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New York – Alberto Giacometti at Guggenheim Museum Through September 12th, 2018

Monday, September 10th, 2018

Alberto Giacometti Studio Reopens in PAris

Monday, June 25th, 2018

Alberto Giacometti Drawings Discovered in Holdings of Late Antiques Dealer

Wednesday, August 16th, 2017

Alberto Giacometti Masterwork to Sell at Christie’s New York on November 5th

Monday, October 14th, 2013

GO SEE-NEW YORK: ALBERTO GIACOMETTI “IN GIACOMETTI’S STUDIO” at Eykyn Maclean through December 18, 2010

Friday, November 26th, 2010

AO Breaking Auction Results: Sotheby’s sets record for any work of art ever sold at auction with $104 million Alberto Giacometti Sculpture – almost 10 times estimate

Wednesday, February 3rd, 2010

Go See – Basel: Alberto Giacometti at the Fondation Beyeler through October 11, 2009

Thursday, June 18th, 2009

Go See: Alberto Giacometti Retrospective, Kunsthal Rotterdam, Netherlands, through February 8th, 2009

Thursday, December 18th, 2008

Alberto Giacometti

Friday, June 20th, 2008

Giacometti Institute to Open in Paris This Summer

Monday, March 19th, 2018

Tate Modern to Exhibition Rare Full Series of Giacometti Plasters from 1956

Monday, January 23rd, 2017

Behind the Struggle for a Collection of Giacometti Works and Photographs

Thursday, July 7th, 2016

Institut Giacometti to Open to Public Next Year

Friday, April 24th, 2015

Giacometti Sculpture May Reach $130 Million at Christie’s Next Month

Thursday, April 16th, 2015

Giacometti Foundation Moves Forward After Years of Controversy

Friday, December 19th, 2014

Steven A. Cohen Reportedly Buyer of $100 Million Giacometti

Tuesday, November 11th, 2014

Hong Kong – Giacometti: “Without End” at Gagosian Hong Kong, through April 21st 2014

Sunday, April 20th, 2014

Online database of authenticated work by Giacometti launched

Saturday, December 1st, 2012

AO Onsite Auction Results – London: Impressionist & Modern Sale at Sotheby’s London February 8, 2011 Brings in £68.8 Million ($111 million); Featured Picasso Sells for £25.2 million, Giacomettis Bought In

Tuesday, February 8th, 2011

London: Sotheby’s Impressionist and Modern Evening Sale, February 3, 2010 – historic London sale substantiates art market recovery through robust hammer prices exceeding £10 million for works by Giacometti, Cezanne and Klimt

Wednesday, February 3rd, 2010

AO Auction Recap – New York: Impressionist and Modern Evening Sales, November 11th – 12th, 2018

Monday, November 12th, 2018

AO Auction Recap – London: Impressionist and Modern Evening Sales, June 19th and 20th, 2018

Friday, June 22nd, 2018

AO Auction Results – New York: Christie’s Impressionist and Modern Sale, May 15th, 2018

Wednesday, May 16th, 2018

AO Auction Preview – New York: Auction Week in New York City, May 8th-9th, 14 – 17th, 2018

Tuesday, May 8th, 2018
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

David Smith Estate Names Jennifer Field Executive Director

July 18th, 2019

The David Smith Estate has named Jennifer Field its new executive director, as it continues to expand and work on the artist’s catalogue raisonné. “I am thrilled to have the opportunity to join the Estate of David Smith in a capacity that draws upon my range of professional and scholarly experiences,” she said in a statement, “yet allows me to focus in a sustained way upon Smith’s remarkable artistic contributions.”
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NADA Announces Exhibitors for Chicago Invitational

July 18th, 2019

NADA has announced plans for its first Chicago Invitational, with 35 exhibitors from 19 cities in 11 countries presenting at the Chicago Athletic Association Hotel. 
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Artists and Curators Publish Piece Regarding Whitney Biennial Controversies

July 18th, 2019

A group of artists and curators, including Hannah Black, have written a powerful piece in Artforum this week, challenging the artists in this year’s Whitney Biennial regarding their refusal to protest the show over the Whitney’s tacit support of board member Warren Kanders. “A boycott would boost the force of every one of these statements and actions,” the piece reads. “But the art world imagines itself as a limited sphere of intellectual and aesthetic inquiry, where what matters, first and foremost, are inclusion, representation, and discussion. ”
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