The New York City Ballet has noted a marked uptick in young attendees in recent years, an indication that their efforts and commissions, like Dustin Yellin’s current project with the institution, are seeing successful returns. “We had a hypothesis that there might be a crossover interest between the visual arts and dance, particularly the kind of repertoire that we have — which have an abstract and contemporary feeling,” Katherine E. Brown, the company’s executive director said.
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