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New York – Richard Artschwager: “No More Running Man” at Gagosian, Through February 22nd, 2014

Friday, February 21st, 2014

Whitney’s Chelsea Museum to Feature Elevators Designed by Richard Artschwager

Saturday, June 8th, 2013

Richard Artschwager Dies at 89

Saturday, February 9th, 2013

New York – “Richard Artschwager: The Desert” at David Nolan Gallery, Through Decmber 22nd, 2012

Thursday, December 20th, 2012

New York City – Richard Artschwager: “Richard Artschwager!” at the Whitney Museum and “BLPS” at The Highline, Through February 3rd, 2012

Sunday, November 25th, 2012

Artschwager’s “blps” Head West

Monday, August 12th, 2013

Baldessari and Ruscha Talk Artschwager at the Hammer Museum

Tuesday, July 9th, 2013

Richard Armstrong named new Director of the Guggenheim Foundation

Wednesday, September 24th, 2008

Paris – “Space Age” at Galerie Thaddaeus Ropac Through December 23rd, 2015

Thursday, December 24th, 2015

Los Angeles: “Flat World” at David Kordansky Gallery Through August 15th, 2015

Monday, August 10th, 2015

AO On Site – New York: Frieze New York Art Fair on Randall’s Island May 14th-17th, 2015

Saturday, May 16th, 2015

Prada Foundation Announces “Art or Sound” for 2015 Biennale

Thursday, March 13th, 2014

Basel, Switzerland: Art Basel 2013 Preview, June 13th-16th, 2013

Tuesday, June 11th, 2013

AO On-site: The ADAA Art Show at The Park Avenue Armory: March 6th-10th, 2013

Sunday, March 10th, 2013

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

AO Interview With Artist Liliana Porter, Pinta New York’s Invited Artist for 2012, November 15th – 18th, 2012

Thursday, November 15th, 2012

AO On Site – Paris: FIAC Final Summary (with Photoset) October 19–23, 2011

Monday, October 24th, 2011

Go See – New York: ‘Legacy: The Emily Fisher Landau Collection’ at Whitney Museum of American Art through May 1, 2011

Saturday, February 26th, 2011

Don’t Miss – London: “Crash, Homage to J.G Ballard” at the Gagosian London through April 1, 2010

Saturday, March 27th, 2010

Go See: Artist’s Choice: Vik Muniz’s ‘Rebus’ at the Museum of Modern Art, New York Through February 23, 2009

Tuesday, December 30th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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