and the Pursuit of Happiness, on permanent display at the American Visionary Art Museum in Baltimore.  A park in his honor, the Wilson Whirligig Park, will be opening in the fall in the city of Wilson, N.C.

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Plans have been set in place to move Oslo’s Edvard Munch museum to the city’s waterfront, which had previously been delayed for several years to due location and funding considerations.  The new, glass-lined building, titled Lambda, is projected to open in 2018, designed by Spanish firm Herreros Arquitectos.  The decision  “shows that even the starkest political opponents can put aside their differences for the common good”, said city commissioner for culture and industry Hallstein Bjercke. (more…)

Hirshhorn Museum Director Richard Koshalek will resign from his position by the end of the year, following a split vote decision on the future of the museum’s proposed architectural “bubble,” which was planned to emerge from the top of the building’s circular structure. The project has faced a series of major delays and budgetary setbacks since its 2009 announcement. “The board was divided and could not reach a decision,” said Smithsonian Undersecretary Richard Kurin. “I think Richard was looking for a very broad endorsement, and that didn’t happen. It wasn’t about the Bubble and what it could do architecturally or what it could do for the Hirshhorn. It was much more about finances going forward.”

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The Tate Britain has purchased “Salisbury Cathedral from the Water Meadows,” a 1831 master work by painter John Constable, for the price of $23.1 million.  Previously held by the National Gallery, the work will embark on a national tour, through Colchester, London, Salisbury and Cardiff.  “It is unimaginable that this particular painting could have ended up anywhere except a British public collection.”  Said Heritage Lottery Fund chair Jenny Abramsky, who helped fund the purchase. (more…)

The Metropolitan Museum of Art will open its newly renovated European Galleries this Thursday, and the New Yorker’s Peter Schjeldahl has published a brief review of the new wing, praising its appointments and rehang.  “I had an eerie sense, while surveying the results the other day, that here was a brand new major institution which, somehow, had plundered the holdings of the Met.”  He writes. (more…)

The future Pérez Art Museum Miami has received a large contribution from an anonymous donor, the museum announced this week.  The donation will see the museum getting $12 Million in cash, and $3 Million in art.  “I can say almost nothing about it except that I’m thrilled,” said Museum Director Thom Collins. (more…)

Moving towards a sleeker, stripped-down brand identity, the Whitney Museum of American Art has unveiled its new logo and site design, making reference to the Whitney Museum’s new Chelsea location and its jagged architectural facade.  Designed by Experimental Jetset Studios, the museum is currently hosting a video documenting the process of creating the new identity on its website. (more…)

Thomas Messer, the legendary former director of the Guggenheim Foundation, passed away on Wednesday at the age of 93.  Messer, who came to the gallery in 1961, just two years after it moved into its signature building on Fifth Avenue, was instrumental in shaping the Guggenheim into the global institution it is today, developing its collection and tirelessly working to expand its mission.  “Here we are, three decades later, with Guggenheims in Bilbao, Berlin, Venice, and soon to be Abu Dhabi. The foundation for all this was laid by Tom Messer. And I can tell you, he laid that foundation under budget.”  said former Guggenheim President Peter Lawson-Johnston. (more…)

Tate Britain has recently hung a pair of paintings by British artist Mary Beale, depicting her young son, as part of the museum’s efforts to get more female artists on its gallery walls.  The effort has already brought out a number of rarely seen works from the museum’s collection, and falls in line with museum’s new chronological hanging strategy.  “We are aware that in the past we have under-achieved in presenting the work of women artists,” says head of displays Chris Stephens. “This time in every section we have looked at all the women artists in the collection, and asked why not?, instead of why?” (more…)

Following MoMA’s announced re-evaluation of its plan to demolish the former American Folk Art Museum, The New York Times has published an editorial examining the Museum’s impact on Midtown, and the distinct design of the Folk Art Museum in contrast with MoMA’s sleek facade, and the problems MoMA’s design currently presents for the art it exhibits. “Economic development encourages the proliferation of glass giants, tourism and ever bigger museums, but not always smart streets or better culture.” says writer Michael Kimmelman. (more…)

A leaked letter from Sheikh Sultan bin Tahnoun Al Nahyan, the chairman of the Abu Dhabi Tourism and Culture Authority, to the then director of the Louvre, Henri Loyrette has revealed frustrations between the Middle Eastern state and the French museum, which is currently planning for its new museum in the Gulf state.  Written last year, the letter takes the Louvre to task for failing to spend a â‚¬25 Million gift from the country, and criticizes the Louvre for not minimizing the role of the Emeratis in the acquisition of works for the new museum.   (more…)