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Italy Cancels Botticelli Loan to Israel in Light of Potential War in Syria

Wednesday, September 11th, 2013

Sandro Botticelli

Monday, December 1st, 2008

Uffizi Museum Reopens in Florence

Tuesday, October 18th, 2016

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

Auction Recap: Old Master’s Week in New York City

Monday, February 4th, 2013

German Culture Minister Promises New Museum for Old Masters in 4 to 6 Years

Tuesday, January 8th, 2013

Christie’s Tests Old Master Market in China

Friday, December 21st, 2012

Christie’s focuses on Renaissance works as “value”

Saturday, November 24th, 2012

AO Newslink

Thursday, July 12th, 2012

AO Auction Results: Old Masters Sales at Christie’s and Sotheby’s January 25-26, 2012

Saturday, January 28th, 2012

Deceased Artists

Thursday, July 7th, 2011

AO On Site – New York: Francesco Vezzoli ‘Sacrilegio’ at Gagosian Gallery 21st Street, opened Saturday, February 5th, running through March 12, 2011

Tuesday, February 8th, 2011

Go See – London: Titian's "Triumph of Love" at The National Gallery, Through September 20, 2009

Monday, August 3rd, 2009

AO On Site: Lisa Yuskavage Paintings on view at David Zwirner February 19th to March 28th, 2009

Friday, February 20th, 2009

Go See: Carsten Höller’s “Reindeers and Spheres” at the Gagosian Gallery, Los Angeles, Through February 14th

Tuesday, January 13th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Frances Stark Profiled in The Guardian

April 25th, 2017

Frances Stark, via GuardianFrances Stark is profiled in The Guardian this week, in which she discusses the state of the contemporary art world, and her recent work orchestrating a version of the Magic Flute for a group of student performers.  “One of the reasons I got really enamored with the Magic Flute,” Stark says, “is that I watched the Ingmar Bergman version with my son, when he was four or five. He was too young to read the subtitles, so I read them to him. When the movie was over – and this is a long opera – he said, ‘Can we watch it again?’” 
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Robert Rauschenberg Profiled in New York Review of Books

April 25th, 2017

Robert Rauschenberg: Persimmon, 1964; from Rauschenberg’s series of oil and silkscreen-ink print paintings in which, Jed Perl writes, ‘photographs of President Kennedy, crowded city streets, space travel, and a nude by Rubens come together to sThe New York Review of books has a lengthy profile on Robert Rauschenberg this week, as the artist’s landmark retrospective prepares to open at MoMA next month.  “I tend to see everything.” Rauschenberg once said, “I always wanted my work—whatever happened in the studio—to look more like what was going on outside the window.”
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Artist Banks Violette Interviewed in NYT

April 25th, 2017

Banks Violette, via NYTThe New York Times has a profile on Banks Violette, an artist who helped define the aesthetics of New York’s downtown art scene during the 2000’s, and who is currently preparing for a return to the art world with a show upcoming at Gladstone Gallery.  The piece traces the artist’s struggles with addiction, and the challenges of being immensely successful at such a young age.  “A lot of it was just being young, being in New York, suddenly having a bunch of attention, suddenly having packed openings, not being able to sleep and working 24 hours a day,” he says. “It wasn’t really even fun. It was more, ‘Hey, we’re super freaked out, let’s get high.’ ”
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