On November 12th in New York, Christie’s will offer a classic triptych by Francis Bacon of fellow artist Lucien Freud, estimated to sell for an artist record of $95 million.  The piece comes from an unidentified European collection, and is one of only two Bacon triptychs of Freud.  It has never been on the auction block before. (more…)

A 1975 drawing by Joan Miró has been discovered in the offices of a Spanish art handling company.  The work disappeared in 2010, following an exhibition at the Kursaal Arts Centre in San Sebastián, but was not noticed missing until 2011.  An investigation into the disappearance of the work is underway. (more…)

Painter Graham Ovenden has been jailed for 2 years and three months, following an appeals court ruling that his prior, non-custodial sentence was “unduly lenient.”  Ovenden was convicted in April of sexual abuse against children.  “Graham Ovenden committed terrible sexual offences against vulnerable young girls who were in his charge and ought to have felt safe. He manipulated them and abused his position of trust.”  Says Attorney General Dominic Grieve. (more…)

Las Meninas, the classic work by Diego Velázquez which hangs at the Prado Museum in Madrid, may in fact be a later version of the work, a Spanish art expert argues.  At a recent event at the Royal Academy of Art in Spain, Dr Matías Díaz Padrón maintained that a version hanging in Dorset, England may be an earlier version of the painting, overturning current opinion that the work was in fact a copy.  “Today, the moment has arrived to revise these judgments, and restore the painting’s authorship to Velázquez.” Díaz Padron said.
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The Enchanted Pose, a Magritte painting long thought to have been lost or destroyed, has been discovered in segments below the surfaces of two other Magritte works.  Using X-Ray imaging, researchers discovered the painting while working on the Museum of Modern Art’s current exhibition The Mystery of the Ordinary, 1926-1938, focusing on the artist’s work.  “It’s very exciting. Here is this Magritte that’s been believed to be missing, that was clearly a large and important work for him at one point in time.”  says MoMA curator Anne Umland. (more…)

Experts have identified a work found in a private Swiss collection to be a portrait by Leonardo da Vinci, which has been considered lost for over 500 years. The portrait, depicting noblewoman Isabella D’Este, is believed to have been painted by Da Vinci and several of his assistants.  “There are no doubts that the portrait is Leonardo’s work,” said Carlo Pedretti, an emeritus professor of art history at the University of California. (more…)

A new project aimed at British schools is bringing major art works to the classroom.  Masterpieces in Schools, as it is called, will lend a series of masterworks to schools across Great Britain, in an attempt to attract children who would not normally attend a gallery or museum exhibition.  The project began this week, when a classic Monet landscape was sent to a school in Northern England.  “We hope all the children will be left with the lasting memory of the day a Monet, Turner or Gainsborough came to their school,” says Andrew Ellis, director of the Public Catalogue Foundation. (more…)

Youssef Abdelke, a notable Syrian painter who has repeatedly spoken out against the Assad regime in his home country, has been released from a two month-long imprisonment by government authorities.  The 62 year old artist and former Syrian Communist Party Member had previously posted on his Facebook page that he “is healthy and in anticipation of leaving the palace of justice, free as [he] has always been.” (more…)

Damien Hirst has unveiled his latest project, a children’s ABC’s book featuring a letter for letter survey of own work, and a different, corresponding font.  The artist spoke with The Guardian this week, discussing the book, his inspirations as a young artist, and his thoughts on “painting like a child.”  “The childlike quality of some of Picasso’s drawings is precisely what makes them so masterful and extraordinary; the ability to express complete visions, feelings and portraits through a continuous line.” (more…)

Frank Auerbach was recently interviewed in The Daily Telegraph, discussing his long career as a painter, the solitary life of painting, and his simple, unadorned opinions towards working on his canvases.  “People who turn out pictures and think, ‘How nice,’ and then go to the next picture seem terribly boring to me. You might as well work in a factory. The whole thing is about the struggle and the struggle makes it a fun activity.” (more…)

Robert Ryman, Untitled (2010), Photo: Bill Jacobson, Courtesy of the Pace Gallery

The work of American artist Robert Ryman (b. 1930, Nashville, Tennessee), is at once rigorous and experimental, playing with the possibilities of material, scale, brushstroke, and installation itself.  He is most commonly identified with the movements of monochrome painting, minimalism, and conceptual art, and frequently explores the classical distinctions between sculpture and painting, as well as concerns with themes of perception, context, and enforced limitations.  Since the 1950s, Ryman has focused on the conceptual nature of his work, exploring the varieties found in primarily white paint on square surfaces. Preferring to be known as a “realist” rather than a minimalist, his work presents compositions at face value, prompting an examination of the optical and material properties of the painting discipline. (more…)

Cy Twombly, Sunset (1957), Image Credit: Tom Powel Imaging / Courtesy Dominique Lévy, New York.

Twenty minutes of continuous, monotone sound, followed by twenty minutes of absolute silence; such is the premise for Yves Klein’s 1949 Monotone Symphony, a powerful piece considered to stand at the core of the artist’s pioneering conceptual ouevre and one that bore remarkable influence on fellow artists Cy Twombly and Lucio Fontana, each of which drove their own sense of dichotomous action on canvas and sculpture, defining the continued explorations of abstraction and concept in post-war art.

Yves Klein, Pluie Bleu (S 36) (1961), Image credit Tom Powel Imaging, © Yves Klein, Artists Rights Society (ARS), New York ADAGP, Paris 2013.

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Cecily Brown, Untitled (The Beautiful and the Damned) (2013), Courtesy Gagosian Gallery

A collection of new and recent paintings by London-born artist Cecily Brown, is currently on view at Gagosian Gallery, Beverly Hills through October 12. The show includes fifteen paintings primarily focusing on the the human form as an abstraction, and follows up on a previous body of work shown in at Gagosian’s New York gallery earlier this year.

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As exhibitions of Balthus prepare to open in New York, critic Jerry Saltz writes on the history of one of the artist’s more sordid works, The Guitar Lesson.  Only exhibited once in 1977, the work has moved through the back channels of the art world in the past 40 years, finally coming to rest in the collection of shipping magnate Stavros Niarchos.  “I don’t love Balthus’s work, but I grant that all parts of the best examples are charged with something wild, almost half-human, some sleeping need, rage, frustration, and restraint. What makes the banishment of The Guitar Lesson so bitter isn’t only that MoMA came this close to owning a second take on the blatant sexuality of Picasso’s Les Demoiselles d’Avignon.”  Saltz writes. (more…)

Charline von Heyl, Carlotta (2013), via Petzel Gallery

On view at the Friedrich Petzel Gallery is an exhibition of new works by German abstract painter Charline von Heyl, marking her seventh solo exhibition at the gallery, and a continuation of her intricately layered practices on canvas.   (more…)

Speaking on the state of contemporary art, Grayson Perry has called the majority of contemporary art “rubbish.”  Speaking during the inaugural Radio 4 Reith Lecture, Perry began by discussing his own appeal as an artist.  “Although we live in an era where anything can be art, not everything is art.  I think the art world is happy to dig down into the lower regions of society for a bit of gritty reality, but what it’s frightened of is the middle classes with good taste, often. Maybe I appeal to too many of those people.”  He continued:  “At any one moment most of the art being made is awful.” (more…)

John Baldessari, Man Fixing Curlers in Woman’s Hair (2013), all images by Sophie Kitching for Art Observed unless otherwise noted

On view at Sprüth Magers Berlin is a solo exhibition of new works by L.A.-based John Baldessari: large-format storyboard canvases he created in 2013.

The opening for John Baldessari’s Storyboard (in 4 Parts)
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Chris Johanson, Being in My Life (2013), Courtesy of MOCA Pacific Design Center

In keeping with Los Angeles-based artist Chris Johanson’s aim to create “peaceful” art, Within The River of Time is my Mind presents a serene body of new painting, sculpture, and found wood, site-specific installation at is on display at MOCA‘s Pacific Design Center through October 13^th.  The solo exhibition, organized by art critic and guest curator Andrew Berardini, corresponds with the release of Chris Johanson, the most recent monograph in Phaidon’s celebrated Contemporary Artist series. (more…)

Cary Leibowitz, Hey! I’m Not Deppressed Anymore (2013), Courtesy INVISIBLE-EXPORTS, New York

“Hey! I’m not depressed anymore.” So reads one of the simplistic, shaped canvases currently on view at Cary Leibowitz’s new show at Invisible-Exports.  It’s familiar territory for the artist, whose signature conflations of text and paint frequently dwell on the comical neuroses inherent in modern living, scaled appropriately for the New York art world.  It was Leibowitz, of course, whose enormous wooden sign sat outside the Armory Show earlier this year, reading “I Need to Start Seeing a Therapist,” blowing his work up to monumental scale for the equally daunting size of the exhibition contained within Piers 92 and 94. (more…)

The contentious sale of a Thomas Cole painting by the William Seward House Historical Museum has caught the attention of the State Attorney General’s office, which issued a statement questioning the sale, and maintaining the museum’s obligations to maintain the work.  In response, the museum has announced intentions for “a plan to safeguard the painting and protect the long term financial viability and well-being of the Museum.” (more…)

Edvard Munch, The Scream (1893), Courtesy Munch Museet

Edvard Munch is enjoying somewhat of a timely spotlight, having just has his iconic 1895 pastel The Scream set the global auction record at almost $120 million last May, just one year short of what would be the 150th year since his birth.  This correlation is not lost on the Norwegian city of Oslo, where Munch grew up, and 2013 has been dedicated to the pioneering abstractionist, with a pair of landmark shows compiling almost 300 works from Munch’s groundbreaking career in Oslo, Paris, and Berlin.

Edvard Munch, Workers on Their Way Home (1913-1914), Courtesy Munch Museet (more…)

Joan Miró, Sans titre, (n.d).,courtesy Fondation de l’Hermitage

On view at the Fondation de l’Hermitage are 80 seminal works from Joan Miró, on loan from the Foundation Pilar í Joan Miró in Palma, Majorca. The exhibition focuses on the last phase of Miró’s career, when he was able to work with the most freedom in his own workshop and laboratory in the midst of a natural environment.  What followed was a series of loose, spirited works that highlighted a poetic, highly graphic approach to his work that distilled the whimsical forms of his early pieces into a new aesthetic freedom.

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A never-before-auctioned painting by Dante Gabriel Rossetti will appear on the auction block this December at Sotheby’s in London.  A Christmas Carol was purchased in 1917 by Soap powder billionaire William Hesketh Lever.  Lever kept the work for his entire life, and are being offered for sale by his son, alongside works by William Holman Hunt and James Tissot.  “I have been here nearly 27 years, and I really think these are the best Victorian pictures we’ve had in that time. To see one Victorian painting of such quality would be remarkable, to get three in together is extraordinary.”  Grant Ford, a 19th-century expert at the auctioneers, said. (more…)

In an effort to raise $30 million for scholarly and educational programming, the Willem de Kooning Foundation is selling ten works by de Kooning from its collection.  Rather than selling at auction, the works will go on view at Gagosian Gallery this November, bypassing the often harsh public spotlight for a more subdued, conservative sale.  “It’s as much about presentation as it is about money,” says foundation board member John L. Eastman, who also served as de Kooning’s longtime lawyer, executor and conservator. (more…)