Search Results

Spanish Court Rules Against Dalí Foundation Protection of Artist’s Image

Thursday, June 30th, 2016

Greek Man Arrested in 2012 Theft of Dalí Drawing at Venus Over Manhattan Gallery

Wednesday, February 20th, 2013

AO Auction Recap – London: Sotheby’s Impressionist, Modern and Surrealist Sale, March 1st, 2017

Wednesday, March 1st, 2017

Salvador Dali’s Dinner Parties Profiled in The Guardian

Monday, November 21st, 2016

Christie’s Auctioning Collection of Surrealist Works Including Dali’s “Lobster Telephone”

Monday, October 17th, 2016

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, June 23rd, 2015

Tuesday, June 23rd, 2015

AO On Site – New York: “Bulletin Boards” at Venus Over Manhattan curated by Matthew Higgs of White Columns and featuring works by Rita Ackermann, Adam McEwen, Nate Lowman, Gavin Brown and others through August 24, 2012

Tuesday, August 14th, 2012

AO Newslink

Saturday, June 30th, 2012

AO Auction Results – London: Sotheby’s Contemporary Art Evening Sale, Tuesday, June 26, 2012

Wednesday, June 27th, 2012

AO Newslink

Friday, June 22nd, 2012

New York: Roberto Matta ‘Matta: a Centennial Celebration’ at Pace Gallery through January 28, 2012

Tuesday, January 17th, 2012

AO Onsite Auction Results – London: Impressionist & Modern Evening Sale and Art of the Surreal Sale at Christie’s London on Wednesday February 9, 2011 Bring in £84.9 million ($136.3 million); Record-Breaking Bonnard is Top Lot

Wednesday, February 9th, 2011

Don’t Miss – London: “Crash, Homage to J.G Ballard” at the Gagosian London through April 1, 2010

Saturday, March 27th, 2010

AO On Site – Stockholm: Dali Dali featuring Francesco Vezzoli at the Moderna Museet through January 17th 2010

Monday, January 11th, 2010

AO On Site Auction Results – New York: Sotheby’s Impressionist/Modern Sale November 4, 2009 – “An Incredible Thing to Experience”

Thursday, November 5th, 2009

Go See – Lausanne, Switzerland: Cézanne to Rothko at Fondation l’Hermitage, Featuring Braque, Warhol, Ernst, Twombly, Giacometti, Bacon, Renoir, Monet, and more, through October 25, 2009

Tuesday, August 25th, 2009

Go See – Berlin: The Pietzch Art Collection on Display at the Neue Nationalgalerie through November 22, 2009.

Saturday, July 18th, 2009

Salvador Dali

Thursday, November 27th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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