The New York Times profiles Leto Gallery, an upstart Polish exhibition space run by Marta Kolakowska, which is committed to challenging projects and a committed interest in social themes. “I think it is important what Marta is doing in terms of Polish art but it is also a bit of fun,” says artist Konrad Smolenski, who works with the gallery and represented Poland at last year’s Biennale. “With her, it is not about selling but building strong connections to people and being honest with what we are doing. That is something that I really appreciate and I cannot imagine a different kind of relationship with a gallerist.”
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