Search Results

Jay Gorney and Lisa Cooley Joining Paula Cooper Gallery

Monday, January 23rd, 2017

Lisa Cooley Closing Space on LES

Monday, August 29th, 2016

New York – “Active Ingredient” at Lisa Cooley Through February 14th, 2016

Monday, February 8th, 2016

New York – “I Dropped the Lemon Tart” at Lisa Cooley Through August 21st, 2015

Monday, July 27th, 2015

New York – Matthew Darbyshire: “Suite” at Lisa Cooley Through March 29th, 2015

Friday, March 27th, 2015

New York – Andy Coolquitt: “somebody place” At Lisa Cooley Through October 19, 2014

Monday, October 13th, 2014

New York – “Itself Not So” at Lisa Cooley Through August 29th, 2014

Thursday, August 28th, 2014

New York – Carter: “Beside Myself” at Lisa Cooley Through March 26th, 2014

Tuesday, April 22nd, 2014

Lisa Cooley Profiled in New York Times

Friday, January 17th, 2014

New York – “The String and the Mirror” at Lisa Cooley Gallery Through August 28th, 2013

Monday, August 12th, 2013

New York – Lisa Cooley: “Air de Pied-à-terre” at Lisa Cooley Through February 3rd 2013

Friday, February 1st, 2013

AO On Site – New York: Inaugural group exhibition of new Lisa Cooley space, show runs through March 25, 2012

Monday, March 19th, 2012

AO Fair Preview: Art Basel Miami Beach, December 4th-9th, 2013

Monday, December 2nd, 2013

AO Onsite Photoset – NADA Art Fair in Miami Beach, December 7th, 2012

Saturday, December 8th, 2012

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

AO Newslink

Sunday, September 16th, 2012

AO On Site with Photoset – New York: NADA Art Fair, May 4–7, 2012

Tuesday, May 8th, 2012

Sunday, February 12th, 2012

AO On Site review with Photoset – Art Basel Miami Beach 2011: NADA Art Fair Summary at the Deauville Beach Resort

Monday, December 5th, 2011

AO On Site with Photoset and Interview with MoCa Miami Associate Curator Ruba Katrib – Art Basel Miami Beach 2010: The NADA Art Fair the Deauville Resort, Miami Beach

Sunday, December 5th, 2010

AO On Site – New York: Knight’s Move at SculptureCenter, through July 26, 2010

Sunday, May 9th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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