AO On-Site: Frieze London at Regent’s Park, October 15th-18th, 2014

October 16th, 2014

Outside the Frieze Fair, via Art Observed

As Wednesday winds down, the 2014 edition of Frieze London is well underway, starting another fair off with strong sales and impressive attendance.  As the VIP preview opened, a number of prominent celebrities could be seen browsing the aisles.  Famed German footballer Michael Ballack was seen wandering the aisles, as was writer Salman Rushdie, joining MOCA’s new director Philip Vergne and his DIA successor Jessica Morgan.

Erwin Wurm, via Andrea Nguyen for Art

A pair of KAWS works on view at Perrotin, via Andrea Nguyen for Art Observed

Frieze (Installation View), via Art Observed

A number of notable sales marked the first hours in London.  Andy Warhol’s reprint of Munch’s The Scream sold in the early hours of the fair for an impressive $5.5 million, as did a large-scale vitrine work by Damien Hirst at White Cube, bringing in £4 million.  Thaddeus Ropac also sold a number of editioned Erwin Wurm sculptures, each priced at €250,000.

The much bemoaned lack of imagination that seems to plague so many art fairs in the past years seems to be a primary concern with both gallerists and fair staff this year.  Rather than resort to the plain-faced white cube that has become a hallmark of the fair circuit, performances and immersive installations have so far dominated reports on the event.

The booth installation at Esther Schipper, via Andrea Nguyen for Art

The Lisson Gallery booth lived up to its initial buzz, featuring a bizarre blend of mass market aesthetics and mounted works.  In one corner, a gallery employee, dressed head to toe in Ryan Gander’s specially-designed Adidas sneakers and Cory Arcangel’s “Surfware,” was downloading Will Ferrell’s blockbuster Anchorman 2, laconically gazing at the screen as visitors peered over his shoulder.


Cory Arcangel at Lisson, via Art Observed

Brian Calvin, via Art Observed

Other galleries took a similar bent to the “booth as built environment” technique, combining expansive installation with a series of works on view.  Helly Nahmad was showing a booth consisting of a meticulously recreated a 1968 Paris apartment, complete with a series of classic French works.  Nahmand’s installation has already demanded particular attention from a number of wealthy French collectors, visibly startled by the installation’s verisimilitude.  Conversely, Gagosian’s installation by Carsten Höller includes multi-colored walls and his enormous Die playground, a series of works that takes a coy turn on the pretense and seriousness often attributed to the proceedings.

Oscar Murillo at David Zwirner, via Art Observed

Vern Blosum at Essex Street, via Art Observed

Gedi Sibony, via Art Observed

Similarly, Hauser and Wirth’s booth, designed by Mark Wallinger, recreates psychologist Sigmund Freud’s study, incorporating artist Christoph Büchel’s aptly titled Sleeping Guard, a dozing security officer nestled in the corner of the booth. Over at the Masters wing, the gallery was showing a series of kinetic sculptures by Jean Tinguely.  In another corner, Dis Mag affiliates Shanzai Biennial were presenting a real-estate tour of the fictitious Hamilton Terrace, a £32,000,000 property shown on pristine Hi-Def monitors with guests attended to by an attractive group of dour-faced models.

Sarah Lucas at Sadie Coles, vi Art Observed

Performance works and public interactions have also become a major facet of this year’s edition.  One work, a James Lee Byars performance from Michael Werner Gallery, features a string of performers, all connected by a series of pink-topped caps, snaking their way through the fair and occasionally pausing to silently view various works.  In fitting fashion, curator Jonathan Berger was also presenting music from Andy Kaufman’s never-recorded concert at Carnegie Hall.  In another anticipated performance by choreographer Adam Linder, a writer circulates the fair, reporting back on his observations, which are then transformed into musical scores and dance pieces.

Art Observed was on site for the opening hours of the fair, and will continue to be on site over the course of the week.

Jonas Wood at  David Kordansky, via Art Observed

Mark Grotjahn at Anton Kern, via Art Observed

Ella Kruglyanskaya  at Gavin Brown’s, via Art Observed

Tonya Bonakdar Gallery, via Art Observed

Takashi Murakami, via Art Observed

Work on view at Gagosian Gallery, via Art Observed

Kaws at the Frieze Sculpture Park, via Andrea Nguyen for Art Observed

Olafur Eliasson at Tanya Bonakdar, via Art Observed

Gagosian Gallery, via Art Observed

— D. Creahan

Read more:
“Spotted at Frieze’ [Art Newspaper]
“Frieze Art Fair: the best piece of theatre in town” [FT]
“Frieze: even sleeping security guards are art in a world of elaborate disguises” [The Guardian]
“Dispatches From Frieze: Hamilton Terrace is £32M of Luxury” [ArtInfo]
“Galleries go beyond the white cube” [Art Newspaper]
“Frieze London: Miley Cyrus, Sleeping Guards, and Race-Car Hunting Trophies” [Artinfo]
“Dispatches From Frieze: Here’s One Man Already Suffering From Fairtigue” [Artinfo]
“Frieze Live brings art to life” [Telegraph]
At Frieze, Shanzhai Biennial Sells a House [NYT]
“Take a Video Tour of London’s Frieze Art Fair” [High Snobriety]
Frieze Art Fair 2014 [Telegraph]
“Warhol’s The Scream Sells for $5.5 Million at Frieze Masters” [Artnet]