Tomás Saraceno gets a NYT profile this week, as he prepares to open a show of work at The Shed. “He’s not afraid of scale,” says close friend Olafur Eliasson told me. “Ten meters, 20 meters, 30 meters — it doesn’t matter. He could scale things up easily. The other thing was how to work together. As architects, there is a division of labor. As soon as you’re not good at something, you find someone who is and have him do it, asking when you don’t know how to solve it. An artist goes down into the hyperlocal. A great architect is able to take a helicopter view.”
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