Go see – Los Angeles: ‘Collection: MoCA’s first thirty years’ Museum of Contemporary Art through May 3rd

Friday, December 18th, 2009


Tall Figure II and Tall Figure III both 1960 Alberto Giacometti. All images via MoCA

To celebrate their 30th Anniversary, the Museum of Contemporary Art, Los Angeles (MoCA) are exhibiting ‘Collection: MoCA’s First Thirty Years‘ – an exhibition comprising of more than 500 artworks by more than 200 artists, it is the largest ever installation of works from MoCA’s permanent collection. This comprehensive survey of the past 70 years of contemporary art history fills both of MoCA’s downtown L.A. locations – MoCA Grand Avenue and The Greffen Contemporary.


Big Wheel, Chris Burden (1979) via MoCA

More text, images and related links after the jump….
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AO On Site Auction Results – New York: Sotheby’s Post-War and Contemporary Sale Tuesday November 11, 2009 – Only Two Lots Go Unsold in a highly successful Sale Dominated by Warhol

Thursday, November 12th, 2009


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200 One Dollar Bills, Andy Warhol

Last night’s Postwar and Contemporary Sale at Sotheby’s, New York easily outmatched their rival Christie’s sale the night before with a total of $134,438,000 and only 2 lots unsold. While 59% of works sold over their pre-sale estimates, it was Andy Warhol‘s 200 One Dollar Bills, which sold for $43,762,500 over an estimate of $8-12million, that catapulted the total sales revenue way over the initial estimate of $67-97 million.


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Violins, Violence, Silence, Bruce Nauman. Record for a neon by Nauman – $4,002,500

More text, images and related links after the jump…..
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AO Auction Preview – New York: The Fall Contemporary Auctions Begin Tonight at Christie’s

Tuesday, November 10th, 2009


Brill Box, Andy Warhol (1964) via Phillips de Pury

Last week ArtObserved was on site for the Modern and Impressionist auctions at Christie‘s and Sotheby‘s in New York. Tonight, November 10, ArtObserved is set to attend Christie’s for the first auction of the fall ‘Contemporary Week’ in the city. After their record-breaking sale on November 4, Sotheby’s Emmanuel Di-Donna stated that “when you have the right property…you get fireworks.” In light of this, much is to be expected this week with Phillips de Pury, Christie’s and Sotheby‘s all stating that they are offering the most important and rare works by artists such as Andy Warhol, Jasper Johns, Willem De Kooning, Ed Ruscha and Jean-Michel Basquiat.


Ilona on Top (Rosa Background), Jeff Koons (1990) via Sotheby’s

More text, images and related links after the jump…..
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AO On Site – Philadelphia: Arshile Gorky at Philadelphia Museum of Art through January 3, 2010

Tuesday, October 27th, 2009


Arshile Gorky’s “Waterfall” (1942-43). Image courtesy of the museum. © 2009 Estate of Arshile Gorky / Artists Rights Society (ARS), New York.

The Philadelphia Museum of Art is currently showing a retrospective of Arshile Gorky’s work. Closing in January, the exhibition includes “creative chambers” which explore thirty years of Gorky’s artistic evolution in still-life, from Cubism to Surrealism. After it closes in Philadelphia, the show will travel to Tate Modern and LA’s Museum of Contemporary Art.


Gorky’s “Water of the Mill,” courtesy of PMA. © 2009 Estate of Arshile Gorky / Artists Rights Society (ARS), New York.

more images and story after the jump…
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Newslinks for Tuesday October 27th, 2009

Tuesday, October 27th, 2009


Head of a Muse, Raphael via Guardian UK

-Offered for the first time at public auction as part of Christie’s Old Masters sale, Raphael’s drawing “Head of a Muse”- a study for a figure in one of his Vatican frescoes, if it achieves its estimate £12-16million, will break the auction record for an old master drawing currently held by Michelangelo’s and Leonardo da Vinci’s works [Guardian UK]

-As art collectors become more cautious with their purchases, dealers at Frieze and FIAC fairs put works on reserve, among them $40 million Mondrian allegedly put on hold for Bernard Arnault [Bloomberg]

-Ms. Temkin, the chief curator of painting and sculpture at The Museum of Modern Art in New York, introduces unexpected changes, unframing certain paintings and subjecting the almost sacralized permanent collection to frequent renewal [The New York Times]


“Your Mercury Ocean” Skateboard by Olafur Eliasson via aarting

-Another collaboration between Mekanism and Olafur Eliasson results in a 13-ply deck 3d patterned skateboard with a mirror coating [aarting]
-In related, Olafur Eliasson commissions by the mayor of Copenhagen to design a bridge for the Danish capital; the artist shares his plans for a transparent bridge in a close vicinity to the water [The Art Newspaper]

– The survey carried out by the Art Fund, the UK’s independent art charity, shows that despite the substantial drop in public funding and investment income, a figure that proves to grow in the context of economic fall is the number of visits to museums [Art Knowledge News]

-In the midst of economic uncertainty, gallery Matthew Marks, which represents artists such as Jasper Johns, and Peter Fischli and David Weiss, plans on expansion with a new space on the West Coast [The New York Times]

To stay apprised of most of the relevant art news for this past week… (more…)

Newslinks for Monday September 27th 2009

Monday, September 28th, 2009


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Installation view of Anish Kapoor’s work at the Royal Academy of Arts in London via BBC

Anish Kapoor, the first living artist to exhibit at the Royal Academy of Arts in London, installs a work that shoots red paint to the walls of the famed 18th century building [The Wall Street Journal]
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Jeff Koons to be the curator of the New Museum show of Dakis Joannou’s collection, including works by Maurizio Cattelan, Urs Fischer, Robert Gober, Chris Ofili, and Jeff Koons himself
[The New York Times]
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Russia’s biggest contemporary-art fair opened September 23, 2009 in Moscow to coincide with Third Moscow Biennale of Contemporary Art
[Bloomberg]
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Donald Fischer, founder of Gap and art collector, loses his battle to cancer at 81; his collection will be permanently housed at San Fransisco Museum of Modern Art
[San Francisco Chronicle]
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Artist Ed Ruscha stars in a film by video artist Doug Aitken to be projected as installation entitled “Frontier” on Tiberina island in Rome
[The Art Newspaper]
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Andreas Gursky, his works and Pop influences, mainly Warhol’s, as analyzed in the Economist conclude “99 cents II (Diptych)” as the artist’s most important piece
[Economist]


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Ryan McGinness via J. Crew

Last summer painter Alex Katz modeled clothes for J. Crew catalog; this year seven New York artists, including Ryan McGinness and Vito Acconci, are featured [J.Crew]
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Tate Modern to recreate a 1992 exhibition that took place in New York’s Leo Castelli and was criticized as racist; 15 years later Tate curators appropriate the show as a part of a bigger Pop Life: Art in a Material World exhibit and hope for a different reaction
[The Independent]
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A Sigmar Polke painting, Untitled – Oil on Drape (1969), stolen directly from the artist’s atelier, the police deliberates the thief could only be someone with access to the space
[Artforum]
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Frieze Art Fair 2009 announces the details of its sculpture park, in London’s Regent’s Park; “Henry Moore Bound to Fail” by American artist Paul McCarthy is to remain on display for six months
[Frieze Art Fair]


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Guggenheim Museum Art Award via The New York Times

Louise Bourgeois, Urs Fischer, Dan Graham and Mary Heilmann are among the select individuals nominated for the First Annual Art Awards Guggenheim Museum announced this week [The New York Times] In related, the Frieze Art Fair announced the call for entries to The Cartier Award 2010 [Art Review]     
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Results from Sotheby’s mid-season Contemporary Art Sale
details at Art Market Monitor [Sotheby’s]
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The British Arts Council and the London 2012 organization announce Anthony McCall as a finalist in their nationwide initiative to commission public art in celebration of the upcoming Olympics. McCall has proposed a 1,5 mile earth sculpture in the form of a simulated vertical cloud in Liverpool [ArtInfo]
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A detailed survey of Contemporary-Art Auction values in the midst of economic crises as influenced by several variables, show a significant decrease [Bloomberg]
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65 year old Jehuda Reinharz, President of Brandeis University- home to Rose Art Museum housing works by artists such as Warhol and De Kooning, is to resign [Los Angeles Times]


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Sophie Calle photographed by Yves Geant via Guardian UK

France’s conceptual artist Sophie Calle’s path to art world recognition as examined through a personal perspective: stripping, spying, sleeping, “seducing her father” all turned into artistic practice [Guardian UK]
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At Westminster Cathedral, British painter Peter Doig is to create a new installation to coincide with a concert from the British pianist Stephen Hough whom he met after a recital in London in 2008 [Art Review]
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Two new co-directors, both previously with Art Basel, promote this year’s Art Forum Berlin to attract some of the city’s big name art galleries, among which: Max Hetzler, Johann König, Klosterfelde and Neugerriemschneider [Financial Times] and here is some video of the event [Vernissage TV]
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60 Galleries are not returning to Art Basel Miami Beach, but 65 new ones are added, hence the fair grows in quantity [Lindsay Pollock]


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Picasso’s sketch to be auctioned via Guardian UK

Picasso’s sketch that must have taken seconds to produce is expected to sell for more than £20,000 at Duke’s auction [Guardian UK]
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Christie’s “First Open” Post-War and Contemporary Art sale brings in good results, appealing to many buyers while providing a wide range of pricing and themes [Art in America]
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Christie’s Frieze exhibitions and auctions dedicated to Post-War and Contemporary Art will include works by artists such as Lucio Fontana, Damien Hirst and Gerhard Richter [ArtDaily]
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Museum of Contemorary Art in Los Angeles raises $60 million since December 2008 when it had revealed its financial troubles
[Culture Monster]
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Annie Leibovitz and Damien Hirst to design for Louis Vuitton [Elle UK]

SILLINESS OF TODAY’S HORROR MOVIES INSPIRATION FOR WAYANS BROTHERS.(What’s Happening)

Seattle Post-Intelligencer July 14, 2000 Most fans just laugh at how silly horror movies have become. Three of filmdom’s Wayans brothers decided to parlay their reaction into real laughs in “Scary Movie.” “It’s like `Airplane,’ ” says director Keenan Ivory Wayans. “Those guys knew that the disaster genre had been beaten to death.

“In horror, you’ve had the Jason series, the Freddy series, the `Scream’ series. This genre’s been played to death. . . . Same thing with `Don’t Be a Menace . . . ‘ You had `Boyz N the Hood,’ `South Central.’ ” The makers of “Scary Movie,” which had a huge opening last weekend, are no strangers to parody. Wayans targeted blaxploitation films when he wrote, directed and starred in the 1988 comedy “I’m Gonna Git You Sucka.” He also acted in “Don’t Be a Menace to South Central While Drinking Your Juice in the Hood,” the 1996 comedy written by and starring younger brothers Shawn and Marlon Wayans. in our site horror movies 2010

“If you can find a genre’s that’s beaten itself to death and has sort of ingrained itself in popular culture, then it’s ripe for parody,” says Keenan, 42.

“Scary Movie” originated with Shawn, 29, and Marlon, who’ll turn 28 on July 23. “All they do all day is call me,” Keenan Wayans said in an interview. “They sit in the house, and they call me, like, four times a day, going, `Is there something in this?’ And I’ll go, `No, that’s ridiculous.’ “And then they called me and said, `Is there something in the idea of doing a parody of all these teen horror movies?’ And I said, `Yeah, there’s definitely something in that.’ ” The younger Wayanses got together with Buddy Johnson, who’d served as executive story editor on their WB sitcom “The Wayans Brothers,” and Phil Beauman, who co-wrote “Don’t Be a Menace” and wrote for “In Living Color,” the sketch-comedy show created by Keenan in the early ’90s, and wrote a script. in our site horror movies 2010

“And 10 drafts later . . . it got made,” says Keenan. (Two other writers who’d come up with a similar idea are also credited because Miramax bought their script to avoid legal hassles.) Inspiration for “Scary Movie” came from sitting in theaters, watching the recent horror films and seeing how ridiculous they were, Marlon Wayans says.

“The first `Scream’ was good,” he says. “Then they do the sequel and they do `I Know What You Still Did Last Summer’ and . . . `Urban Legend.’ ” “Scary Movie” goofs on all the usual suspects plus “The Usual Suspects,” “The Sixth Sense,” and “The Blair Witch Project.” Marlon and Shawn wrote parts for themselves, naturally, but neither of them is the main character.

While the “Scream” films satirize the horror genre, “they just heightened where you need to go in terms of showing comedy,” says Marlon Wayans. “They make commentary. We show.” “They had an actual, real killer,” says Shawn Wayans. “We had a killer, but we made fun of what was funny about the killer in those movies.” “Scary Movie” also follows in the footsteps of gross-out comedies such as “There’s Something About Mary” and “South Park: Bigger, Longer & Uncut.” “ `Something About Mary’ and `South Park’ kind of opened up the door,” says Marlon Wayans. “What you do is, you go, `OK, y’all like that? Well, wait till you get a load of this!’ “What we’re doing with the comedy, pushing the envelope like that, is making a parody statement itself. Like, `Look at all the crazy things that people are doing out there.’ And teens love it.” What the Wayanses love is working with each other. Even though they couldn’t come up with roles for brother Damon or sister Kim, “Scary Movie” was a family affair.

Marlon and Shawn expect to continue collaborating. “I like working with him,” says Marlon. “I slept in a bed with him for 16 years. I had his feet in my face my whole life, so this is my best friend.” As for having big brother direct, that was a no-brainer. “Keenan is great,” says Shawn. “I think he’s a genius, and we totally respect his work. He taught us everything we know about comedy and just about life, period.

“It’s kind of like he’s been the director of our life anyway.” Adds Marlon: “So to finally get paid to be bossed around, hey!”

Go See – New York: The Figure and Dr. Freud at Haunch of Venison, featuring JONATHAN MEESE, GEORGE CONDO, CECILY BROWN, ROBERT MAPPLETHORPE, ALICE NEEL, FRANCIS BACON, DIANE ARBUS, WILLEM DE KOONING, PICASSO AND MORE. Through August 22, 2009

Tuesday, August 11th, 2009


Jonathan Meese, “mutter mit roter Brille und roetlicher Perlenkette,” part of “The Figure and Dr. Freud,” a group exhibition on at Haunch of Venison New York.

Haunch of Venison’s New York branch is showing “The Figure and Dr. Freud,” a group exhibition by 31 artists from the last century.  These include past and currently producing artists, from the sculptor Alberto Giacometti to the painter Daniel Richter.  The show, which closes on August 22, focuses on the human figure as the artists have rendered it, through the lenses of the late Dr. Freud’s psychoanalytic theories.

Related links:
Haunch of Venison
Sigmund Freud [freudfile]


David Salle, “With All Due Respect Sir, We Need Modesty Blaise,” at Haunch of Venison.

More images and story after the jump…

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AO Onsite Auction/Event Review: The 16th Annual Watermill Summer Benefit, Watermill, New York. Saturday July 25, 2009

Wednesday, July 29th, 2009


Terence Koh and Simon De Pury at the 16th Watermill Summer Benefit. Photo by Patrick McMullan

Robert Wilson greeted his guests as they arrived at the 16th Annual Watermill Summer Benefit- an event he choreographs every summer in order to raise funds for the artistic community to which he is the director. The evening included a silent auction, a live auction hosted by Simon de Pury – Chairman of Philips de Pury auction house, over 10 art installations interpreting this years theme “Inferno,” dinner,  theater performances of various genres and attendance by many from the worlds of art, fashion and music.

Related Links:
Hot as Hell At Watermill
[ArtInfo]
Fire Starters at Watermill Benefit [WWD Lifestyle]
Isabella Rossellini shows for Water Mill Benefit [Newsday]
Flaming Creatures [ArtForum]
The 16th Annual Watermill Summer Benefit Hot As An “Inferno” [Hamptons]
About Watermill Center [Watermill Center]
The 16th Annual Watermill Summer Auction and Benefit [Art Observed]


Attendees walk the trails behind the 16th Annual Watermill Summer Benefit and Auction at the Hamptons, all photos by Art Observed unless noted

More text and pictures after the jump…

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AO Auction/Event Preview -Watermill, New York: The 16th Annual Watermill Summer Auction and Benefit July 25, 2009

Thursday, July 23rd, 2009


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Manaus, Christophe Schlingensief. Inferno, this year’s theme of the 16th Annual Watermill Summer Benefit. Via Hamptons

The Byrd Hoffman Watermill Foundation’s sixteenth Annual Summer Benefit will take place on July 25th in the Hamptons.  Robert Wilson, its Artistic Director, envisages an event that will include various installations, theatrical performances and auctions all framed by this year’s theme- Inferno.  An auction in support of artistic programming at the Watermill Center conducted by Simon de Pury, Chairman of Phillips de Pury auction house, will certainly be one of the highlights of the evening.

Related Links:
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Inferno: The Sixteenth Annual Watermill Summer Benefit [Artdaily]
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Sixteenth Annual Watermill Summer Benefit [The Watermill Center]
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About Watermill [the Watermill Center]
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16th Annual Watermill Center Benefit [Artinfo]
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Summer Is a-Kooning In: We Preview Watermill Benefit Goodies!
[NYObserver]
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Simon de Pury [Bigthink]
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Welcome to Watermill – a review of last year’s (2008) Watermill Benefit [BIZBASH]


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Julian, Elizabeth Peyton. At the Annual Watermill Benefit this year. Via Watermill Center

More pictures and text after the jump… (more…)

Go See – Washington, DC: ‘PAINT MADE FLESH’ at The Phillips Collection through September 13, 2009

Sunday, July 12th, 2009


Jenny Saville’s Hyphen, 1999, part of Paint Made Flesh at The Phillips Collection.

“Paint Made Flesh,” a series of 43 oil paintings that focus on the human body, is showing at The Phillips Collection through September 13.  Featured artists incude Pablo Picasso, Leon Golub, Ivan Albright, Cecily Brown, David Park, Philip Guston, and more.  “At times when figure painting was considered outdated,” comments Assistant Curator Renee Maurer, these and other artists included in the show “continue to explore the expressive potential of the painted human body.”

Related links:
Current Exhibitions at the Phillips Gallery
Paint Made Flesh
“Paint Made Flesh” Survey opens at The Phillips Collection in Washington, DC [Art Knowledge News]
“Paint Made Flesh” Is More Than Skin-Deep [Washington Post]
“Paint Made Flesh” : Modern Bodies, Naked Eyes [NPR]


John Currin, Hobo (1999), via NPR.

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AO Auction Results: Christie's Post-War and Contemporary Art Evening Sale Surprisingly Strong, Auction Records Reached for Many Artists

Thursday, May 14th, 2009


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Willem de Kooning’s ‘Woman’ via Christie’s sold for $3.7 million, more than doubling its high estimate of $1.8 million.

Again, Christie’s bested Sotheby’s in this week’s Post-War and Contemporary Art auctions after Sotheby’s failed to meet its low estimate, covered here by AO.  Last night’s sale in New York resulted in a total of $93.7 million, falling within the higher end of the pre-sale estimates of $71-104 million. Only 5 of the 54 lots went unsold, with 30 selling for more than $1 million.  After a night of lively bidding, Christie’s co-head of post-war and contemporary art, Amy Cappellazzo joked that, “It felt like a year ago.” Last year’s sale brought in $348.2 million, with a number of works selling in the double digits. This year, estimates were far more conservative for the chastened market, with the highest-selling lot, David Hockney’s ‘Beverly Hills Housewife,’ going for $7.9 million, setting a new record for the artist. The portrait of the late Betty Freeman was one of 20 in the sale coming out of the Betty Freeman Collection, another factor contributing to last night’s success.


–>
David Hockney’s ‘Beverly Hills Housewife’ via Christie’s sold for $7.9 million, falling within estimates of $6-10 million and setting a new record at auction for the artist.

New World Auction Records set for Hockney, Oldenburg, Wheeler, and Smith at Christie’s [Artdaily]
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At an Upbeat Christie’s Auction, Some Record Prices [NY Times]
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NY auctions end with solid contemporary art result [Reuters]
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Christie’s Auction Beats Estimate, Boosts Confidence [Bloomberg]
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Betty Freeman Portrait Fetches $7.9 Million in N.Y. Auction [Bloomberg]
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Christie’s Contemporary “Gets It Right” [Artinfo]
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Christie’s Auction Rekindles Art Optimism [WSJ]

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Don't Miss: Women, A Loan Exhibition from the Collection of Steven and Alexandra Cohen at Sotheby's New York, through April 14

Thursday, April 9th, 2009

Robert Rauschenberg and Susan Weil, Untitled (Sue), 1950, Via Frankfurter Allgemeine

Currently on view at Sotheby’s New York for the first time and for a short time only is a selection of works from the collection of Steven and Alexandra Cohen.  The exhibition consists of twenty pieces by masters of the modern period, such as Picasso, de Kooning and Warhol, and leading contemporary artists, dealing with women as subject matter.   Other artists represented in Women are: Edvard Munch, Paul Cézanne, Henri Matisse, Amedeo Modigliani. Robert Rauschenberg and Susan Weil, Yves Klein, Gerhard Richter, Cindy Sherman, Lucian Freud, Richard Prince, Marlene Dumas and Lisa Yuskavage.

Sotheby’s New York
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Women: A Loan Exhibition from the Collection of Steven and Alexandra Cohen
–>
1334 York Ave, New York,
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10th floor
–>
April 2 – April 14, 2009

RELATED LINKS

Exhibition Page and Press Release [Sotheby’s]
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NY Times Carol Vogel Previews the Exhibition [New York Times]
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Steven Cohen’s Rise as a Collector [The Independent]
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MAO Critiquing Cohen’s Motives [MAO]
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NY Mag Examines Cohen’s Motives [New York Magazine]
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The Exhibition in the Light of the Art Market [Wealth Bulletin]
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Speculations on the Exhibition [ArtForum]
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Speculations on the Exhibition II [ArtInfo]
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Speculations on Cohen’s Motives [Bloomberg]
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Exploring Cohen’s Motives [Luxist]
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Preview of the Exhibition
[Bloomberg]

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Steven Cohen, newly an investor in Sotheby’s, is to display $420 million worth of art the auction house, in an exhibition to be based on women.

Monday, March 16th, 2009


Le Repos (1932) by Pablo Picasso, via Artnet

Steven Cohen, founder of prominent hedge fund SAC Capital, and his wife Alexandra have lent Sotheby’s 20 artworks valued at $450 million worth of art from their very substantial collection. The works will be displayed from April 2nd to April 14th at Sotheby’s New York headquarters, and will revolve around the female form and its portrayal from 1890 to the present. The exhibition is not tied to a sale, and is entitled Women.

Women III by Willem de Kooning, Turquoise Marilyn by Andy Warhol, Madonna by Edvard Munch, and Le Repos by Pablo Picasso will be amongst the pieces on display, alongside paintings by more contemporary artists such as Lisa Yuskavage and Marlene Dumas.  Cohen bought the de Kooning from David Geffen for $137 million, spent $80 million to acquire Turquoise Marilyn from Stefan Edlis, and acquired the Picasso at auction for $34.7 million.

Cohen and his wife are avid collectors, and have accumulated one of the most significant collections of 20th century art in the world, according to Tobias Meyer, Sotheby’s head of contemporary art. Cohen is known for owning a formaldehyde-enclosed shark by Damien Hirst, currently on loan to the Metropolitan Museum in New York, and has been steadily expanding his collection over the last ten years, buying works by major artists.

In a statement released through Sotheby’s, Mr Cohen remarked: “Our collection has not been curated before. It will be an exciting experience for us.”

SAC Capital has also become one of the larger shareholders of Sotheby’s, accumulating a 5.9% stake after its share price has collapsed over the past 6 months due to lackluster results.

SAC Capital’s Steve Cohen Lends Sotheby’s 20 Artworks [Bloomberg]
Sotheby’s investor to show collection [Financial Times]
Hedge fund manager Steve Cohen puts £320m art collection on show [Telegraph UK]
The tycoon who loved women so much he spent $700m on them[Independent UK]
Why’s Steve Cohen Showing Sotheby’s So Much Love? [New York Magazine]
Sotheby’s to Show Works From Cohen Collection [ArtInfo]

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Brandeis University considers closing Rose Museum due to losses from Madoff investments

Saturday, January 31st, 2009


Race Riot by Andy Warhol, top left, Forget It! Forget Me! by Roy Lichtenstein, right, and Life is a Killer by John Giorno, bottom left. Undated picture taken at the Rose Art Museum, Brandeis University, Waltham, Massachusetts. Image via Bloomberg.

Several major Brandeis University donors and trustees suffered substantial losses when Bernard Madoff’s Ponzi scheme was exposed, leaving the university in a very precarious financial position.  Facing a potential $79 million deficit, according to an official interviewed at the Daily Beast, the university is facing some rather stark choices: closing the Rose Museum and selling the entire collection at a fire sale price, or potentially firing up to half of its faculty.

Museum page: Rose Art Museum
Statement from Michael Rush, Director of the Rose Art Art Museum, regarding the impending closing of the museum [Rose Museum]
Brandeis Forced To Close Museum [WSJ]
Outcry Over a Plan to Sell Museum’s Holdings [NYT]
Brandeis Art Sale Illustrates Pressures on Colleges [WSJ]
Brandeis President Says School May Keep Its Art, but Rose Will Close [ARTINFO]
Brandeis may keep art, says president [Boston Globe]
Critics Blast Brandeis Plan to Close Rose Museum, Sell Artworks [Bloomberg]
Protests, Rumors swirl in Rose Musem closing [Artnet]
Q&A with Rose Art Museum director Michael Rush [ArtJournal]
A Madoff Sell Off? [TIME]
Brandeis on the Brink [The Daily Beast]
Save the Rose Art Museum [Facebook]

More detail on the story after the jump…

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Newslinks for Monday, November 24, 2008

Monday, November 24th, 2008

Kaws does cover art for Kanye West via theartcolectors

Kanye West uses Kaws for his cover art (Takashi Murakami has also had the privilege) [theartcollectors]
Art collector Aby Rosen’s Core Club, featuring works by such artists as Jean-Michel Basquiat and De Kooning, owes its founding members funds [NYPost]
A closer look into the ramifications of the art “crash” [WallStreetJournal]

Frank Gehry's Art Museum of Ontario via the NYTImes

The Art Museum of Ontario goes for the “Bilbao effect” with a new $276 million Frank Gehry-designed facility (it’s his hometown) [NYtimes] more here [Bloomberg]
With exhibtions recently at the Grand Palais in Paris and now at Gagosian Gallery in London, Ricard Serra interviewed [ArtNewspaper]
Are art and fashion cross promotions becoming gauche?
[ArtInfo]
and in related news, the assumption is that this year’s Art Basel Miami will be more austere [CNN Money] more on this here [NYMag]

AO Auction Results: Christie’s “The Modern Age,” the Alice Lawrence and Hillman family collections sell for less than 50% of estimate as Rothko and Manet headliners are pulled

Saturday, November 8th, 2008

Rene Magritte's "L'Empire des lumiéres" (1947) via Christie's

On Wednesday November 5th, Christie’s conducted its sale of the estates of two separate widows (the Alice Lawrence and Hillman family collections) bearing similar works of mostly late 19th and early to mid-20th century pieces, in an auction thus titled “The Modern Age.” These auctions included works by headliners such as Pablo Picasso, Paul Cézanne, Mark Rothko, Fernand Léger, Edouard Manet, Henri de Toulouse-Lautrec, Amedeo Modigliani, Giorgio De Chirico and René Magritte. The event followed the latest Sotheby’s auction for Impressionist and Modern art on Monday (as covered by AO here) which disappointedly totaled $223.8 million against the $338 million low estimate. Additionally, the Modern Age sale corresponded to a particularly steep post-presidential race drop in the public equity markets in which the Dow plunged 486 points.

The auction results were no surprise considering the current tepid environment in the art market: The two collections listed 58 lots, of which 17 did not sell, for a total sale of $47 million, which was less than half of its $104 million low estimate. Christie’s said 51% of buyers were American and 29% European. Though Surrealist lots by Magritte (see image above) and De Chirico (see below) did well, of the lots that were brought in were the most expensive of the sale, notably, Manet’s “Fillette sur un banc/Girl on a Bench,” a 1880 portrait of a girl with a wide-brim hat estimated at $12-18 million (see image below), and Rothko’s “No. 43 (Mauve),” estimated at $20-30 million. Other works by Cézanne, Renoir, and de Kooning also failed to sell.

Bleak Night at Christie’s, in Both Sales and Prices [NY Times]
Art-Market Rout Persists: Rothko Snubbed at Auction [Bloomberg]
Buyers Cool to Private-Collection Art at Christies [Reuters]
Market Forces Bring Fire-Sale Prices for Christie’s “Modern Age” [Art Info]
The Modern Age: Property from the Hillman Family Collection [Art Daily]
Christie’s Wan and Woeful Night [CultureGrrl]
Christie’s Website

more auction results, quotes and images after the jump…

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Embattled Lehman Brothers CEO and wife to auction $20 million of post-war and contemporary art through Christie’s

Saturday, September 27th, 2008


‘Study for Agony I’ (1946-7) by Arshile Gorky, part of a Christie’s auction which will include works from the Kathleen and Richard Fuld collection, via Art Market Monitor

“I’ve been selling things for the past few years, but nobody cared until now,” Kathleen Fuld was reported to have said to the New York Times in an interview with Carol Vogel. Kathleen Fuld, trustee of MoMA–and wife of beleaguered Lehman Brothers’ CEO Richard Fuld–recently announced that she will be auctioning 16 works of post-war and contemporary art through Christie’s on November 12th, following a related report  (covered by AO) that Lehman may sell some or all of its 3,500-work corporate collection. The Fulds make regular appearances on ARTNews list of Top 200 collectors, and have been collecting since the 1980s, focusing mostly on drawings and studies that yield insight into the artists’ creative process. The auction will include drawings from the likes of Barnett Newman, Arshile Gorky, Willem de Kooning and Agnes Martin, and is expected to raise $15 to $20 million.

Study in Financial Agony: Lehman Chief’s Wife Hires Christie’s to Auction $20 M. Collection [New York Observer]
Fallen Tycoon to Auction Prized Works [Wall Street Journal]
Kathy Fuld, Wife of Lehman CEO, to Auction Artworks [Bloomberg]
Lehman Brothers CEO is a top art collector. For a few more minutes. [C-MONSTER]
The Russians Aren’t Coming, They’re Already Here! Lehman Chair Looks to Moscow to Sell His Art Collection [New York Observer]
Fuld Folds Paper [Art Market Monitor]
Modern Drawings Head for Auction
[New York Times]

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Don’t Miss The Opening: Arrival of Christie’s-owned gallery, Haunch of Venison, in New York, Friday September 12

Saturday, September 6th, 2008


Vawdavitch, Franz Kline (1955) via Artinfo

Next Friday, September 12, the new Haunch of Venison gallery in New York City will open its doors for the first time with an exhibit called “Abstract Expressionism – A World Elsewhere”. The exhibition will feature over 60 works from Franz Kline, Willem de Kooning, Lee Krasner, Barnett Newman, Jackson Pollock, Mark Rothko, Aaron Siskind, David Smith and Clyfford Still. The Christie’s owned gallery represents notable artists such as Bill Viola, Keith Tyson, and Wim Wenders and has additional locations in London and Zurich. When the gallery was purchased last year by François Pinault, the owner of Christie’s auction house, there was a substantial amount of controversy surrounding the transaction. The purchase of the gallery presented a new take on the relationship between auction houses and galleries, and how the line might blur between the primary and secondary markets of the art world.

Christie’s auction house buys London’s Haunch of Venison contemporary art gallery [IHT]
Haunch of Venison’s New York Moment [The Imagist]
American Perspective [Artinfo]
Auction Houses Vs. Dealers [NYSun]
Haunch of Venison – “Abstract Expressionism—A World Elsewhere” [Haunch of Venison]

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Go See: “Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976” at Jewish Museum in New York City through September 21, 2008

Thursday, September 4th, 2008


Convergence, Jackson Pollock (1952) via NYTimes

Up now at the Jewish Museum in New York City is “Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976”. The exhibition includes over 50 key works by 32 artists involved in the Abstract Expressionist movement, including Jackson Pollock, Willem de Kooning, Helen Frankenthaler, and Mark Rothko. A unique aspect of the show is how the work is shown through the perspectives of the two leading art critics of the time, Clement Greenberg and Harold Rosenberg. The Abstract Expressionist artwork that fills the walls of the museum until September 21st is accompanied by texts and opinions, photographs, and film clips of the two prominent critics.

Action Figures: The fifties in paintings and words [The New Yorker]
Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976 [The Jewish Museum]
“Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976” [Timeout]
How famed critics Greenberg, Rosenberg impacted markets of De Kooning and Pollack [AO Newslinks 5.15.08]

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Gagosian taps into the wealth of Russia with October show

Tuesday, August 19th, 2008


Larry Gagosian at the opening of Center of Contemporary Culture Moscow (CCCM) via Style.com

Moscow is anticipating a worthy contemporary art scene brought by Larry Gagosian. Building upon the strong review from last year’s first show, Gagosian Gallery is making its presence in Russia. “For what you are about to receive” is Gagosian’s a second exhibition will be held at Red October Chocolate Factory, opening on September 18th until Ocober 25th. Artist Aaron Young will be presenting a motorcycle performance Arc Light for the opening of the show (AO has exclusive video from Aaron Young’s motorcycle show in New York here). This show will exhibit works by well-known contemporary artists such as Jeff Koons, Willen de Kooning, Richard Serra and Takashi Murakami. Curated to explore the conceptual relationship between commercial production and artistic abstraction, the show is intended to engage the viewers with modern materialism.

Gagosian Gallery in Moscow [Artnet News]
Gagosian Gallery
Read more about the exhibition at the Russian art blog IZO here and here.

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AO Preview: Phillip’s London Contemporary Art Auctions, June 29-30

Friday, June 27th, 2008

Nine Multicolored Marilyns, Andy Warhol (1979-1986) via Phillips

Phillips de Pury & Company is holding it’s Contemporary Art Sale on June 29 and 30. The sale highlights works from Andy Warhol, Damien Hirst, Willem de Kooning, Jean-Michel Basquiat, Paul McCarthy, and many other distinguished contemporary artists.

Phillips Contemporary Art Sale [Phillips]

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Newslinks 5.15.08

Thursday, May 15th, 2008

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Colossal Promenade via Telegraph.co.uk

Richard Serra’s ambitious installation in Paris [Telegraph.co.uk]
‘Obey’ artist Shepard Fairey faces diabetic blindness [Animal NY]
How famed critics Greenberg, Rosenberg impacted markets of De Kooning and Pollack [Financial Times]
British artist trial set for manslaughter [NY Times]
American Embassy in Beijing to feature major contemporary works [Art Info]