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Kurt Schwitters’s Merz Barn May Go Up for Sale

Sunday, January 21st, 2018

Kurt Schwitters’s Merz Barn Under Threat in Cumbria

Friday, June 9th, 2017

Last Zaha Hadid Design Goes on View in Zürich for Kurt Schwitters Exhibition

Wednesday, June 15th, 2016

Theaster Gates Wins Germany’s Kurt Schwitters Prize

Tuesday, April 12th, 2016

Kurt Schwitters Installation Moved to Museum in Norway

Wednesday, February 10th, 2016

The Guardian Reflects on Kurt Schwitters’ Merz Barn and its Relocation to Newcastle

Friday, September 25th, 2015

Pierre Huyghe Wins 2015 Kurt Schwitters Award

Wednesday, February 18th, 2015

Zürich – “Schwitters Miró Arp” at Hauser and Wirth Through September 18th, 2016

Thursday, September 1st, 2016

AO Auction Preview – New York: New York Auction Week, May 15th – 18th, 2017

Monday, May 15th, 2017

Germany Opens Center for Persecuted Art

Tuesday, December 15th, 2015

London – Joseph Cornell: “Wanderlust” at The Royal Academy of Art Through September 27th, 2015

Sunday, September 6th, 2015

AO Auction Recap – London: Impressionist and Modern Evening Sales, June 23-24th, 2014

Thursday, June 26th, 2014

London – Hannah Höch at Whitechapel Gallery, through March 23rd 2014

Friday, March 14th, 2014

New York – Tacita Dean: “Fatigues” at Marian Goodman Gallery Through March 9, 2013

Sunday, March 3rd, 2013

AO Interview – New York: Dustin Yellin on 'Investigations of a Dog' at Half Gallery, through April 22, 2012

Saturday, March 24th, 2012

AO News Summary – London: Tacita Dean awarded Unilever Commission for Tate Modern’s Turbine Hall

Wednesday, December 15th, 2010

Go See – New York: New Photography 2009 at MoMA through January 11, 2010

Monday, October 19th, 2009

AO Auction Results – London: Christie’s Impressionist and Modern Art Evening Sale, Wednesday, June 20, 2012

Thursday, June 21st, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Pace Gallery to Represent Acconci Studios

February 24th, 2018

Vito Acconci, via PacePace Gallery has taken on representation of Vito Acconci’s Acconci Studios, in partnership with Art Agency, Partners, the gallery announced in a statement.  “A truly innovative creator and agitator who was foundational to contemporary art today, Acconci fits perfectly within Pace’s program of leading 20th and 21st century artists and estates,” said Marc Glimcher, Pace Gallery President and CEO. “There’s still so much of his practice to uncover and reexamine and we’re thrilled to join with Maria Acconci to share Vito Acconci’s vision and expand his legacy around the world.”
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Frieze to Launch Los Angeles Edition Next February

February 24th, 2018

frieze-london-via-art-newsFrieze has announced plans for a Los Angeles edition of its fair, to be held February 14 to 17, 2019, the Art News reports. Bettina Korek of ForYourArt has been appointed executive director of Frieze LA, with Ali Subotnick serving as the fair’s curator. “Frieze is in a unique position to create a successful fair in LA because of our experience in London and New York and our partnership with Endeavor, who have deep roots in LA and will work with us to bring a fantastic audience to the fair,” founder Victoria Siddall says.
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Adrienne Edwards Tapped as New Performance Curator at Whitney

February 24th, 2018

Adrienne Edwards, via Art NewsThe Whitney Museum in New York has appointed Adrienne Edwards as its Engell Speyer Family Curator and Curator of Performance. She previously worked with Performa, where she organized various thematic presentations, including last year’s “Afroglossia,” focused on African performance art. “Adrienne has distinguished herself as one of the most innovative curators working in performance today by engaging artists across diverse disciplines and often challenging them to explore new genres and experimental forms,” Scott Rothkopf, the deputy director for programs and the chief curator at the Whitney, said. “She brings to the Whitney a wonderful complement of scholarly rigor, social commitment, and a deeply humane understanding of artists and their audiences.”
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