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Paris – Cerith Wyn Evans: “as if, seeing in the manner of listening… hearing, as if looking” at Marian Goodman Through July 28th, 2017

Tuesday, July 25th, 2017

AO On-Site – Mexico City: Zona Maco at Centro Citibanamex, February 7th – 11th, 2018

Friday, February 9th, 2018

AO On-Site – New York: The Armory Show, March 1st – 5th, 2017

Thursday, March 2nd, 2017

AO Preview – New York: Armory Week in New York, February 28th – March 5th, 2017

Tuesday, February 28th, 2017

New York – Joseph Kosuth: “Agnosia, an Illuminated Ontology” at Sean Kelly Gallery Through December 19th, 2015

Thursday, December 17th, 2015

AO On Site – New York: ‘Contemplating the Void: Interventions in the Guggenheim’ featuring JONATHAN MEESE, PIPILOTTI RIST, THOMAS HIRSCHHORN and more. Through April 28, 2010

Monday, March 8th, 2010

Go See – St. Ives: ‘The Dark Monarch’ at Tate St. Ives through January 10, 2010

Sunday, November 8th, 2009

Francesca von Habsburg

Tuesday, December 25th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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New York – Urs Fischer: “Sotatsu” at Gagosian Gallery Through June 23rd, 2018

May 26th, 2018

Urs Fischer, Sōtatsu (detail) (2018)New York, Artworks © Urs Fischer, Photo Rob McKeever
Urs Fischer, Sōtatsu (detail) (2018)New York, Artworks © Urs Fischer, Photo Rob McKeever

Throughout the career of Swiss artist Urs Fischer, space and form have long worked in lock step with acts of repetition and iteration, allowing his myriad approaches towards studio process to create ever-evolving forms and bodies of work that change as much from piece to piece as they do series to series.  For his most recent body of works on view now at Gagosian Gallery‘s uptown location, the artist takes this interest to a natural conclusion, creating a series of panel-based paintings that draw on a gradual evolution in the painter’s improvisations on single images.
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German Lost Art Plans New Guidelines for Project Funding

May 25th, 2018

Portrait of Adele Bloch-Bauer I, by Gustav Klimt, via Market WatchThe German Lost Art Foundation will begin developing guidelines for funding projects in provenance research for museums, collections and basic research, the Washington Post reports. The funding continues the organization’s attempts to provide restitution support for lost and looted art pieces.
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The Guardian Spotlights New Performance Piece at CERN

May 25th, 2018

Haroon Mirza and Gaika, via The GuardianThe Guardian spotlights an ambitious and expansive body of performance works set to take place at the CERN Large Hadron Collider, organized by a group of artists including Jack Jelfs and Haroon Mirza. “It’s like the way people look at Stonehenge,” says the DJ Elijah, who is part of the project. “That could be like Cern 1,000 years in the future – maybe not even that far ahead. ‘Why were people smashing particles together to work out how the universe started?’ This is the biggest machine ever created, maybe nothing will ever be bigger. So it might be seen as a ritual site.”
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