Search Results

Go See – Berlin: Anselm Reyle and Raymond Pettibon at Contemporary Fine Arts until June 11th, 2011

Sunday, May 22nd, 2011

Anselm Reyle

Thursday, January 3rd, 2008

Bloomberg Looks at Speculation and Risk in Art Investing

Monday, February 16th, 2015

AO On Site – London: Frieze and Frieze Masters Art Fairs at Regent’s Park, Through October 14th

Friday, October 12th, 2012

AO On Site – The Watermill Center, The Big Bang, 19th Annual Summer Benefit, Saturday July 28, 2012

Thursday, August 2nd, 2012

AO On Site with Photoset – New York: Frieze Art Fair on Randall’s Island, MAY 4–7, 2012

Friday, May 4th, 2012

AO on site New York – Opening of Bruce High Quality Foundation’s ‘Brucennial 2012′ at 159 Bleecker Street through April 20, 2012

Thursday, March 1st, 2012

AO On Site Art Basel Miami Beach 2011 – AO’s selected preview, guide, and news summary to the 10th Anniversary Art Basel Miami Beach Art Fair and associated events

Monday, November 28th, 2011

Go See – London: “Shape of Things to Come” at Saatchi Gallery through October 16th, 2011

Wednesday, August 31st, 2011

Living Artists

Thursday, July 7th, 2011

AO Preview – Berlin Gallery Weekend Begins

Friday, April 29th, 2011

AO Auction Results – London: Wednesday, October 13th, Phillips de Pury Contemporary Art Auction Within Presale Estimates, Sets New Records for Aaron Young, Sterling Ruby

Thursday, October 14th, 2010

Go See – New York: Takashi Murakami’s ‘A Picture Of The Blessed Lion Who Stares At Death’ at Gagosian Gallery through October 24, 2009

Monday, October 5th, 2009

AO November Auction Roundup 4 of 5: Phillips de Pury’s Contemporary Art Sale, New York, Thursday, November 13th, Results “brutal” but Phillip’s clear due to lack of Guarantees

Monday, November 17th, 2008

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

Francois-Henri Pinault

Tuesday, December 25th, 2007

Galerie Almine Rech

Tuesday, December 25th, 2007

Contemporary Fine Arts

Tuesday, December 25th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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