Mona Hatoum is profiled in The New York Times this week, as the artist prepares for her solo exhibition at the Centre Pompidou this month, and reviews the multi-faceted international upbringing that informs much of her work. “The basis of it is a feeling of wanting to be free of all those restrictions, whether it’s social or political, that are always put on people,” she says, “so I can be whatever I want to be.”
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