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New York Times Spotlights Benjamin Genocchio’s First Turn as Armory Show Head

Wednesday, January 11th, 2017

Benjamin Genocchio Interviewed in Art News

Saturday, December 19th, 2015

Artnet News Chief Benjamin Genocchio to Head Up Armory Show

Friday, December 18th, 2015

AO On-Site – New York: The Armory Show at Piers 92 & 94, March 8th – 11th, 2018

Saturday, March 10th, 2018

Armory Show Names Curators for 2018 Edition

Friday, June 9th, 2017

AO On-Site – New York: The Armory Show, March 1st – 5th, 2017

Thursday, March 2nd, 2017

AO Preview – New York: Armory Week in New York, February 28th – March 5th, 2017

Tuesday, February 28th, 2017

Armory Show Announces 2017 Exhibitor List

Wednesday, November 23rd, 2016

Nicole Barry to Take Over as Deputy Director of Armory Show

Friday, September 30th, 2016

AO On-Site – New York: The 22nd Annual Armory Show at Piers 92 & 94, March 3rd – 6th, 2016

Thursday, March 3rd, 2016

AO Breaking News: James Cuno resigns as director of the Art Institute of Chicago to lead the J. Paul Getty Trust

Monday, May 9th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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