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Antony Gormley Sculptures Vandalized in Sefton

Saturday, June 24th, 2017

Salvador Dali’s Dinner Parties Profiled in The Guardian

Monday, November 21st, 2016

Christie’s Auctioning Collection of Surrealist Works Including Dali’s “Lobster Telephone”

Monday, October 17th, 2016

Anish Kapoor Calls Versailles Vandalism “an inside job”

Wednesday, September 28th, 2016

Ugo Rondinone Sculpture Vandalized

Tuesday, June 7th, 2016

Shepard Fairey Turns Himself In Over Detroit Vandalism

Tuesday, July 14th, 2015

Anish Kapoor Sculpture Vandalized in Versailles

Sunday, June 21st, 2015

Artist Istvan Kantor Arrested for Vandalism at Whitney

Thursday, August 21st, 2014

Sotheby’s to Offer Dali Portrait of Mona Bismarck Next Month

Sunday, January 20th, 2013

Breaking: Rothko Seagram Mural Painting Vandalized at Tate Modern in London

Monday, October 8th, 2012

AO Breaking News: Poussin paintings in National Gallery London vandalized with red paint

Monday, July 18th, 2011

AO Onsite Auction Results – London: “Looking Closely” Auction at Sotheby’s Brings in £93.5 million ($150.5 million) Against High Estimate of £54 million; Bacon Tryptic is Top Lot, Record Set for Dali

Thursday, February 10th, 2011

AO On Site – Stockholm: Dali Dali featuring Francesco Vezzoli at the Moderna Museet through January 17th 2010

Monday, January 11th, 2010

Salvador Dali

Thursday, November 27th, 2008

Münster Raising Money to Purchase Beloved Nicole Eisenman Sculpture

Thursday, March 15th, 2018

Los Angeles — Ellen Gallagher: “Accidental Records” at Hauser & Wirth Through January 28th, 2018

Monday, December 18th, 2017

Christie’s to Launch Standalone Sale of Works from Rockefeller Collection

Wednesday, November 22nd, 2017

AO Auction Results – New York: Sotheby’s Impressionist and Modern Evening Sale, November 14th, 2017

Wednesday, November 15th, 2017

Peggy Guggenheim’s Life in Venice Profiled in The Guardian

Thursday, May 11th, 2017

Versailles Art Exhibition Shifting to Group Focus

Thursday, March 16th, 2017

AO Auction Recap – Christie’s Impressionist and Modern Evening Sale, February 28th, 2017

Tuesday, February 28th, 2017

AO Auction Previews – London: Surrealist, Impressionist and Modern Art Evening Sales, February 28th – March 1st, 2017

Thursday, February 23rd, 2017

Bath Sees 100% Cut in Arts Funding, Prompting Calls for Aid from Home Office

Monday, February 20th, 2017

Masked Attackers Deface Kiev Exhibition Around Maidan Revolution

Tuesday, February 14th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Peter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons Talk 1980’s LES Art Scene in NYT

April 20th, 2018

Artists outside Katzs, via NYTPeter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons get together for a piece in the New York Times this week, dining at Katz’s and discussing the 80’s scene downtown. “SoHo had this hierarchy and the gallery structure, but when all these artists opened these fresh, young galleries, there was no hierarchy there,” Koons says of spaces in the Lower East Side. “It was really about showing exciting works. Things weren’t set up as business-oriented. I went through some of the SoHo galleries, but I was never completely accepted there. And as outsiders we finally had a place where we were embraced.”
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Tate Seeking Young Trustee for Museum Leadership

April 20th, 2018

tate, via Art NewspaperThe Tate is looking to appoint its first trustee to represent the interests of people aged 16-25, and will lower prices for younger visitors, the Art Newspaper reports. Tate head Maria Balshaw is reportedly seeking “a cultural entrepreneur and digital native” to help represent the interests of a new generation at the museum.
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Tate Archives Showcases Founding of New Outposts

April 20th, 2018

Tate Modern, via New YorkerThe newly opened Tate archives get a spotlight in the Art Newspaper this week, profiling the struggle and logistics behind opening the Tate Britain and Tate Modern as separate branches of the same institution. “I was always worried about appearing isolationist in regard to British art,” the piece quotes former Modern head Nicholas Serota. 
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