Mike Kelley, “Horizontal Tracking Shot of a Cross Section of Trauma Rooms,” (2009) Via Gagosian.
On the back side of “Horizontal Tracking Shot of a Cross Section of Trauma Rooms,” are TV color bars, interspersed with videos depicting family life found on YouTube. (2009) Via Gagosian.
Currently showing at Gagosian Gallery in New York is an exhibition of paintings by Mike Kelley entitled “Horizontal Tracking Shots.” The show is Kelley’s first exhibit in New York which is devoted solely to paintings. In the past, his collaborative and solo shows have involved elaborate multimedia sets, symbolic performance art, theatrical spectacles, drawings and installation works. This body of work grew out of one of Kelley’s previous exhibitions entitled “Extracurricular Activity Projective Reconstructions,” a kind of auto-biographical, multi-faceted project that began in 1995, involving sculpture, video narrative and themes of trauma and repressed memory.
More text, images and related after the jump…..
Mike Kelley, Untitled (2008-09) Via Gagosian. The colored reliefs have base moldings that give them an architectural style.
In Kelley’s current show, “Horizontal Tracking Shots,” the paintings in themselves are meant to initiate an experience for the viewer, capturing motion on the canvas and producing a quality “akin to the movie camera gliding through space, capturing action as it goes,” hence the title of his show. His past shows have also experimented with this concept of a “spatialized filmic montage.” Kelley’s work is known for questioning the legitimacy of cultural norms and values, delving into themes of family, religion, sexuality and education. His work draws from historical research and psychological theory and is often infused with references to punk music and pop culture. Visually, “Horizontal Tracking Shots” has a kind of “push-pull” effect upon the viewer– large polychrome panel paintings are juxtaposed against the smaller framed canvases, while colors either pop out or retreat into the background, depending upon their relation to each other.
An installation view of Mike Kelley’s “Horizontal Tracking Shots” exhibition at Gagosian Gallery. Via Gagosian.
Another Installation view of Mike Kelley’s “Horizontal Tracking Shots” (2009). Via Gagosian.
Born in 1954 in Detroit, Kelley lives and works in Los Angeles. He is well known for his 2005 show entitled “Day is Done,” a multi-media extravaganza that involved filling the Gagosian Gallery with automated furniture, dream-like films, and other multimedia installations. Kelley attended the California Institute of the Arts where he has said to have drawn inspiration from several of his teachers—among them, John Baldessari and Laurie Anderson. He began gaining recognition in the 80’s with his sculptures and installation artwork outside of Los Angeles.
Mike Kelley, “Dark Swallower of Souls,” (2009). Via Gagosian.
Mike Kelley, “Mort’s Mouth” (2009) Via Gagosian. “Kelley draws freely from a wide range of sources including elementary school textbook illustration, New Age painting, comic strips, and science-fiction.”
Kelley has received numerous awards for his work including The Louis Comfort Tiffany Foundation Grant, National Endowment for the Visual Arts Fellowships, and a Guggenheim Fellowship, among others. The artist has had solo exhibitions at the Whitney Museum in New York, the Los Angeles County Museum of Art, the Hirshhorn Museum and Sculpture Garden in Washington, DC, Tate Liverpool, Centre Georges Pompidou in Paris and Kunsthalle, Basel, among others. Kelley has also recently collaborated with Mike Smith to produce a video installation entitled “A Voyage of Growth and Discovery.” The two have been friends since 1975. Their show is currently on view at The Sculpture Center in Long Island City until November 30th.
Mike Kelley, Untitled (2008-09) Via Gagosian.
Mike Kelley, “Naked Majas (Bettelheim’s Genital)” (2008-2009) Via Gagosian.
Mike Kelley, Untitled (2008- 2009) Via Gagosian.
“Horizontal Tracking Shots” will be on exhibit at the Gagosian Gallery in New York through December 23rd, 2009.
Related Links:
Mike Kelley: Horizontal Tracking Shots. [Gagosian]
Mike Kelley, Artist’s Official Website [Mike Kelley]
Mike Kelley Interview [Zing]
Performa 09 | Mike Kelley and Michael Smith [NYTimes]
Collaborative Video Installation by Artists Mike Kelley and Michael Smith to Open at Sculpture Center [ArtDaily]
Mike Kelley Biogrpahy [Art21]
Ecstatic Abstraction at Gagosian Gallery [ArtObserved]
-Georgia Suter
December 29th, 2011 at 3:48 pm
Il vient me dire que seules les images resteront
April 25th, 2014 at 1:40 am
The piece “Horizontal Tracking Shot of a Cross Section of Trauma Rooms” is currently on view in Los Angeles at MOCA April 2014 (incidently the best exhibit MOCA has had in about 4 years). The whole exhibit is excellent but this piece is very cutting. The sounds of children being hurt as one approachs is painful to say the least, the abstract art setting is mood setting, but then to find the videos are youtube brief sequences from funniest home videos, makes one ask if the videos are really funny, makes one question repressed memory and our own painful moments in childhood. Quite powerful for me.