A coalition of Detroit Automakers (GM, Ford, Chrysler) has announced plans to donate about $10 million each over the next decades in order to aid the city’s bankruptcy exit while protecting its art collection at Detroit Institute of Arts.  The museum will also be soliciting donations from other corporations.  “For this to work, the Legislature has to be in and part of it,” says an unnamed CEO considering a donation. “Business groups are encouraging the Legislature to make it happen.” (more…)

Maria Lassnig, via Art Info

Austrian painter Maria Lassnig has passed away at the age of 94.

Born in 1919, Lassnig’s career spanned over 50 years, and her work traces a long and intricate relationship with the history of painting and abstraction, moving from her abstract experessionist works in the 1950’s to her pioneering style of vivid color and dramatic self-portraiture, often utilizing visceral body positions and frank, revealing depictions of herself.  “Her art meant everything to her and she sacrificed herself, family, relationships… she an extremely focused and extreme personality that way,” dealer Iwan Wirth told ArtInfo.  “She was very headstrong, very critical of photography, fighting photography her whole life and she had no mercy when it came other painters.”

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The list of artists participating in this summer’s Manifesta biennial has been released, including Guy Ben-Ner, Maria Lassnig, and Francis Alÿs, among others.  The 10th edition of the event will begin on June 28th in St. Petersburg. (more…)

New research has shown that a set of watercolors by J.M.W. Turner, previously thought to depict the burning of Parliament, are in fact paintings of a fire at the Tower of London.  The note was discovered by Matthew Imms, a cataloguer at the Tate.  “We could tell that the works were fairly late in Turner’s career so I cast around for other events at that time, and came across various images, popular prints and so on of the Tower of London fire in 1841,” Imms says. “It immediately clicked, because the various uncertain features of the architecture and so on matched quite well.” (more…)

MOCA’s newly appointed director Philippe Vergne will assume the Director position at MOCA starting on March 10th, the LA Times reports.  MOCA announced the director’s start date via a press email this week. Vergne’s start date was accompanied by news of two new board members at the Museum: Maurice Marciano and Lilly Tartikoff Karatz, as well as a new endowment fundraising goal of $150 million. (more…)

James Franco has written an op-ed piece in the New York Times this week, examining actor Shia Lebeouf’s recent performance piece in Los Angeles.  Noting LeBeouf’s performance as a potential attempt to take back his public persona from the entertainment industry.  “Any artist, regardless of his field, can experience distance between his true self and his public persona,” he writes. “But because film actors typically experience fame in greater measure, our personas can feel at the mercy of forces far beyond our control. Our rebellion against the hand that feeds us can instigate a frenzy of commentary that sets in motion a feedback loop: acting out, followed by negative publicity, followed by acting out in response to that publicity, followed by more publicity, and so on.” (more…)

A New York court has denied a motion to dismiss the case against Christopher Wool by studio Brand X, which is suing the artist over a series of unfinished prints he contracted through the studio.  Wool had reportedly originally made a deal to collaborate on the series with Brand X in exchange for one third of the works from the series, but allegedly tried to renegotiate when he felt the works would be worth more than originally estimated.  Wool has ceased work on the series “to get the deal he wishes he made rather than the one he did make” as court papers accuse.  “No evidence has been heard in the case yet… In due course, the true facts will emerge and Mr Wool and Luhring Augustine Gallery will be vindicated,” says representing attorney Roger Netzer. (more…)

The Exhibitors List has been announced for the 2014 edition of the Frieze New York art fair, which will return to Randall’s Island from May 9-12 with 190 galleries in tow.  “We want the fair to make a positive contribution to New York and the response from New York galleries this year, from the smallest to the most established, has been better than ever,” reads the statement from directors Matthew Slotover and Amanda Sharp. (more…)

Laure Prouvost, via The Guardian

Tonight Laure Prouvost was awarded the Turner Prize of £25,000 ($33,850).  Prouvost was nominated for her works, Wantee, commissioned with Grizedale Arts, which was shown as part of the Schwitters in Britain exhibition at Tate Britain, and Farfromwords: car mirrors eat raspberries when swimming through the sun, to swallow sweet smells, which was made during her residency in Italy as the recipient of the Max Mara Art Prize for Women and which was exhibited at the Whitechapel Gallery.  Born in Lille, France in 1978, Prouvost has lived in London since she began studying at Central St. Martins arts college.  Prouvost is known for films which frequently employ deliberate language misuse, text and image juxtapositions, fast-paced cuts, montage, and which are situated within atmospheric installations.  The 2013 Turner Prize exhibition runs until January 5th, 2014 at Ebrington in Derry~Londonderry. (more…)

Water leaking caused by one of the largest storms to hit Abu Dhabi in 30 years has forced the closure of the second day of the Abu Dhabi Art Fair this weekend, leaving dealers scrambling to protect and maintain works inside the fair’s UAE Pavilion.  “Whether the exhibitors have a claim for this on the fair organisers will depend on the terms of the contract between them,” says Christopher Bentley of AXA Art Insurance, although claims have yet to be made. (more…)

After 20 years on the podium for Sotheby’s, Chief of Contemporary Art and auctioneer Tobias Meyer  has announced that he will be leaving his position in order to pursue work as a private dealer.  Mr. Meyer has been on the stand for some of the auction house’s most significant sales, including the record sale of Andy Warhol’s Car Crash painting earlier this month. “Contemporary art has become a little too much like ‘American Idol,'” he told said. “We’re an overvisualized culture, and young artists can find themselves with a real career only six months after starting to paint.”
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Museo Jumex, via Museo Jumex

Museo Jumex, the long-anticipated home of the Jumex Collection, opened its doors yesterday with a major opening event that drew art world celebrities, collectors and curators from around the world to the Mexico City suburb of Polanco.  Established by food and juice magnate Eugenio López, the Jumex Collection is considered the largest private contemporary arts collection in Latin America, and features works by  Tacita Dean, Sarah Lucas, Donald Judd, Olafur Eliasson, Gabriel Orozco, Damien Hirst, Robert Gober, Andy Warhol and Bruce Nauman to name a few. (more…)

Julian Schnabel with May Andersen and Peter Brant, via Art Observed Staff

Painter, sculptor, filmmaker, Julian Schnabel is larger than life, and so are his artworks, some towering to two to three times the height of an average person.  The artist’s monumental works are currently being shown at The Brant Foundation Art Study Center, on view through March.  The exhibition captures the diversity of Schnabel’s work, from the many facets of his “plate paintings” to the table he designed for Francisco Clemente. By bringing Schnabel’s emblematic works together, the Brant Foundation offers a comprehensive look at how Schnabel has impacted the art world in a way that has not been attempted since the Whitney Museum’s retrospective show 26 years ago.

Julian Schnabel, The Walk Home (1985), via Art Observed Staff (more…)

Francis Bacon, Three Studies of Lucian Freud (1969), Image via Christie’s

Tonight, the week of Post War & Contemporary Art Evening Sales commence with Phillips kicking off the week long auctions. After last week’s mixed results in sales, with Christie’s and Sotheby’s hosting their respective Impressionist & Modern Art Sales, the contemporary art offerings will provide a more definitive litmus test of the international art market’s power and predilections. A great deal of press and attention has been drawn to the forthcoming sales, both nationally and internationally, attributed to exceptional offerings in all three houses, and a multitude of enormous price tags to accompany the museum-quality works.

Andy Warhol, Silver Car Crash (Double Disaster) (1963), Image via Sotheby’s (more…)

Fashion site Just One Eye has teamed up with artist Nate Lowman to produce several one-of-a-kind pairs of Converse Chuck Taylors, emphasizing the artist’s ongoing love of the classic sneaker.  21 pairs of shoes will be created, as well as a limited edition run of 500 pairs reproduced from one of the designs.  The collaboration also features several video pieces by director and cinematographer Joe Pytka, inspired by the shoes. (more…)

Dallas Cowboys owner Jerry Jones has unveiled the newest addition to his publicly displayed art collection, Sky Mirror, the $10 million work by Anish Kapoor, which alters the viewer’s perception of height through an enormous slanted mirror.  The 23-ton work has traveled the world, but will finally settle into a permanent home at the Cowboy’s AT&T Stadium in Arlington, TX.  “The pictures didn’t do it justice, it’s just beautiful,” Jones said.

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The 2014 edition of the Armory Show has announced its commissioned artist for the fair, welcoming Chinese “chameleon of concept” Xu Zhen to exhibit work throughout the fair’s grounds.  The announcement comes as part of the fair’s Focus: China section.  “I am very honored to be named the The Armory Show 2014 Commissioned Artist. The fair offers an strong platform for exchange, and for dialogue around art, the market and its many interrelated institutions and ideas,” the artist says. (more…)

A woman who openly criticized painter Eric Fischl at the Art Southampton art fair this past weekend later received a call from the artist himself, apparently incensed that she did not care for his work.  Isabel Barnard-Biderman, a former gallery owner, had left her phone number in hopes of getting a signed copy of Fischl’s book, Bad Boy, and instead received a call from the artist. “I went home and the phone rings and it’s Eric saying, ‘What do you mean you don’t like my paintings?’ ”Bernard-Biderman said. “I don’t really know him. He said, ‘Maybe when you come back you’re going to like them.’”  (more…)

Painter Peter Doig is profiled in the New York Times, in advance of his retrospective exhibition at the Scottish National Galleries in Edinburgh.  Speaking from a rented studio in Manhattan, the artist discusses his new paintings, his studio and home in Trinidad, and the start-stop nature of his creative process.  “Sometimes you get so frustrated, you end up washing off or scraping off what you spent hours or days applying,” he said. “By going backward, you see something you could have never achieved by going forward.” (more…)

Jeffrey Deitch, via LA Weekly

MOCA Director Jeffrey Deitch may step down from his position at the Los Angeles institution, the LA Weekly reports.  Sources close to the museum have released information that Deitch will announce his departure on Wednesday, and that he is currently shopping for apartments in New York City. (more…)

Following two costly lawsuits against the Foundation by collectors Joe Simon and Susan Shaer in 2007 after their Warhol works were deemed “fake” by the Foundation’s Authentication Board, its insurance firm, Philadelphia Indemnity, refused to pay its share of legal fees. “Philadelphia Indemnity said it was not liable to pay for the Warhol Foundation’s defence because the organisation had “failed to notify them—as [its] insurance policy required—of ‘any specific wrongful act’ committed by one of the foundation’s members, including the publication of material ‘with knowledge of its falsity’”, according to a 20 June article in the New York Review of Books.” This derived in an over two year-long legal dispute between the two organizations, which was finally settled last week, in favor of the Foundation, which has already processed the insurance company’s payment. (more…)

Sabine Moritz, Mother (2010), via Marian Goodman

Limbo, the state of being suspended in time, between past and future, repose and action, is the title of Sabine Moritz’s first solo show with Marian Goodman Gallery in Paris.  Spread over two floors, the exhibition includes eighteen oil on canvas paintings, and over sixty drawings, a dense body of work started in late 2001.  Moritz, who lives and works in Cologne, Germany, was on her way to New York City on September 11th, when her plane was diverted up to Nova Scotia. For three days she was stuck in this remote landscape, with thousands of other displaced travelers, watching the events and its aftermath unfold. This period of waiting and disconnect, gave her time to reflect about the changing nature of borders, conflict, and the technology of war.

Sabine Moritz, Limbo (Installation View), via Marian Goodman

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The new airport currently under construction in Doha, Qatar is commissioning major art pieces by some of the world’s most prominent artists, says an undisclosed source.  While contractors, staff and dealers are bound by a non-disclosure agreement, a Qatar Museums Authority official confirmed 14 new commission projects from highly recognized international artists recently on a local blog. (more…)