Catherine Opie is profiled in the New Yorker this week, as she reflects on some of her most powerful and controversial images, and the shared concepts of each of her diverse bodies of work. “There’s a certain kind of equality I’m trying to create, which is what I believe American democracy is about,” she says. “If I were to pass judgment on, say, football players—that they were the asshole kids who used to beat me up in high school—that’s not really looking.”
Read more at New Yorker
