New York – Aurel Schmidt: “Fruits” at 200 Stanton Through November 30th, 2013

November 26th, 2013

Aurel Schmidt, Fruits (2013), via Art Observed Staff
Aurel Schmidt, Fruits (2013), via Art Observed Staff

Once again turning heads with an evocative, sexually-potent set of works, artist Aurel Schmidt is currently showing a new set of works at a former bodega on Stanton Street on New York’s Lower East Side.  Affixing sexual organs and fetishized body parts to drawings of fruits and vegetables.

Outside of 200 Stanton for Aurel Schmidt's "Fruits", via Art Observed Staff
Outside of 200 Stanton for Aurel Schmidt’s “Fruits”, via Art Observed Staff

Throughout the show, Schmidt packs unlikely body parts wherever she can find them on her fruits of choice: a shock of blond hair springs from a pineapple, a vagina peeks out from under a head of cabbage, or in what may be the most popular work of the show, a penis emerges from inside an unfolding banana peel.  They’re comically brilliant works, allowing the contours of the human form and that of the fruit (both classic subjects of still-life painting), to stand on a direct collision course.

Aurel Schmidt, Fruits (Installation View), via Opening Ceremony
Aurel Schmidt, Fruits (Installation View), via Opening Ceremony

Whether she’s actively commenting on the body as an object for commodification and consumption or not, Schmidt’s works pack a healthy dose of loving humor.  The soft hues and gentle curvature of her subjects welcomes a lingering glance, somehow managing to steer beyond what could be construed as the tittering fantasy of an extremely talented high-school student.  Instead, as Schmidt herself notes, the pieces have a certain playful reverence to them, a sense of surrealist conviction that ultimately places the pieces somewhere between the human and the vegetable, the object of consumption and that of nourishment allowed to co-exist.

Aurel Schmidt, Fruits (2013), via Art Observed Staff
Aurel Schmidt, Fruits (2013), via Art Observed Staff

While viewers are likely to chortle at the winking move of showing a set of works like this in a former bodega, Schmidt’s work in Fruits manages to go beyond its self-aware inflections, often giving itself over to a surrealist innocence that Magritte himself would likely be proud of.  It’s a fitting return for Schmidt, and a series that blends its popular appeal with a palatable delivery that makes a lingering viewing more comfortable than one would initially imagine.

Schmidt’s new works are on view until November 30th, 2013.

Aurel Schmidt, Fruits (2013), via Opening Ceremony
Aurel Schmidt, Fruits (2013)

Aurel Schmidt, Fruits (2013), via Opening Ceremony
Aurel Schmidt, Fruits (2013)

Aurel Schmidt, Fruits (Installation View), via Opening Ceremony
Aurel Schmidt, Fruits (Installation View), via Opening Ceremony

—D. Creahan

Read more at:
“Fruits” [Purple]
“See: Aurel Schmidt’s Lovely, Sexual Produce Art” [New York Magazine]
“Aurel Schmidt Turns a Deli into a Gallery, But Still Sells Fruit” [Opening Ceremony]