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Marina Abramovic Profiled in The Guardian

Monday, February 19th, 2018

Marina Abramovic and Jeff Koons Fronting Virtual Reality Art Project

Monday, June 12th, 2017

Marina Abramovic Featured in “Lunch with the FT”

Monday, December 5th, 2016

The Guardian Summarizes Bizarre Accusations of Satanism Towards Marina Abramovic and Clinton Campaign After New Series of Email Leaks

Monday, November 7th, 2016

Marina Abramovic Profiled in New York Magazine

Wednesday, October 19th, 2016

Marina Abramovic Interviewed in NYT

Monday, October 17th, 2016

Salon Charts Economics at Foreground of Recent Lawsuit Between Ulay and Marina Abramovic

Tuesday, October 11th, 2016

Ulay Wins Court Case Against Former Partner Marina Abramovic Over Royalties for Joint Works

Friday, September 23rd, 2016

Marina Abramovic Planning Ambitious Film Series

Tuesday, April 5th, 2016

New York – Marina Abramovic: “Goldberg” at the Park Avenue Armory, December 7th – 19th, 2015

Tuesday, December 15th, 2015

Ulay, Marina Abramovic’s Former Partner, Suing for Unpaid Royalties and Misattribution

Friday, November 13th, 2015

Marina Abramovic Interviewed in The Guardian

Monday, July 6th, 2015

Marina Abramovic to Release Memoirs in Fall of 2016

Wednesday, March 4th, 2015

Marina Abramovic Talks Market Value and Her Legacy with Bloomberg Businessweek

Tuesday, March 3rd, 2015

Marina Abramovic Brings New Performance to Art of Elysium Benefit

Monday, January 12th, 2015

Marina Abramovic Preparing New Installation for Sydney in 2015

Friday, November 21st, 2014

Marina Abramovic Interviewed in Wall Street Journal

Wednesday, October 29th, 2014

Marina Abramovic Interviewed by The Observer

Monday, October 27th, 2014

Marina Abramovic Profiled in W Magazine

Thursday, October 23rd, 2014

Marina Abramovic Announces Sensory Deprivation Exhibition at Sean Kelly

Monday, October 13th, 2014

Marina Abramovic Reaches Out to Lars Von Trier

Friday, October 10th, 2014

Marina Abramovic Recreates “Work Relation” Piece for Adidas.

Friday, July 11th, 2014

Marina Abramovic’s Minimalist Performance “512 Hours” Opens at Serpentine

Friday, June 13th, 2014

Marina Abramovic Interviewed in Wall Street Journal

Monday, June 9th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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