Search Results

Jay Gorney and Lisa Cooley Joining Paula Cooper Gallery

Monday, January 23rd, 2017

Lisa Cooley Closing Space on LES

Monday, August 29th, 2016

New York – “Active Ingredient” at Lisa Cooley Through February 14th, 2016

Monday, February 8th, 2016

New York – “I Dropped the Lemon Tart” at Lisa Cooley Through August 21st, 2015

Monday, July 27th, 2015

New York – Matthew Darbyshire: “Suite” at Lisa Cooley Through March 29th, 2015

Friday, March 27th, 2015

New York – Andy Coolquitt: “somebody place” At Lisa Cooley Through October 19, 2014

Monday, October 13th, 2014

New York – “Itself Not So” at Lisa Cooley Through August 29th, 2014

Thursday, August 28th, 2014

New York – Carter: “Beside Myself” at Lisa Cooley Through March 26th, 2014

Tuesday, April 22nd, 2014

Lisa Cooley Profiled in New York Times

Friday, January 17th, 2014

New York – “The String and the Mirror” at Lisa Cooley Gallery Through August 28th, 2013

Monday, August 12th, 2013

New York – Lisa Cooley: “Air de Pied-à-terre” at Lisa Cooley Through February 3rd 2013

Friday, February 1st, 2013

AO On Site – New York: Inaugural group exhibition of new Lisa Cooley space, show runs through March 25, 2012

Monday, March 19th, 2012

AO Fair Preview: Art Basel Miami Beach, December 4th-9th, 2013

Monday, December 2nd, 2013

AO Onsite Photoset – NADA Art Fair in Miami Beach, December 7th, 2012

Saturday, December 8th, 2012

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

AO Newslink

Sunday, September 16th, 2012

AO On Site with Photoset – New York: NADA Art Fair, May 4–7, 2012

Tuesday, May 8th, 2012

Sunday, February 12th, 2012

AO On Site review with Photoset – Art Basel Miami Beach 2011: NADA Art Fair Summary at the Deauville Beach Resort

Monday, December 5th, 2011

AO On Site with Photoset and Interview with MoCa Miami Associate Curator Ruba Katrib – Art Basel Miami Beach 2010: The NADA Art Fair the Deauville Resort, Miami Beach

Sunday, December 5th, 2010

AO On Site – New York: Knight’s Move at SculptureCenter, through July 26, 2010

Sunday, May 9th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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