A thorough forensic study dating Francisco Goya’s private series “Witches and Old Women” has resulted in an exhibition at the Courtauld Gallery in London, showing the works in chronological order for the first time. “His work is all about capturing that human spark,” says Goya scholar Juliet Wilson-Bareau. “From his youth onwards, he observed everything that life had to offer. He was utterly fascinated by the human animal form from the word go.”
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