Currently on view at Gladstone Gallery’s New York City gallery, artist Ian Cheng is giving the world premiere of his new work BOB (Bag of Beliefs), the first of a series of artificial lifeforms created by the artist. BOB is presented as an evolving, chimeric serpent, twisting and moving on-screen in a manner that sees him both learning from, and failing in, his new digital environment. Long a devotee of simulations and learning environments, BOB advances Cheng’s use of these modes to focus on one’s capacity to deal with surprise: the subjective difference between expectations and perception. (more…)
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With the annual return of The Armory Show to the Piers on the West Side of Manhattan, so too comes the annual opening of the SPRING/BREAK Art Show, the adventurous, curator-driven program that takes up space at a pop-up location for a week of compelling and unique exhibitions and projects. The fair’s playful reputation and emphasis on young artists and curators welcomed a striking intersection of styles and practices, yet one that seemed to frequently play on witty inversion or twists on the banal. Given the size and scale of the proceedings around it, SPRING/BREAK has edged out an impressive niche for itself among the bustle of Armory Week, a space where exploration and adventurousness seem to win out over the sales-focused proceedings of its bigger sister fairs around New York. One can only hope that this sense of the unexpected continues to sit at the core of its mission, offering a refreshing respite from the all too familiar fair fatigue of the week. (more…)
Marking its 10th anniversary this year, the Independent NY Art Fair has proven itself as something of a special case in the presentation of an art fair. Smaller in scale and more focused in terms of its gallery selections, the fair’s presentation feels more like a presentation of a series of small gallery shows run side-by-side. Offering a more nuanced, mellow browsing experience in conjunction with the fair’s invite-only exhibitor structure and immense glass windows, the fair has built a reputation as a boutique event with impressive draw, with this 10th year only driving that appeal home. (more…)
Following a marathon week of openings and shows between New York and London, the first major Contemporary Evening Sales of 2019 are in the bag, with a trio of sales closing out the week in London with a market picture that seemed relatively strong. No doubt clouded in some part by the uncertainty of the impending Brexit, the week’s sales still managed to achieve some impressive figures and strong sell-through rates, keeping the uncertainty of the following months alive in the British capital.
Jean-Michel Basquiat, Apex (1986), via Sotheby’s (more…)
Artist Carolee Schneemann, the artist whose work relentlessly challenged and reframed cultural discourses and taboos around sex, identity and gender, has died at the age of 79.
Born in Philadelphia, Schneemann studied at Bard in New York, and would continually challenge assumptions regarding her gender as an artist, including a suspension from the school over painting nude self-portraits. Schneeman would still graduate, and would move to New York, where she became involved in the city’s experimental arts scene. Exploring performance works, she would challenge the viewer’s engagement with the female body, famously pulling a reel of text from her vagina to read aloud in public for her work Interior Scroll, while another performance, Up to and Including Her Limits suspended her naked from the ceiling of a gallery, swinging about to mark the walls with crayon.
Schneemann would continue to make challenging and confrontational work throughout her career, ultimately receiving the Golden Lion for Lifetime Achievement at the Venice Biennale in 2017. “I think I’m stubborn. In the beginning, I had no precedent for being valued,” she told the Guardian in 2015. “Everything that came from a woman’s experience was considered trivial. I wasn’t sure if my work would shift that paradigm or not, but I had to try.”
Performance artist Carolee Schneemann dies aged 79 [Guardian]
Considered among New York’s premier art fairs, and a leading cultural destination for discovering and collecting the world’s most important 20th- and 21st-century art, The Armory Show has long figured at the forefront of the city’s annual spring offerings for art exhibitions and shows. This year, the fair has once again touched down in New York, bringing with it its annual presentations by leading international galleries, innovative artist commissions and dynamic public programs. (more…)
Currently on view at Metro Pictures, artist Jim Shaw returns to New York with a series of five new paintings, united under the name The Family Romance. Continuing the artist’s penchant for blending personal, political, and surreal narratives, the show traces Shaw’s interests in behavioral psychology and themes surrounding the family unit. (more…)
As the winter months drags slowly to its conclusion, and the weather shifts into more temperate conditions, New York City will once again step into its role as a central hub of the contemporary art market, and the global art fair circuit, kicking off its string of fairs across the city. Centering around the annual Armory Show Art Fair on the West Side, the week serves as one of the more important selling weeks of the first half of 2019. (more…)
Marking the first entry in the busy weeks of March in New York, the ADAA Art Show opened its doors this week, putting a few days between its own fair and the mass of exhibitors opening their doors in the coming days. The first week of March is always a packed one for gallerists and artists, with the usual string of exhibitions and openings coupled with the ever-growing number of art fairs taking up space across the city during Armory Art Week. With that in mind, the ADAA’s attempts at putting some space between its event and the rest of March’s bustling pace has made it a fitting first entry, a considered, careful staging that sets the tone for the days to come. (more…)
Few artists have continued to explore the overlapping languages of commerce, visual art and the attendant formats of culture that lay somewhere between the two in the same manner as Josephine Meckseper. Frequently incorporating the languages of commercial display in conjunction with references to film and painting, her works are confounding arrangements of both corporeal bodies and abstracted agents, each contending for the viewer’s attention in strange, often foreign ways. For her current show, on view at Timothy Taylor in New York, the artist brings a set from her own film, PELLEA[S]. (more…)
Over the course of the last two evenings in London, the major auction houses rounded out an uneven, occasionally disappointing series of sales in the British capital, casting some doubts over the prolonged strength of the Impressionist and Modernist market in the UK, EU and beyond. Missing out on major fireworks at both houses, save for a few auction records already anticipated to fall, the evening sales at Sotheby’s and Christie’s have posed some hard questions regarding the market’s current health, and just how markets are responding to an increasingly foggy Brexit picture.
AO Auction Preview – London: The Impressionist/Modern and Post-War/Contemporary Evening Sales, February 26th – March 7th, 2019Monday, February 25th, 2019
With the month of February drawing to a close, the major auction houses are gearing up for their first real test of the year, with a string of auctions set to take place over the course of the following weeks in London. Marking major sales for both the Impressionist/Modern and Post-War/Contemporary categories, the next two weeks should offer some perspective on how the secondary market is faring in relation to what seems to be an energetic but slightly smaller fair circuit. (more…)
Latvian-born painter Ella Kruglyanskaya brings her stylized depictions of female figures to New York this month, presenting a show of new paintings at Gavin Brown’s spacious Harlem gallery space. The show, dwelling on her restlessly inventive and stylistically diverse body of work, has installed the artist’s range of portraits and scenes depicting women’s bodies and social contexts through a range of varied lenses. (more…)
Delving into the life and work of the monumental American writer James Baldwin, Hilton Als has taken another turn as a curator at David Zwirner Gallery, mounting an exhibition that both explores and critiques the artist’s career, and his complicated relationship to the political landscape and social conflicts of the United States. The show, following up on Als’s exploration of the work of Alice Neel, is a nuanced review of Baldwin’s connections between Paris and New York and its diverse art scenes, in conjunction with his own aesthetic longings beyond that of his writing. (more…)
For a city that has embraced its emergence onto the global arts stage in recent years, its still an impressive feat that Los Angeles’s first major market week would open with four well-curated and diverse events, perhaps even more impressive that each would manage to express such a unique vision and concept in relation to the broader fabric of the week. From Frieze’s dynamic use of the Paramount Studios lots to SPRING/BREAK’s utilization of fruit stands downtown, the mixture of familiar forms in intriguing locales has helped define this whirlwind week in California.
Calvin Marcus at Clearing (more…)
AO On-Site – Los Angeles: SPRING/BREAK LA at The Stalls at Skylight ROW DTLA, February 15th – 17th, 2019Sunday, February 17th, 2019
Opening up its own intriguing take on the landscape of Los Angeles and its ample supply of artists and galleries, SPRING/BREAK has brought its production to the City of Angels for the first time, launching a supplementary event that feels particularly resonant amid the hustle and bustle of Frieze week. (more…)
The design for the 2019 edition of the Serpentine Pavilion has been announced, with Japanese designer Junya Ishigami tapped to execute a light, illusory design appearing as if it was quite hefty and overpowering. “Possessing the weighty presence of slate roofs seen around the world, and simultaneously appearing so light it could blow away in the breeze, the cluster of scattered rock levitates, like a billowing piece of fabric,” his firm said in a statement. (more…)
As Thursday draws to a close, and the sun sets over the Pacific, the Frieze Los Angeles Art Fair has wrapped its first day of operation, closing on a a particularly strong and visually striking event that lived up to the anticipation many had afforded it. Installed around the enigmatic environs of the Paramount aquatic tank, the fair’s installation structure and emphasis on its normal uses lent the event a flair that likely will rarely be matched among the highest levels of the contemporary fair circuit. Its strange inclusion of a massive painted skyline against the rows of booths made for a captivating comment on the land of make-believe so many afford the city as a characteristic.
Ken Price, L.A Bowl (1991) at Mathew Marks (more…)
AO On-Site – Los Angeles: Art Los Angeles Contemporary at Santa Monica Airport, February 13th – 17th, 2019Thursday, February 14th, 2019
Opening the week of art fairs in Los Angeles, the VIP preview for Art Los Angeles Contemporary has gotten underway at the Santa Monica Airport this evening. The tenth edition of the fair continues its place as a site for established and emerging galleries from around the world, with a strong focus on the city’s own arts communities. Outdating the Frieze art fair by a full decade, ALAC has long been a centerpiece in the landscape of Los Angeles’s contemporary arts scene. Now, the fair seems to have taken on a more boutique stature among the increasingly fragmented landscape of the city’s fair offerings. (more…)
Taking a new spin on Art Week in the Californian metropolis, this week sees the inaugural edition of Frieze Los Angeles, a new fair opening under the sunny skies of the Golden State. Setting up shop at Paramount Studios, this week will serve as something of a victory lap for a city whose contemporary arts offerings have exploded in past years, and which has taken on the role of a cultural capital for both artists and the galleries representing them.
New work by Charles Long, Paradigm Lost, is currently on view at the Tanya Bonakdar Gallery in New York through February 9. This exhibition brings together work that the artist has created over the past year, continuing the artist’s “investigation of the forms scattered on the shore of modernism’s receding wave.” For Long’s thirteenth solo exhibition with the gallery, the artist continues his long-standing exploration of the legacy and trajectory of modernism, pointing to the need to renegotiate and transcend its shortcomings. With reference to various figureheads of the 20th century, Paradigm Lost illustrates the casualties and excesses staged by the present moment’s patriarchal forbearers with nuance and play.
Installation view. All images via Tanya Bonakdar Gallery.
As a resident of Mt. Baldy, California for over a decade, Long’s current work has been inspired by the deteriorating landscape, detritus and tree trunks, that he has encountered during his daily walks through this landscape. As trees die and other effects of climate change take hold, the village has become overrun with stumps and stacks of massive logs. For Long, the symbolic weight of this material resonates with the social and political consequences of the inheritance of patriarchy. In light of this, paradigm lost approaches Long’s role in these circumstances, taking into account his identity as a socially gendered being.
In one work, Long replaced the concentric rings of a tree stump with a cross-section of the human penis. From this, a third association appeared. As the artist explains “The anatomical cross section oddly resembled a face or ancient mask that looked back at me with an expression of confusion or sorrow…The new works then spilled out from this tear in the fabric of my being in myriad images and forms of this open body, creating a mythological world, all of it bound of the sole motif derived from the anatomical cross section of the human male anatomy.”
Accordingly, Paradigm Lost seeks to offer a place to contemplate the “aftermath of a patriarchal apocalypse.” Though this collapse of the patriarchy is largely imagined in the space of the exhibition, the work therein seeks to create space to contemplate the effects and conditions that led to this hypothetical extinction. Long’s immersive exhibition creates space for mourning the planet, as well as the collapsing social and political systems that have failed, while remaining open to nuance and sardonic critique. Ultimately, the exhibition is a meditation on the future, hoping to set the stage for an unscripted performance that will usher in the new paradigm.
— A. Corrigan
Exhibition page [Tanya Bonakdar Gallery]
Offering a counter point to the big budget proceedings at Zona Maco across town, Material Art Fair has once again returned to the spacious halls of the Expo Reforma once again (the first time in the same location as a previous edition), opening its doors this Thursday to strong attendance and interest from collectors and attendees. (more…)
Zona Maco has opened for its 16th year, celebrating the milestone event today with the first day of its VIP preview, and a look at the stature of the fair in relation to the burgeoning artistic community in Mexico City. Once again taking over the expanses of the Centro Banamex, Zona Maco opened on a sunny, warm Tuesday, a much-needed relief from the brittle cold that has swept over much of the northern US and parts of Europe in the past few weeks.
Abraham Cruzvillegas, Blind self portrait listening to the version of ‘Canción mixteca’ (‘Qué lejos estoy’) by Enrique “Chato” Rodríguez, while tasting an unexpected spirulina ice cream at a Thai restaurant in Austin, after finishing a book about a guy selling snow balls in Manhattan, thinking on how specific needs generate diverse shapes in space… (2018), via Kurimanzutto
As the winter season winds slowly towards spring, the art world will look for its first taste of warmer climes for 2019, with the first major art fair of the year set to open in the sunny capital of Mexico. Running through the week, the Zona Maco and Material Art Fairs offer the first look at the market landscape for the global fair scene, and the increasingly strong influence of Latin America on the broader art market. (more…)