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Met Refuses to Remove “Sexually Suggestive” Balthus Painting After Protest

Wednesday, December 6th, 2017

Former Paris Home of Balthus Hits Market for $9 Million

Friday, February 13th, 2015

New York – Balthus: “The Last Studies” at Gagosian Gallery until December 21, 2013

Tuesday, November 26th, 2013

New York – Balthus: “Cats and Girls – Paintings and Provocations” At the Metropolitan Musuem of Art Through January 12th, 2013

Thursday, October 31st, 2013

Jerry Saltz Writes on Balthus’s “The Guitar Lesson”

Tuesday, September 24th, 2013

The Met Prepares for Balthus Exhibition

Monday, August 26th, 2013

Balthus

Monday, June 23rd, 2008

Brussels — Pierre Klossowski at Gladstone Gallery Through March 10th, 2018

Wednesday, February 21st, 2018

AO Auction Results – New York: Christie’s “The Artist’s Muse” Curated Sale, November 9th, 2015

Tuesday, November 10th, 2015

AO Auction Recap – New York: Sotheby’s Taubman Masterworks Sale, November 4th, 2015

Wednesday, November 4th, 2015

AO Auction Recap – New York: Sotheby’s Impressionist and Modern Art Evening Sale, November 4th, 2014

Wednesday, November 5th, 2014

Met Museum Reports Over Six Million Visitors This Year

Monday, July 28th, 2014

Galleries Look to New Locales for Selling Works

Monday, June 16th, 2014

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

Paris: John Baldessari ‘Double Bill’ at Galerie Marian Goodman through May 12, 2012

Friday, May 11th, 2012

Deceased Artists

Thursday, July 7th, 2011

Don’t Miss – New York: “Chaos and Classicism” at the Guggenheim through January 9th, 2011

Wednesday, January 5th, 2011

AO Auction Results: Christie’s Impressionist and Modern Works; a large number of works fail to sell at the most valuable art auction ever held in the U.K., June 23, 2010

Thursday, June 24th, 2010

Newslinks for Monday September 21st, 2009

Monday, September 21st, 2009

Go See: Mickalene Thomas’s ‘She’s Come UnDone!’ at Lehmann Maupin in New York through May 2, 2009

Tuesday, March 31st, 2009

Jose Berardo

Tuesday, December 25th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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